On the outskirts of Tokyo, near a station on a private train line, stands a modest European style house with a red, triangular shaped roof. There a woman named Taki has worked as a maidservant in the house and lived with its owners, the Hirai family. Now, near the end of her life, Taki is writing down in a notebook her nostalgic memories of the time spent living in the house. Her journal captures the refined middle-class life of the time from her gentle perspective. At the end of the novel, however, a startling final chapter is added. The chapter brings to light, after Taki’s death, a fact not described in her notebook. This suddenly transforms the world that had been viewed through the lens of a nostalgic memoir, so that a dramatic, flesh-and-blood story takes shape. Nakajima manages to combine skillful dialogue with a dazzling ending. The result is a polished, masterful work fully deserving of the Naoki Prize.

    When Yoon receives a distressing phone call from her ex-boyfriend after eight years of separation, memories of a tumultuous youth begin to resurface, forcing her to re-live the most intense period of her life. With profound intellectual and emotional insight, she revisits the death of her beloved mother, the strong bond with her now-dying former college professor, the excitement of her first love, and the friendships forged out of a shared sense of isolation and grief.   Yoon’s formative experiences, which highlight both the fragility and force of personal connection in an era of absolute uncertainty, become immediately palpable. Shin makes the foreign and esoteric utterly familiar: her use of European literature as an interpreter of emotion and experience bridges any gaps between East and West. Love, friendship, and solitude are the same everywhere, as this book makes poignantly clear.

    In this lively, entertaining, and often hilarious memoir, he relates the early life of a first-generation Thai-American and his constant, often bumbling attempts to reconcile cultural and familial expectations with the trials of growing up in 1980s America.            Young Ira may have lived in Oak Lawn, Illinois, but inside the family’s bi-level home was “Thailand with American conveniences.” They ate Thai food, spoke the Thai language, and observed Thai customs. His bedtime stories were tales of Buddha and monkey-faced demons. On the first day of school his mother reminded him that he had a Siamese warrior’s eyes—despite his thick glasses—as Aunty Sue packed his Muppets lunch box with fried rice. But when his schoolmates played tag he was always It, and as he grew, he face the constant challenge of reconciling American life with a cardinal family rule: “Remember, you are Thai.”            Inside the Thai Buddhist temple of Chicago, another “simulated Thailand,” are more rules, rules different from those of the Southside streets, and we see mainstream Western religion—“god people”—through the Sukrungruang family’s eyes. Within the family circle, we meet a mother who started packing for her return to Thailand the moment she arrived; her best friend, Aunty Sue, Ira’s second mother, who lives with and cooks for the family; and a wayward father whose dreams never quite pan out.            Talk Thai is a richly told account that takes us into an immigrant’s world. Here is a story imbued with Thai spices and the sensibilities of an American upbringing, a story in which Ira practices English by reciting lines from TV sitcoms and struggles with the feeling of not belonging in either of his two worlds. For readers who delight in the writings of Amy Tan, Gish Jen, and other Asian-Americans, Talk Thai provides generous portions of a still-mysterious culture while telling the story of an American boyhood with humor, playfulness, and uncompromising honesty.

    These are Illustrated with beautiful images by Japan's most famous artists.The haiku form is a perfect way of capturing a moment of experience, and in this book, the experiences are extended by the illustrations.Special use is made of the artist Utamaro's exquisite Ehon mushi erabi (A Selection of Insects). The fact that this sophisticated artist chose insects for one of his most luxurious woodblock printed albums underlines the Japanese appreciation of even the most diminutive of animals in the haiku.This beautiful book inspires readers to regard the animal kingdom with new eyes.

    Hovannisian's Family of Shadows is a searing history of Armenia, realized through the lives of three generations of a single family. In Family of Shadows, Hovannisian traces the arc of his family's changing relationship to its motherland, from his great-grandfather's flight to America after surviving the Armenian Genocide to his father Raffi Hovannisian's repatriation and subsequent climb to political prominence as the head of the Heritage Party. Hovannisian's articles on Armenian issues, including the Genocide, the Armenian Diaspora, and the challenges of post-Soviet statehood, have appeared in the Los Angeles Times, Christian Science Monitor, Chicago Tribune, Armenian Observer, Ararat, and numerous other publications.

