Governments and mass media bombard us with words and images: desert radicals, -rogue states, - jihadists, WMDs, existential enemies of freedom. We labor beneath myths that neither address nor describe the present situation, monstrous deceptions produced by a sound bite society. There is no reckoning of actuality, no understanding of the individual lives that inaugurated this echo chamber.In the summer of 1999, Mohamed Atta defended a master's thesis that critiqued the introduction of Western-style skyscrapers in the Middle East and called for the return of the -Islamic-Oriental city.- Using this as a departure point, Jarett Kobek's novel ATTA offers a fictionalized psychedelic biography of Mohamed Atta that circles around a simple question: what if 9/11 was as much a matter of architectural criticism as religious terrorism? Following the development of a socially awkward boy into one of history's great villains, Kobek demonstrates the need for a new understanding of global terrorism. Joined in this volume by a second work, -The Whitman of Tikrit---a radical reimagining of Saddam Hussein's last day before capture--ATTA is a brutal, relentless, and ultimately fearless corrective to ten years of propaganda and pandering.

    When Rider lands in Cheo Reo, things get complicated. Viet Cong battalions are gathering in the surrounding hills like storm clouds, while the corrupt South Vietnamese commander and his troops sit idle. And sixty thousand Montagnard tribespeople want their mountain homeland back. Soon Rider is entangled with the local CIA man and an alluring doctor serving the indigenous tribes. As he closes in on the opium fields, he learns the hard way that that not all enemies are beyond the perimeter; someone in Cheo Reo wants him dead. Easy enough in a combat zone where killing is common and loyalties are for sale. Red Flags is a masterly novel of soldiers and spies grappling with forces beyond their control and striving for the most basic goal in war—survival.

    But when he runs short of cash, he finds himself torn between illustrating a mural on the origins of man for a natural history museum--a tribute to Darwin--and illustrating the miracles of Jesus for a display inside a children's hospital called the Healing Place. A self-proclaimed agnostic, Thomas must dig deep within himself to believe beyond his doubts as he wrestles with that elusive something called faith. Then he meets a young, critically ill girl named Christina. Her haunting past and undeviating faith will test the very soul of Thomas and that of every reader.

    Damascus, a dive bar in San Francisco's Mission District, becomes the unlikely setting for a showdown between the opposing sides.Tensions come to a boil when Owen, the bar's proprietor who has recently taken to wearing a Santa suit full-time, agrees to host the joint's first (and only) art show by Sylvia Suture, an ambitious young artist who longs to take her act to the dramatic precipice of the high-wire by nailing live fish to the walls as a political statement.An incredibly creative and fully rendered cast of characters orbit the bar. There's No Eyebrows, a cancer patient who has come to the Mission to die anonymously; Shambles, the patron saint of the hand job; Revv, a lead singer who acts too much like a lead singer; and Owen, donning his Santa costume to mask the most unfortunate birthmark imaginable.Damascus is the place where confusion and frustration run out of room to hide. By gracefully tackling such complicated topics as cancer, Iraq, and issues of self-esteem, Joshua Mohr has painted his most accomplished novel yet.Joshua Mohr is the San Francisco Chronicle best-selling author of Some Things That Meant the World to Me and Termite Parade, a New York Times Book Review editors' choice selection.

    He's escaped from a mental hospital up north and hitchhiked his way south, the voice of his dead brother urging him on. But when Charlie hits Memphis, the fine line between his delusions and reality shift in the form of the Reverend Phineas Childe-a preacher bent on booze and women; a Man of God with a dark agenda. Charlie is the perfect pawn in the Reverend's game of retribution. And the small North Mississippi town of Cuba Landing will be the setting for the Reverend's very personal Apocalypse. . . .

