In an act of great courage and will, Esther Sandsonitsky leaves her abusive new husband and tiny village on the border between Poland and Germany for the more welcoming shores of the United States. When she makes her way through the throng at Ellis Island, the world is on the threshold of a new century. But Esther is on her own quest: to capture a piece of the American dream for her children, including Jacob, the son she was forced to leave behind.Portraits tells an indelible story of the struggles and sacrifices of a family—and a people—searching for a place to belong.

    The award-winning author of Out on the Rim and The Cold War Swap pens a first-rate novel of intrigue and espionage in which an ex-OSS operative and a dwarf team up after the Second World War to locate an assassin whose targets are ex-Nazi leaders.

    Bockris has collected into a cogent whole the man's most brilliant moments of conversation, thinking, and interview repartee. This fascinating material, gleaned from the fertile time at Burroughs's New York headquarters, the Bunker (which was located on the Bowery, three blocks from CBGB), encompasses the years 1974 to 1980, and also includes a 1991 Burroughs interview from Interview magazine. The Beats' devotion to subjective experience has left readers with a profound amount of objective material to analyze and debate. Choice public and private utterances, hallucinatory and prescient diatribes such as these, remain rich sources of literary history. As Americans we find the Beats' approach to life romantic, even heroic. Tearing the walls down in the name of freedom and spirituality strikes a particularly pilgrimesque chord. With William Burroughs: A Report from the Bunker is a fascinating compendium of Burroughs-speak, so complete it can be considered a credo.

    Out of Old Age, which our peculiar times have determined to view as a sort of generational sin, Jon Hassler has drawn forth a poignant, funny, wise novel about Eternal Youth."THE CLEVELAND PLAIN DEALERSimon Shea, a retired professor of English at a small Minnesota college, has begun to forget things and is making dangerous errors in living. Thinking he needs to be cared for more closely, he commits himself to a private rest home, and opens a world of the strange, delightful, frightening, and comic, as he attempts to recover from his mistake.From the Paperback edition.

    It encompasses an entire panorama of nineteenth century New England: the Utopian dreamers; adherents of new religions like the Shakers and MIllenarians; the abolitionists; and the onrushing immigrants from war-torn, starving Europe - Irish, German and others.

    A successful statesman and diplomat, Mason had buried his awkward and lonely childhood, sealed himself off from the thrills and torments of adolescence to become a figure who commanded international respect.But the realities of the present recede in the face of the ghosts of his past. As he makes the perfunctory arrangements for the funeral, we enter with him on an intensely personal and painful inner pilgrimage: we meet the father who darkened his childhood, the mother whose support was both redeeming and embarrassing, the friend who drew him into the respectable world of which he so craved to be a part, and the woman he nearly married. In this profoundly moving book Stegner has drawn an intimate portrait of a man understanding how his life has been shaped by experiences seemingly remote and inconsequential.

    Pulitzer Prize finalist Frederick Buechner's quartet of outrageously witty, inspirational Bebb novels in one volume.

    It weaves a web of Gothic horror around a story of childhood love, tragically betrayed. Alexander Theroux creates a pageant of characters that wittily parodies 20th-century preconceptions of the Dark Ages. Amongst these characters are the divinely beautiful but mercenary Superfecta; the money-grabbing burgher, Mijnheer van Cats; and Master Snickup himself, wanderer, ascetic and recluse. Brian Froud's illustrations depict in subtle colors a world teeming with tiny spirits and mutant devils. The text is set as in an antique parchment, a context that perfectly complements Theroux's wryly humorous fable.

    Written with tremendous wit, intelligence, and verve, the stories are based on historical figures whose endeavors were too early, too late, or went against the grain of their time.

    I. Lonoff, he soon finds himself enmeshed in the great Jewish writer's domestic life, with all its complexity, artifice and drive for artistic truth. As Nathan sits in breathlessly awkward conversation with his idol, a glimpse of a dark-haired beauty through a closing doorway leaves him reeling. He soon learns that the entrancing vision is Amy Bellette, but her position in the Lonoff household - student? mistress? - remains tantalisingly unclear. Over a disturbed and confusing dinner, Nathan gleans snippets of Amy's haunting Jewish background, and begins to draw his own fantastical conclusions...

    As avant-garde novelist Antony Lamont struggles to write a "new wave murder mystery," his frustrating emotional and sexual life wreaks havoc on his work-in-progress. As a result, his narrative (the very book we are reading) turns into a literary "stew": an uproariously funny melange of journal entries, erotic poetry, parodies of all kinds, love letters, interviews, and lists - as Hugh Kenner in Harper's wrote, "for another such virtuoso of the List you'd have to resurrect Joyce." Soon Lamont's characters (on loan from F. Scott Fitzgerald, Flann O'Brien, James Joyce, and Dashiell Hammett) take on lives of their own, completely sabotaging his narrative.

    For whatever reasons, America was not ready for this dream-like look at life inside the head of a young woman, a struggling artist, living in New York's Upper West Side and coping with the ravages of manic-depression.Not only did Kraf take on a dark and disturbing subject, she did so in an utterly original, witty, and inventive manner--a provocative move, even in the liberated culture of the 1970s. And, while others have since expanded upon the territory that Kraf was mining, one still has to go as far back as the early down-and-out-in-Paris novels of Jean Rhys to find a writer who so boldly and honestly portrays a smart, sardonic, attractive, but deeply troubled woman fighting to survive on her own in the city.