When she was a child, her family moved around frequently, often staying in barely habitable church attics and trailers, dangerous places for young Sasha. With little more to guide her than a passion for the thriving punk scene of the Pacific Northwest and a desire to live up to the responsibility of being the namesake of her beloved great-grandmother—a linguist who helped preserve her Indigenous language of Lushootseed—Sasha throws herself headlong into the world, determined to build a better future for herself and her people. Set against a backdrop of the breathtaking beauty of Coast Salish ancestral land and imbued with the universal spirit of punk, Red Paint is ultimately a story of the ways we learn to find our true selves while fighting for our right to claim a place of our own. Examining what it means to be vulnerable in love and in art, Sasha offers up an unblinking reckoning with personal traumas amplified by the collective historical traumas of colonialism and genocide that continue to haunt native peoples. Red Paint is an intersectional autobiography of lineage, resilience, and, above all, the ability to heal.

    While refusing to hide, minimize, justify or ignore instances of trauma, it also refuses to succumb to them. Instead, it probes these histories as a strategy to move through the pain and forge an alternate path for a new tomorrow."REVENGE BODY teems with sharp, curious, brilliant work gilded with a sense of humor that careens from deadpan to ALL CAPS and back. Luna's writing is measured, generous, examining everything unexamined, but also percussive, bereft, and fiery. I love this book, I read it three times back-to-back on my first read, and I suspect you will too."Tommy Pico, author of Feed, Junk, Nature Poem and IRL“Caleb Luna brings maw and might in their debut chapbook REVENGE BODY while undeniably presenting a collection that plays with tone, rhythm and form fantastically. REVENGE BODY demands to be witnessed while graciously ferrying readers throughout the journey that Luna traverses in a body that refuses to be an apology. REVENGE BODY sincerely envisions a different tomorrow for the many bodies so many of us forget.” jaye simpson, author of it was never going to be okay“Caleb Luna’s REVENGE BODY is a searing examination of how lived experiences can accumulate inside a body--a body adorned by narratives inherited and prescribed. These poems probe the soft space between memory and hope, making tender, the bodies weaponized by language. The clarity in which Luna writes: "i / want you to see me / & / I don’t / want / that / to / be / brave," shakes me awake, as if I’ve been dormant this whole time. When I first read REVENGE BODY, I was scared by how much it seemed like the poems knew me, but that fear quickly settled into a feeling of kinship. I want to throw this book at the strangers who stare at my body. I want to make it required reading for all my past and future lovers, to say: before you know me, you must know this: “the body is a celebration / & I have had a lot / to celebrate.” I celebrate this book. I celebrate this poet.”Hieu Minh Nguyen, author of This Way to the Sugar and Not Here“Caleb Luna's debut collection of poetry is a series of beautiful and real love and honesty notes to and about fat brown disabled queer survivor body landscapes. These are medecine stories for everyone needing to hear their body and heart's stories and questions remembered, written with fierce power and grace. Take your time and let them linger on your heart and tongue.” Leah Lakshmi Piepzna-Samarasinha, author of Tonguebreaker, Care Work: Dreaming Disability Justice and Dirty River: A Queer Femme of Color Dreaming Her Way Home“In Caleb Luna’s REVENGE BODY, the body is defined and redefined so as to reflect the terror and the beauty of the world. There is a great poetic power exhibited here; through odes, elegies, flashbacks, and polemic, Luna shows how structures of violence - fatphobia, heteropatriarchy, racism, capitalism - interlock but ultimately cannot wholly deny a freedom intuited as something more than “one long masochistic scene.” Destruction, Luna powerfully concludes, is not theirs to hold.” BIlly-Ray Belcourt, author of A HISTORY OF MY BRIEF BODY

    Lewis-Giggetts wrote an essay on Black joy for The Washington Post, she had no idea just how deeply it would resonate. But the outpouring of positive responses affirmed her own lived experience: that Black joy is not just a weapon of resistance, it is a tool for resilience. With this book, Tracey aims to gift her community with a collection of lyrical essays about the way joy has evolved, even in the midst of trauma, in her own life. Detailing these instances of joy in the context of Black culture allows us to recognize the power of Black joy as a resource to draw upon, and to challenge the one-note narratives of Black life as solely comprised of trauma and hardship. “Lewis-Giggetts etches a stunning personal map that follows in her ancestors’ footsteps and highlights their ability to take control of situational heartbreak and tragedy and make something better out of it….A simultaneously gorgeous and heartbreaking read” (Kirkus Reviews, starred review).