With astonishing empathy and the effortless grace of a natural storyteller, Chimamanda Ngozi Adichie weaves together the lives of three characters swept up in the turbulence of the decade. Thirteen-year-old Ugwu is employed as a houseboy for a university professor full of revolutionary zeal. Olanna is the professor’s beautiful mistress, who has abandoned her life of privilege in Lagos for a dusty university town and the charisma of her new lover. And Richard is a shy young Englishman in thrall to Olanna’s twin sister, an enigmatic figure who refuses to belong to anyone. As Nigerian troops advance and the three must run for their lives, their ideals are severely tested, as are their loyalties to one another. Epic, ambitious, and triumphantly realized, Half of a Yellow Sun is a remarkable novel about moral responsibility, about the end of colonialism, about ethnic allegiances, about class and race—and the ways in which love can complicate them all. Adichie brilliantly evokes the promise and the devastating disappointments that marked this time and place, bringing us one of the most powerful, dramatic, and intensely emotional pictures of modern Africa that we have ever had.

    Imagine being thousands of miles away while your family and friends are brutally and methodically slaughtered. Imagine being entrusted by your parents with the mission of leaving everything you know and finding some way to survive, in the name of your family and your people.Scholastique Mukasonga's Cockroaches is the story of growing up a Tutsi in Hutu-dominated Rwanda--the story of a happy child, a loving family, all wiped out in the genocide of 1994. A vivid, bitterwsweet depiction of family life and bond in a time of immense hardship, it is also a story of incredible endurance, and the duty to remember that loss and those lost while somehow carrying on. Sweet, funny, wrenching, and deeply moving, Cockroaches is a window onto an unforgettable world of love, grief, and horror.

    In 'How to Write About Africa', Wainaina dissects the cliché of Africa and the preconceptions dear to western writers and readers with ruthless precision. In the same fashion, ‘My Clan KC’ undresses the layers of meaning shrouding the identity of the infamous Kenya Cowboy, while ‘Power of Love’ bemusedly recollects the advent of the celebrities-for-Africa phenomenon, heralded by the mid-eighties hit song ‘We Are The World’. It also scrutinizes the international NGO circuit and the transactions between ‘dollar-a-day people’ and $5000-a-month United Nations consultants whose started off as ‘$5-dollar-a-day’, 25-year-old backpackers full of ‘love and compassion’ for the continent.

    As she struggles to communicate with her maidservant turned caretaker, Agaat, the complicated history of their relationship is revealed.Life for white farmers in 1950s South Africa was full of promise. Young and newly married, Milla carved her own farm out of a swathe of Cape mountainside. She earned the respect of the male farmers in her community and raised a son. But forty years later all she has left are memories and the proud, contrary Agaat. With punishing precision, yet infinite tenderness, Agaat performs her duties, balancing anger with loyalty. As Milla’s white world and its certainties recede and Agaat faces the prospect of freedom, the shift of power between them mirrors the historic changes happening around them. Marlene van Niekerk’s epic masterpiece portrays how two women—and, perhaps, a nation—can forge a path toward understanding and reconciliation.

    Soyinka not only recounts his exile and the terrible reign of General Sani Abacha, but shares vivid memories and playful anecdotes–including his improbable friendship with a prominent Nigerian businessman and the time he smuggled a frozen wildcat into America so that his students could experience a proper Nigerian barbecue.More than a major figure in the world of literature, Wole Soyinka is a courageous voice for human rights, democracy, and freedom. You Must Set Forth at Dawn is an intimate chronicle of his thrilling public life, a meditation on justice and tyranny, and a mesmerizing testament to a ravaged yet hopeful land.From the Hardcover edition.

    Edited from authoritative sources, and accompanied by original illustrations, this gathering represents a feast of South Africa's best-loved tales. The sixty pieces include all-time favourites like "In the Withaak's Shade", "Makapan's Caves" and "Willem Prinsloo's Peach Brandy", the Boer War classics "Mafeking Road" and "The Rooinek", as well as several lesser-known treasures.