    Where men stood tall and lived rough. But that West is no more. In its place Shann Ray finds washedup basketball players, businessmen hiding addictions, and women fighting the inexplicable violence that wells up in these men. A son struggles to accept his father’s apologies after surviving a childhood of beatings. Two men seek empty basketball hoops on a snowy night, hoping to relive past glory. A bull rider skips town and rides herd on an unruly mob of passengers as he searches for a thief on a train threading through Montana’s Rocky Mountains. In these stories, Ray grapples with the terrible hurt we inflict on those we love, and finds that reconciliation, if far off, is at least possible. The debut of a writer who is out to redefine the contours of the American West, American Masculine is a deeply felt and fiercely written ode to the country we left behind.

    This series follows Nick Polchak, a quirky forensic entomologist known as "The Bug Man," as he works to uncover murders using his expert knowledge of bugs.In First the Dead Nick tries to find a killer in the aftermath of Hurricane Katrina’s attack on New Orleans. But the more he digs the stronger—and deadlier—the resistance becomes. Nick is there to collect bodies, and he's going to do just that—especially when he starts finding bodies that were clearly dead before the hurricane. He understands that all forensic evidence will soon disintegrate in the hot, contaminated water . . . and he knows that's exactly what the killer wants to happen.Nick has finally met his match in Less than Dead. When a grave is discovered on property owned by the front-running candidate for the next presidential election, the FBI immediately becomes involved. The graves then vanish and Nick follows local legend to the bizarre Alena who keeps to herself in the mountains of Northern Virginia, training cadaver dogs. Together they discover that this small town—and the presidential-hopeful—have closets full of skeletons.As Ends of the Earth unfolds, Nick struggles to protect a victim’s family from agro-terrorists in North Carolina. After dissecting the remains of a bale of marijuana scattered in the tomato fields, Nick learns that the South American marijuana is strangely infested with a common North Carolina insect: the tobacco hornworm. To further confound the mystery, the bugs are infected with a fungus from Asia, and Nick begins to suspect his victim wasn't killed because of the marijuana, but because of the insects it contained. He then discovers that a vicious agricultural scheme is underway to cripple US corn and ethanol production.

    Then his life and the city were destroyed. John's wife was murdered, and his search for the killer takes place amidst the storms of El Niño.

    April 15, 2001 should have been just another Sunday night. But a news headline landing in Lisa's email inbox changes everything: "Joey Ramone is dead." The death of one of her teenage heroes serves as an long-overdue wake-up call causing Lisa to examine her life and how she's lived it, from her youth as a poet on the streets of the East Village to 10 years later, all grown up with a career and a fiance. Add to the mix Jake McDaniel, lead singer of million-selling, critically-regarded Seattle band Blue Electric, known better to Lisa as the starving renegades who lived next door to her when she first arrived in Seattle. In the midst of an unexpectedly heated argument with the fiance over the historical relevance (or not) of the Ramones - which forces Lisa to face the truth about her relationship - Jake writes and invites Lisa to LA. Throwing what seems like half her cd collection in the car, along with a wardrobe consisting of high heels, jeans and t-shirts, Lisa starts driving from Seattle to LA in the middle of the night, accompanied by music, memories, and the ghosts of the past. Arriving in LA, she finds refuge, but also collides with her past, present and future; decisions need to be made, and this time, Lisa stands her ground.

    Free online fiction from the New Yorker.Short story about the father of a thirteen-year-old boy who recalls the violent fantasies he had when he was younger…

