She is tall and beautiful and in love with a rich man’s son.Educated and privileged, Julie is a modern woman. Living on her own, she is happy to collect the gold jewellery lovestruck Eugene brings her, but has no intention of becoming his second wife.When a kidnapping forces Nwabulu and Julie into a dank room years later, the two women relate the stories of their lives as they await their fate.Pulsing with vitality and intense human drama, Cheluchi Onyemelukwe-Onuobia’s debut is set against four decades of vibrant Nigeria, celebrating the resilience of women as they navigate and transform what remains a man’s world.

    Living on a shoestring in a lion conservation camp, Kate home-schools her family while they also learn at first hand about the individual lives of wild lions. Their deep attachment to these magnificent animals is palpable.The setting is exotic but it is also precarious. When the author is subjected to a brutal attack by three men, it threatens to destroy her and her family: post-traumatic stress turns a good mother into a woman who is fragmented and out of control. In this powerfully written, raw and often warmly funny memoir, we witness the devastation of living with a mother whose resilience is almost broken, and how familial structures shift as the children mature and roles change. Under the CamelthornTree addresses head-on the many issues surrounding motherhood, education, independence, and the natural world; and highlights the long-lasting effect of gender violence on secondary victims. Above all, it is an inspiring account of family love, and a powerful beacon of hope for life after trauma.

    'Let me buy you a cup of tea... what are you doing in England?' 'Do these children of yours speak any Luganda?' 'Did you know that man Idi Amin?' But perhaps the most difficult question of all is the one they ask themselves: 'You mean this is England?' Told with empathy, humour and compassion, these vibrant, kaleidoscopic stories re-imagine the journey of Ugandans who choose to make England their home. Weaving between Manchester and Kampala, this dazzling, polyphonic collection will captivate anyone who has ever wondered what it means to truly belong.

    It celebrates a unifying heritage and illustrates an uplifting sense of sisterhood and the strong links that endure from generation to generation as well as the common obstacles that female writers of colour continue to face as they negotiate issues of race, gender and class.A glorious portrayal of the richness, magnitude and range of the singular and combined accomplishments of these women, New Daughters of Africa also testifies to a wealth of genres: autobiography, memoirs, oral history, letters, diaries, short stories, novels, poetry, drama, humour, politics, journalism, essays and speeches.It showcases key figures and popular contemporaries, as well as overlooked historical authors and today’s new and emerging writers. Amongst the 200 contributors are: Chimamanda Ngozi Adichie, Patience Agbabi, Sefi Atta, Ayesha Harruna Attah, Malorie Blackman, Tanella Boni, Diana Evans, Bernardine Evaristo, Aminatta Forna, Danielle Legros Georges, Bonnie Greer, Andrea Levy, Imbolo Mbue, Yewande Omotoso, Nawal El Saadawi, Taiye Selasi, Warsan Shire, Zadie Smith and Andrea Stuart.A unique and seminal anthology, New Daughters of Africa represents the global sweep, diversity and extraordinary literary achievements of Black women writers whose voices, despite on going discussions, remain under-represented and underrated.

    Having survived the retreat to and evacuation from Dunkirk, he volunteered for the newly formed Commandos and took part in their first operation, the raid on the Lofoten Islands. He fought and was captured in Tunisia. He went on the run before his POW camp at Fontanellato was taken over by the Nazis after the September 1943 Italian armistice. He spent six months on the run in the Apennine mountains aided by brave and selfless Italians. Many of whom were actively fighting their occupiers. He eventually reached Allied lines but not before several of his companions were tragically killed by both German and American fire.On return to England he immediately signed up for the invasion of North West Europe and despite being wounded eventually fought through to Germany.It is thanks to his son's research that Major Young's story can now be told. It is an inspiring and thrilling account which demands to be read.

    Mitcham Jr. gets to the heart of the mysterious  figure respected and even admired by the people of the Allied nations he fought against. Mitcham recounts Rommel’s improbable and meteoric military career, his epic battles in North Africa, and his fraught relationship with Hitler and the Nazi Party. Desert Fox: The Storied Military Career of Erwin Rommel reveals: • How Rommel’s victories in North Africa were sabotaged by Hitler’s incompetent interference • How Rommel burned orders telling him to commit war crimes • Why it wouldn’t have helped Patton if he really had read Rommel’s book • How Rommel was responsible for the Germans’ defense against the D-Day landing • Why the plot to overthrow Hitler was fatally compromised when Rommel was gravely injured in an Allied attack • The reason Rommel agreed to commit suicide after his part in the plot was discovered by Hitler  Mitcham’s gripping account of Rommel’s life takes you through the amazing adventure of the World War II battles in North Africa. Again and again, Rommel outfoxed the Allies—until the war of attrition and Hitler’s blunders doomed the Axis cause. Illustrated with dozens of historical photos, this illuminating biography paints a fascinating and tragic picture of the man known as the Desert Fox.

