By the time of the 1917 Bolshevik revolution, Fr Pavel had become a leading voice in Russia's great movement in religious philosophy, a movement whose roots lay in the rich ground of nineteenth-century Russian monasticism and whose branches included the work of Bulgakov, Berdiaev, and Solovyev. In the 1920s and 1930s the Soviets violently destroyed this splendor of Russian religious thought. In 1922, Fr Pavel was silenced, and, after a decade of forced scientific work for the regime, he was arrested on false charges, tried, imprisoned, and, in 1937, murdered by KGB directive. Aleksandr Solzhenitsyn honored Fr Pavel in The Gulag Archipelago. Iconostasis is Fr Pavel's final theological work. Composed in 1922, it explores in highly original terms the significance of the icon: its philosophic depth, its spiritual history, its empirical technique. In doing so, Fr Pavel also sketched a new history of both Western religious art and the Orthodox icon: a history under the direct operation of the Holy Spirit. The work is original, challenging and profoundly articulate. This translation is the first complete English version.

    Where other collections are only the products of psychotherapeutic case studies, this heavily illustrated, classic analysis stands in valuable contrast by presenting purely spontaneous and original works.

    Illustrated with etchings by Stefan Eggeler.Interior ISBN is 9780972182027.

    It is Lissitzky's "scientific romance," an allegory of the fourth dimension and its effect on the three-dimensional world. When it was first published in Berlin in 1922, "About 2 Squares" presented a radical rethinking of what a book was, demonstrating a new way of organizing typography on a page and relating it to visual images. It marked the beginning of a new graphic art and is among the most important publications in the history of the avant-garde in typography and graphic design.This facsimile limited edition is reproduced in letterpress with the English translation printed on a transparent overlay to register over the original Russian.The commentary, "More About 2 Squares," boxed in the same slipcase, provides a detailed analysis of this seminal work. Railing provides a brief historical survey of avant-garde poetry in Russia and shows how the letter/ sound was applied by Lissitzky in "About 2 Squares" as a corollary to the pictorial images - a relationship that forms the basis of abstract or nonobjective language and painting in Russia, and is the theoretical and creative source and device of Lissitzky's graphic design. Railing's is a study both of the philosophical idea of suprematism and the artistic content of Lissitzky's architectural extension of the suprematist painting of Kazimir Malevich, which he called the Proun, and of its particular role as a sequence of images used to create the story "About 2 Squares."

    While there are many that document what particular artists are doing, this one offers a way in for a person who wants to perform (or know more about how performance artists work). Must reading for anyone interested in performance art, it will also be fascinating to those in theatre, playwriting, visual arts and performance of any sort.

    Contains over 700 drawings, classes and exercises and practice examinations for the South Kensington Examination in Geometrical drawing.

    In the interest of creating a more extensive selection of rare historical book reprints, we have chosen to reproduce this title even though it may possibly have occasional imperfections such as missing and blurred pages, missing text, poor pictures, markings, dark backgrounds and other reproduction issues beyond our control. Because this work is culturally important, we have made it available as a part of our commitment to protecting, preserving and promoting the world's literature.

    Fantastic BOOK!

    It is necessary that those who create, whether in great things or small, whether in the unusual masterpieces of art and genius or in the small common things of use that surround a man's daily life, should be habituated to produce and the nation habituated to expect the beautiful in preference to the ugly, the noble in preference to the vulgar, the fine in preference to the crude, the harmonious in preference to the gaudy.