    Layla James, a recent graduate and budding photographer, never knew anything about her father except that he named her for the iconic song by Eric Clapton. Her mother--steeped in a political activism that Layla rejects--kept their past shrouded in secrecy, and when she dies of cancer, she leaves only an enigmatic letter--the first in a series that will lead Layla through a cross-country network of '60s radicals and closer to the bombshell at the heart of her parents' past. As Layla makes her way from the East Coast to a commune in the California desert, she discovers more about friendship, love, forgiveness, and the personal repercussions of political activism than she could ever have imagined. A stirring and panoramic story, viewed through the lens of the next generation, this exceptional debut novel brings the gestalt of the '60s into focus and sheds new light on the era's legacy in the new millennium.From the Back Cover"Celine Keating's deftly plotted novel takes readers on a gripping journey along the underground railroad of post-'60s radicalism. . . . Every adult has to reinterpret the story of her childhood. Keating beautifully demonstrates the courage it takes for each of us to face that bittersweet truth." --LARRY DARK, Director of The Story Prize "A beautiful book--at once nostalgic and fresh--that will go straight to your heart and lodge there." --ALETHEA BLACK, author of I Knew You'd Be Lovely " An] emotional page-turner. Layla's coming to terms with her parents' dangerous activism is heart wrenching due to Keating's delightfully drawn characters. This novel also serves as a compelling lesson in our values and how drastically they've changed. It serves as a better history than any essay or screed." --SUSAN BRAUDY, author of Family Circle "As Layla James drives cross-country, following the cryptic directions of her late mother, she meets a wide and sharply drawn group of veteran radicals who all play a part in the search for her mysterious father. . . . Keating keeps the pace fast and the suspense high . . . You'll want to ride with her every mile of the way " --ROBERT HERSHON, editor of Hanging Loose Press "A triumph of political literature . . . as informative as it is impossible to put down." --MARNIE MUELLER, author of My Mother's Island "Evoked in beautiful prose and telling details . . . Layla] brings to life the complexity of family dynamics, with all its conflicts, dangers and rewards." --NAHID RACHLIN, author of Persian Girls: A Memoir

    Like Richard Russo, Bruce Machart has a profound knowledge of the male psyche and a gift for conveying the absurdity and brutality of daily life with humor and compassion. Whether they find themselves walking the fertile farmland of south Texas, steering trucks through the suffocating sprawl of Houston, or turning logs into paper in the mills just west of the Sabine River, the men of these stories seek to prove themselves in a world that doesn’t always welcome them. Here are men whose furrows are never quite straight and whose hearts are near to bursting with all the desires they have been told they aren’t supposed to heed. “Bruce Machart is one of our most ambitious and fearless young writers. With Men in the Making, he has composed a remarkable paean to the complex fragility of the American male. I read these stories in a state of tender amazement.”—Steve Almond, author of Rock and Roll Will Save Your Life

    The author of the classics River of Earth (1940) and The Wolfpen Poems (1986), Still is known for his careful prose construction and for the poetry of his meticulous, rhythmic style. Upon his death, however, one manuscript remained unpublished. Still's friends, family, and fellow writer Silas House will now deliver this story to readers, having assembled and refined the manuscript to prepare it for publication. Chinaberry, named for the ranch that serves as the centerpiece of the story, is Still's last and perhaps greatest contribution to American literature.Chinaberry follows the adventures of a young boy as he travels to Texas from Alabama in search of work on a cotton farm. Upon arriving, he discovers the ranch of Anson and Lurie Winters, a young couple whose lives are defined by hard work, family, and a tragedy that haunts their past. Still's entrancing narrative centers on the boy's experience at the ranch under Anson's watchful eye and Lurie's doting care, highlighting the importance of home, whether it is defined by people or a place.In this celebration of the art of storytelling, Still captures a time and place that are gone forever and introduces the reader to an unforgettable cast of characters, illustrating the impact that one person can have on another. A combination of memoir and imagination, truth and fiction, Chinaberry is a work of art that leaves the reader in awe of Still's mastery of language and thankful for the lifetime of wisdom that manifests itself in his work.

    A dark side which produced magnificent tales of the unseen influences in our lives, such as "Mr. Jones", "The Eyes", "Kerfol", "The Ladie's Maid's Bell", and "The Looking Glass".

    As he grows from awkward adolescent to manhood, he negotiates the precarious borders of family, tradition, and identity trying to find his own place in the Chicano community and in the larger world. This is an engaging and moving story of growing up in a borderland that is not only geographical but cultural and psychological as well.