Rockefeller, Andrew Mellon, Henry Clay Frick, and William Randolph Hearst. In a series of articles originally published in The New Yorker, playwright S.N. Behrman evokes the larger-than-life Duveen and reveals the wheeling and dealing, subterfuge, and spirited drama behind the sale of nearly—but not quite—priceless Rembrandts, Vermeers, Turners, and Bellinis.

    The original 1952 edition was banned in the USA on the grounds of obscenity, and had a restricted circulation in Australia, with a court ruling that some of the plates had to be 'blacked out' before copies could legally be sold. This edition reproduces all the material in the original, along with new introductions and additional colour plates.