This powerful novel explores the dynamics of the financial world during the Civil War and after the stock-market panic caused by the Great Chicago Fire. The first in a ''trilogy of desire,'' The Financier tells the story of the ruthlessly dominating broker Frank Cowperwood as he climbs the ladder of success, his adoring mistress championing his every move. Based on the life of financier C. T. Yerkes, Dreiser's cutting portrayal of the corrupt magnate Cowperwood illustrates the idea that wealth is often obtained by less than reputable means.

    but for no pay. When Klondike fever strikes the region, he sees his chance to break from drudgery – starting him on a journey that takes him over mountain passes and down swirling rapids, removing him forever from the world he knew and the man he was. Taking the name "Smoke," he learns to thrive and flourish in the wilds of the frontier."Smoke Bellew," first published in 1912, tells a tale as bracing and fast-moving as an icy mountain stream.Includes:- The Taste of the Meat- The Stampede to Squaw Creek- Shorty Dreams- The Man on the Other Bank- The Race for Number One

    Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

    Whenever he goes anywhere, he always relies on what Garis describes as "his candy-striped walking cane" - this is a cane striped red and white like a peppermint candy cane.The books are illustrated by August Lenox.

    In the 1920s and since, it has also given white readers a startling new perspective on their own culture, revealing to many the double standard of racial identity imposed on black Americans.Narrated by a mulatto man whose light skin allows him to "pass" for white, the novel describes a pilgrimage through America's color lines at the turn of the century--from a black college in Jacksonville to an elite New York nightclub, from the rural South to the white suburbs of the Northeast.This is a powerful, unsentimental examination of race in America, a hymn to the anguish of forging an identity in a nation obsessed with color. And, as Arna Bontemps pointed out decades ago, "the problems of the artist [as presented here] seem as contemporary as if the book had been written this year."

    Originally published in journals between 1884 and 1906, these 12 essays were selected by William James to illustrate the doctrine he called "radical empiricism" — a concept that made him the center of a new philosophic approach.Proclaiming experience to be the ultimate reality, James explores the applications of experience to the problem of relations, the role of feeling in experience, and the nature of truth. He argues in favor of a pluralistic universe, denying that experience can be defined in terms of an absolute force determining the relationships between things and events. Relationships, regardless of whether they hold things together or apart, are as real as the things themselves — their functions are real, and there are no hidden factors responsible for life's harmonies and dissonances.Seminal essays in this collection include "Does Consciousness Exist?: "The Essence of Humanism," and "Absolutism and Empiricism." In addition, this edition features a new translation of "On the Notion of Consciousness" — the first English rendering of the essay, which was written in French. Indispensable to an understanding of the great philosopher's other works, this systematic and compact treatment functions equally well in and out of the classroom.

    After the glamour had worn off, and the glass slippers were worn out, did the Prince never find Cinderella's manner redolent of the kitchen hearth; and was it never necessary that he remind her to be more careful of her finger-nails and grammar? After Puss in Boots had won wealth and a wife for his young master did not that gentleman often fume with chagrin because the neighbors, perhaps, refused to call on the lady of the former poor miller's son? It is a great risk to take with one's book-children. These stories make no such promises. They stop just short of the phrase of the old story writers, and end truthfully, thus: And so they lived. E. F.(Summary from the Foreword to "Buttered Side Down".)