    

    It delves into the essence of black family life and the secret anguish of family members who often battle to cope.’ – Niq MhlongoA secret torment for some, a proud responsibility for others, ‘black tax’ is a daily reality for thousands of black South Africans. In this thought-provoking and moving anthology, a provocative range of voices share their deeply personal stories.With the majority of black South Africans still living in poverty today, many black middle-class households are connected to working-class or jobless homes. Some believe supporting family members is an undeniable part of African culture and question whether it should even be labelled as a kind of tax.Others point to the financial pressure it places on black students and professionals, who, as a consequence, struggle to build their own wealth. Many feel they are taking over what is essentially a government responsibility.The contributions also investigate the historical roots of black tax, the concept of the black family and the black middle class.In giving voice to so many different perspectives, Black Tax hopes to start a dialogue on this widespread social phenomenon.

    Bold and raw, Mahtem Shiferraw's poems explore what the woman's body has to do to survive and persevere in the world, especially in the aftermath of abuse. A groundbreaking collection, the poems in Your Body Is War embody elements of conflict, making them simultaneously a place of destruction and of freedom.

    Translated from Arabic, the collection addresses a wide range of themes—identity, love, politics, Sufism, patriotism, war, and philosophy—capturing the evolution of Sudan’s modern history and cultural intersections.Modern Sudanese Poetry features voices as diverse as the country’s ethnic, cultural, and natural composition. By bringing these voices together, Babikir provides a glimpse of Sudan’s poetry scene as well as the country’s modern history and post-independence trajectory.

    The project called AfroYoungAdult, coordinated by publisher and novelist Zukiswa Wanner, aimed at shining a light on fiction for young adults, a demographic often ignored in writing circles. To this end, the Goethe-Institut invited aspiring African writers interested in writing for Young Adults to submit short stories in Kiswahili, English or French.Those who submitted entries and qualified attended workshops in Accra, Dakar, Dar es Salaam, Kigali, Johannesburg, Lagos, Lome, and Nairobi moderated by some of the most respected names in African writing today. On March 1, the seventeen writers whose stories would be featured in the anthology were announced.

    Winner of the Sillerman First Book Prize for African Poets, Dema’s collection, The Careless Seamstress, evokes the national and the subjective while reemphasizing that what is personal is always political. The girls and women in these poems are not mere objects; they speak, labor, and gaze back, with difficulty and consequence. The tropes are familiar, but in their animation they question and move in unexpected ways. The female body—as a daughter, wife, worker, cultural mutineer—moves continually across this collection, fetching water, harvesting corn, raising children, sewing, migrating, and spurning designations. Sewing is rendered subversive, the unsayable is weft into speech and those who are perhaps invisible in life reclaim their voice and leave evidence of their selves. As a consequence the body is rarely posed—it bleeds and scars; it ages; it resists and warns. The female gaze and subsequent voices suggest a different value system that grapples with the gendering of both physical and emotional labor, often through what is done, even and especially when this goes unnoticed or unappreciated. A body of work that examines the nature of power and resistance, The Careless Seamstress shows both startling clarity of purpose and capaciousness of theme. Using gender and labor as their point of departure, these poems are indebted to Dema’s relationship to language, intertextuality, and narrative. It is both assured and inquiring, a quietly complex skein that takes advantage of poetry’s capacity for the polyphonic.

    Faced with the difficult choice of living with their abusive extended family or slithering into the dark underbelly of Lusaka’s streets, Chimuka and Ali escape and become street kids.Against the backdrop of a failed military coup, election riots and a declining economy, Chimuka and Ali are raised by drugs, crime and police brutality. As a teenager, Chimuka is caught between prostitution and the remnants of the fragile stability that existed before her parents’ death.The Mourning Bird is not just Chimuka’s story, it’s a national portrait of Zambia in an era of strife. With lively and unflinching prose, Kalimamukwento paints a country’s burden, shame and silence, which, when juxtaposed with Chimuka’s triumph, forms an empowering debut novel.

    Dubbed the Turfloop Testimony, Tiro’s anti-apartheid speech saw him and many of his fellow student activists expelled, igniting a series of strikes in tertiary institutions across the country. By the time he went into exile in Botswana, Tiro was president of the Southern African Student Movement (SASM), permanent organiser of the South African Student Organisation (SASO) and a leading Black Consciousness proponent, hailed by many as the ‘godfather’ of the June 1976 uprisings.Parcel of Death uses extensive and exclusive interviews to highlight significant influences and periods in Tiro’s life, including the lessons learned from his rural upbringing in Dinokana, Zeerust, the time he spent working on a manganese mine, his role as a teacher and the impact of his faith in shaping his outlook. It is a compelling portrait of Tiro’s story and its lasting significance in South Africa’s history.