    When Nolitye finds a magical stone on the dusty streets of Phola, her granny's words take on a new meaning. Along with her two friends - the somewhat pampered Bheki, and Four Eyes, a reformed member of the Spoilers gang led by Rotten Nellie - Nolitye puts the powers of the stone to good use: for the first time the threesome can stand up to the Spoilers; Nolitye can save the life of Rex, the leader of a pack of talking township mutts; and dare to look scary MaMtonga with her living brown-and-green snake necklace in the eye. But soon Nolitye finds out that the purplish-blue magic stone is but five stones needed to put right things that started to go wrong the day her father died in a mining accident when she was five years old. Or so she was told by her mother... By merging a cast of characters straight out of African myth folklore with everyday township life, K. Sello Duiker created a magical world and a truly wondrous quest, a timeless tale that will appeal to an ageless audience.

    With origins that span the content, it combines budding writers with award-winning authors; the result is a melting pot of narratives from intriguing and informed perspectives.These twenty odd tales deal with challenging themes and represent some of the most complex of love stories. Many are at once heart breaking yet heart warming and even courageous. In Badoe's hilarious 'The Rival', we encounter a 14 -year-old girl who is determined to capture her uncle's heart. His wife, she decided would just have to go. Mr. Mensah the uncle is all of sixty years old. Crafted by a stellar cast of authors that includes El Saadawi, Ogundipe, Magona, Tadjo, Krog, Aboulela, Adichie, Oyeyemi, wa Goro, Atta, Manyika and Baingana, there is hardly any aspect of women's love life untouched. From labour pains to burials, teenagers to octogenarians, and not to mention race-fraught and same-sex relationships, the human heart is all out there: beleaguered and bleeding, or bold, and occasionally triumphant. It is highly recommended that you the reader take the stories one at a time, so that you meet the women protagonists individually. So that you can listen to them and hear their hearts properly" whether Sudanese, Kenyan, Ghanaian, Nigerian or Zimbabwean. As for the tales as a whole, you might find them eye-opening, perhaps even inspirational, but above all, you will be entertained by them.

    It implied friendship and trust. The saying became his name. More than that, it became the way he viewed his world. Everything touched Fred Khumalo. Twice he was bewitched. Twice his father - the 'moegoe', the 'country bumpkin' - took him to inyangas to have the 'demons' banished. Twice his mother - the 'city girl' - took him to the doctor to have the 'fevers' cured.When the American Dudes became the fashion, Khumalo dressed up in outlandish style and strutted the streets. 'You had to be brave to be seen in the outfits that we wore. Green, yellow, maroon, powder blue. Outrageous stuff, garish stuff, bright stuff. Earth, Wind and Fire stuff. Michael Jackson (pre-nose job) stuff.' He smoked dagga with con men and criminals, he pickpocketed 'corpses' on Friday night trains. He worked as a gardener in the larney suburbs and drooled over pornographic photographs with his baas's son. He studied journalism and shacked up with whiteys in a commune called Snake Park, for a while the only darkie in a crazy swirl of booze and drugs and sex.And then the bloody fightings that tore apart KwaZulu/Natal in the 1980s touched his life. Sucked him into a place of horror and violence that threatened to destroy him. When a friend died in his arms with the words 'They really got me, Touch My Blood. They really got me,' Khumalo realised that if he was to outlive the madness he had to run. From the journalist and Sunday Times columnist comes a startlingly honest, humorous and poignant autobiography about growing up in a time of laughter and heartache.

    In a rich set of essays, the volume explores the multiple ways that Africans have affected political, economic, and cultural life throughout the region. The contributors engage readers interested in the African diaspora in a series of vigorous debates ranging from agency and resistance to transculturation, displacement, cross-national dialogue, and popular culture. Documenting the array of diverse voices of Afro-Latin Americans throughout the region, this interdisciplinary book brings to life both their histories and contemporary experiences.

    The taboos within the tidal moods of the menopause are described with anger and verbal intensity in a voice that is uniquely Krog’s. Close relationships are searingly explored, occasionally seeking conflict, often searching for resolution.In the final meditative section, the personal intensity is tempered, fantastically almost, by contemplations of Table Mountain as a looming, symbolic and androgynous godhead, echoing Adamastor, an abiding presence that endures as it suffers witness—an ostensibly inscrutable, ironically nurturing mirror to self and personal despair.These dramatic, even reckless poems, translated from the simultaneously published Afrikaans collection, Verweerskrif, bring an altogether new and unique energy to South African English-language poetry.