    But is her allegiance to the principles of Mao or to Jed, the comrade she’s in love with? Can she really be a part of the movement or is she just a “useful fool,” a spoiled brat playing at revolution? Far from the Philippines, in a mansion overlooking the Hudson River, Sol confesses her youthful indiscretions, unable to get past the fatal act of communist fervor that locked her memory in an endless loop. Rich with wordplay and unforgettable imagery, Gun Dealers’ Daughter combines the momentum of an amnesiac thriller with the intellectual delights of a Borgesian puzzle. In her American debut, award-winning author Gina Apostol delivers a riveting novel that illuminates the conflicted and little-known history of the Philippines, a country deeply entwined with our own.

    Asian American Studies. Winner of the G.S. Sharat Chandra Prize for Short Fiction selected by Jonis Agee. "Based on dire events in Japanese history and the key of folktale Mariko Nagai has written stories of a stark and unforgettable human landscape. War, imprisonment, hunger, and betrayals are in these timeless narratives. In the last story, drowning land, a young man who has spent his life sleeping and dreaming hears a voice whispering, It is time to wake up. The past has finally counted and enough change has come from his dreaming life to get him to act. Now, there is the possibility of release and change of body, soul and mercy uniting with what is essential in order to grace communal life. This is a deeply thoughtful and beautifully written work" Gioia Timpanelli."

    Characteristically threatening, monstrous creatures with ugly features and fearful habits, including cannibalism, they also can be harbingers of prosperity, beautiful and sexual, and especially in modern contexts, even cute and lovable. There has been much ambiguity in their character and identity over their long history. Usually male, their female manifestations convey distinctivly gendered social and cultural meanings.Oni appear frequently in various arts and media, from Noh theater and picture scrolls to modern fiction and political propaganda, They remain common figures in popular Japanese anime, manga, and film and are becoming embedded in American and international popular culture through such media. Noriko Reiderýs book is the first in English devoted to oni. Reider fully examines their cultural history, multifaceted roles, and complex significance as "others" to the Japanese.

    The cargo ship on which she was evacuated from Singapore in 1942 was shelled, leaving her on a makeshift raft with 16 other survivors. One by one they perished, leaving her alone, burnt black by the sun, and suffering from heat exhaustion and dehydration. Discovered by a Japanese destroyer and imprisoned on Banka Island, Turner was beaten and tortured, before being taken to the notorious Palembang jail. Here, crammed with murderers and rapists in a filthy cell, she spent six months, living in daily fear of joining the many who were noisily tortured and executed. In this, the first biography for 40 years, Penny Starns describes the often horrific, but occasionally heart-warming, experiences of this unbreakable woman who, not content with surviving the war, went on to become a brigadier and Chief Military Nurse. Using recently released material from The National Archives and Turner's own words, she re-analyses the Pacific conflict against a backdrop of one woman's incredible fortitude and strength, and brings the story of a remarkable woman to life.

    

    . . In these pages, you will find the lives of all of us” (Japan Times).Sexually explicit and searingly honest, So We Look to the Sky is a novel told in five linked stories that begin with an affair between a student and a woman ten years his senior, who picks him up for cosplay sex at a comics convention. Their scandalous liaison, which the woman's husband makes public by posting secretly taped video online, frames all of the stories, but each explores a different aspect of the life passages and hardships ordinary people face. A teenager experimenting with sex and then, perhaps, experiencing love and loss; a young, anime-obsessed wife bullied by her mother-in-law to produce the child she and her husband cannot conceive; a high-school girl, spurned by the student, realizing that being cute and fertile is all others expect of her; the student's best friend, who lives in the projects and is left alone to support and care for his voracious senile grandmother; and the student's mother, a divorced single parent and midwife, who guides women bringing new life into this world and must rescue her son, crushed by the twin blows of public humiliation and loss, from giving up on his own.          Narrating each story in the distinctive voice of its protagonist, Misumi Kubo weaves themes including the female body, the roles women are assigned by society, and the bullying and social pressures that leave young people feeling burdened and helpless into a profoundly original novel that lingers in the mind for its affirmation of the raw, unquellable force of life.