Life on the streets is tough but Mpho makes a good friend in Themba and manages to earn a reasonable living from his shoe-shine business. But how is he going to find his father in this huge city?Mpho's brave search for his father takes the reader from the hardships of life on the streets of Johannesburg to the euphoria of South Africa's first democratic elections. An engaging story, Mpho's search gives a realistic and compassionate insight into the life of South Africa's street children.

    And if for any reason you do not believe in miracles, please start believing, because keeping my head above water in this indifferent society...is a miracle." Buchi Emecheta's autobiography spans the transition from a tribal childhood in the African bush to life in North London as an internationally acclaimed writer.

    

    With her husband, Albert, she has made a home in London, and has a promising career when Albert decides they should return to Nigeria. Kehinde is loath to do so, and joins him later, reluctantly, only to discover that he has taken a second, younger wife. Her years in England have left Kehinde unwilling and unprepared to reembrace Nigerian social mores; and unable to accept the situation, she returns to London.

    Memoir. Translated from the French by Guy Bennett. TLEMCEN OR PLACES OF WRITING is an unusual, hybrid work: part memoir of the author's coming of age and coming to writing in his native Algeria, and part meditation on the nature of writing itself as well as on the task and responsibility of the writer. The text is complimented by some fifty photographs taken by the author in the Tlemcen of his youth, images of a past that has vanished and which the text seeks to reveal. The original French edition of this work was awarded the Grand prix de la Francophonie de l'Academie francaise on its publication in 1994.

    She is also a playwright and has published children's literature. This novel is a fictionalised record of Uganda's past tragic national experience. Spanning the decades of successive regimes, it covers the story of Africa's post-colonial political actors typified by the thinly disguised Presidents, Opolo, Duduma, Polle and Kazi. Weaving together strands of political and gender concerns, and employing humour, the central image of the novel is theweevil.