Sent to the state university to study agronomy, he instead falls in love with English literature and embraces a scholar’s life, so different from the hardscrabble existence he has known. And yet as the years pass, Stoner encounters a succession of disappointments: marriage into a “proper” family estranges him from his parents; his career is stymied; his wife and daughter turn coldly away from him; a transforming experience of new love ends under threat of scandal. Driven ever deeper within himself, Stoner rediscovers the stoic silence of his forebears and confronts an essential solitude.John Williams’s luminous and deeply moving novel is a work of quiet perfection. William Stoner emerges from it not only as an archetypal American, but as an unlikely existential hero, standing, like a figure in a painting by Edward Hopper, in stark relief against an unforgiving world.

    Charmingly illustrated with author Eric Sloane's own sketches, the text illuminates with rare insight the enormously varied and useful qualities of wood.Covering such topics as the aesthetics of wood, wooden implements, and carpentry, Sloane remarks expansively and with affection on the resourcefulness of early Americans in their use of this precious commodity. From cradle to coffin, the pioneer was surrounded by wood. It was used to make tools, fence the land, and build barns. People sat at wooden tables on wooden chairs and ate from wooden dishes. Charcoal, one of the many by-products of wood, was used to preserve meat, remove offensive odors, and produce ink. The bark of various trees was processed to make medicine. An entertaining, factual, and historically accurate book, A Reverence for Wood will delight woodcrafters and lovers of Americana. It is "one of Eric Sloane's best books." — Library Journal

    What Joseph Mitchell wrote about, principally, was New York. In Joe Gould, Mitchell found the perfect subject. And Joe Gould's Secret has become a legendary piece of New York history.Joe Gould may have been the quintessential Greenwich Village bohemian. In 1916, he left behind patrician roots for a scrappy, hand-to-mouth existence: he wore ragtag clothes, slept in Bowery flophouses, and mooched food, drinks, and money off of friends and strangers. Thus he was able to devote his energies to writing "An Oral History of Our Time," which Gould said would constitute "the informal history of the shirt-sleeved multitude." But when Joe Gould died in 1957, the manuscript could not be found. Where had he hidden it? This is Joe Gould's Secret. "[Mitchell is] one of our finest journalists."--Dawn Powell, The Washington Post "What people say is history--Joe Gould was right about that-- and history, when recorded by Mitchell, is literature."--The New Criterion

    Each Review saves a student time by presenting the latest research, from noted literary scholars, in a practical and lucid format, enabling students to concentrate on improving their knowledge and understanding of the work in question.

    Used books may not include companion materials, may have some shelf wear, may contain highlighting/notes, may not include CDs or access codes. 100% money back guarantee.

    Living on the fringe of society, these two outcasts develop an unlikely bond. This is the book on which the Academy Award-winning film was based.

    and the wild Colorado territory had a — lot to learn! — When prim Sarah Perkins arrived in Belle City, the towns-people were delighted. She looked tired, meek, manageable — and - best of all - unmarriageable. A schoolmarm who would stay a schoolmarm in the woman-hungry Colorado territory.But the hadn't reckoned on Sarah's downright defiance of the town's written and unwritten rules... nor on the fact that in addition to "learnin" their children, Sarah Perkins had a thing or two to teach them.The school board revolted. So did Sarah. And when the women organized against her, she called for help from the men.They came to offer moral support, financial backing - and proposals of marriage...

    R. Ammons’s long, thin poem was written on a roll of adding-machine tape, then transferred foot by foot to manuscript. He chose this method as a serious experiment in making a poem adapt to something outside itself. The tape determined both the length of the poem’s lines and when it ends. Tape for the Turn of the Year is a poem of infinite variety, blessed by the rich resources of one of this century’s greatest poets. By turns witty, serious, lyrical, and meditative, it is at once a superbly entertaining book and a significant literary achievement.

    From "sugaring-time," spring plowing, and June weddings, to strawberry picking, weeding season, the fall harvest, and cider-making, his winning book recalls the rustic endeavors of not so long ago, when the time of year determined when a tree was to be chopped down, fences rebuilt, and tree stumps pulled out.More than 70 of the author's own pen-and-ink drawings charmingly depict cider mills and presses, sleds, pumps and wells, axes, plows, and other elements of America's rural heritage. A section of old recipes and household hints adds additional color and practical value to this delightful book."Anyone with an eye for antiques and a yen to know America from the roots up will treasure this detailed record of seasonal life in new England." — Chicago Sunday Tribune

    Among them are some of Stanley Elkin's finest, including the fabulistic "On a Field, Rampant," the farcical "Perlmutter at the East Pole," and the stylized "A Poetics for Bullies." Despite the diversity of their form and matter, each of these stories shares Elkin's nimble, comic, antic imagination, a dedication to the value of form and language, and a concern with a single theme: the tragic inadequacy of a simplistic response to life.

    So he grabs the handle of his red wagon and, with his little sister in tow, begins an incredible pilgrimage across Cleveland . . . and out of childhood forever.Set against the backdrop of one of the worst industrial disasters in American history, Don Robertson's enduring, beloved masterwork is a remarkable story of destiny, bravery, and responsibility, as fresh and relevant as when it first appeared in print.

    All 600 of the roadside rhymes are indexed.