A thousand eyes see all I do.' Elizabeth IThe Tudor monarchs were constantly surrounded by an army of attendants, courtiers and ministers. Even in their most private moments, they were accompanied by a servant specifically appointed for the task. A groom of the stool would stand patiently by as Henry VIII performed his daily purges, and when Elizabeth I retired for the evening, one of her female servants would sleep at the end of her bed. These attendants knew the truth behind the glamorous exterior. They saw the tears shed by Henry VII upon the death of his son Arthur. They knew the tragic secret behind 'Bloody' Mary's phantom pregnancies. And they saw the 'crooked carcass' beneath Elizabeth I's carefully applied makeup, gowns and accessories. It is the accounts of these eyewitnesses, as well as a rich array of other contemporary sources that historian Tracy Borman has examined more closely than ever before. With new insights and discoveries, and in the same way that she brilliantly illuminated the real Thomas Cromwell - The Private Life of the Tudors will reveal previously unexamined details about the characters we think we know so well.

    From Isabella of Castile, and her granddaughter Mary Tudor, to Catherine de Medici, Anne Boleyn, and Elizabeth Tudor, these women wielded enormous power over their territories, shaping the course of European history for over a century. Across boundaries and generations, these royal women were mothers and daughters, mentors and protégées, allies and enemies. For the first time, Europe saw a sisterhood of queens who would not be equaled until modern times. A fascinating group biography and a thrilling political epic, Game of Queens explores the lives of some of the most beloved (and reviled) queens in history.

    Nine young nuns, intoxicated by Luther's subversive writings, became restless and longed to leave their convent. On Good Friday 1523 a haulier smuggled them out hidden in empty herring barrels. Five of them settled in Wittenberg, the very eye of the storm, and one of them - Katharina von Bora - scandalised the world by marrying the revolutionary former monk. Following a near miscarriage, she is confined to her bed to await the birth of their first child; during this time, she sets down her own story. Against a backdrop of 16th Century Europe this vivid account of Katharina von Bora's early life brings to the spotlight this spirited and courageous woman.

    But despite their differences, the works of these two artists are closely intertwined. Bruegel began his career imitating Bosch's fantasies, and it was Bosch who launched almost the whole repertoire of later genre painting. But Bosch depicts everyday life in order to reveal it as an alluring trap set by a metaphysical enemy at war with God, whereas Bruegel shows this enemy to be nothing but a humanly fabricated mask. Attending closely to the visual cunning of these two towering masters, Koerner uncovers art history's unexplored underside: the image itself as an enemy.An absorbing study of the dark paradoxes of human creativity, Bosch and Bruegel is also a timely account of how hatred can be converted into tolerance through the agency of art. It takes readers through all the major paintings, drawings, and prints of these two unforgettable artists--including Bosch's notoriously elusive Garden of Earthly Delights, which forms the core of this historical tour de force. Elegantly written and abundantly illustrated, the book is based on Koerner's A. W. Mellon Lectures in the Fine Arts, a series given annually at the National Gallery of Art, Washington.

    The March lands between England and Scotland are a place of terror, where outlaw bands and broken men rob, pillage and murder in open defiance of the law. Here, deadly blood-feud is a way of life. Families of robbers, known as Border Reivers, live via blackmail and terrorism. No man sleeps safe in his bed, and the sound of hoofbeats on the tops is a herald of death. Richie Reade, known as Richie O’the Bow, finds himself dragged into this dark and bloody world. One night his village is raided by a gang of Armstrongs, the most dreaded of the reiver families. After he slays two of the gang, Richie is declared a dead man walking: the Armstrongs and their allies will not rest until they have his head. Betrayed by the law, Richie is forced to flee into the wilderness. He and his fellow outlaws begin to forge a reputation as Richie’s Bairns, killing the Armstrongs wherever they find them. Meanwhile the Border is threatened by war. The rebellious northern earls plan to depose the Protestant Queen of England, Elizabeth I, and replace her with the Catholic Mary Stewart. Many of the reiver families rise to join the rebellion, and the earls march south under the Banner of the Five Wounds. Civil war threatens to break out in England, even as fresh murder and conspiracy raise havoc in Scotland. With the north in turmoil, and the Border in a state of bloody flux, Richie and his outlaws do what they can to survive. As his fame grows, Richie finds himself drawn inexorably into the war for England’s soul. When the final battle looms, above the rushing waters of the Hell Beck, he must choose his fate. Reiver is the latest novella by David Pilling, author of the Caesar’s Sword trilogy, Leader of Battles, The White Hawk and Soldier of Fortune.

    Alone. Safe. She can't risk being found by the stalker who haunts her waking nightmares. Until an invitation from billionaire Sylvester de León—to spend thirty days with him on his private island, Corazón—proves impossibly tempting. But one look at the gorgeous host's deep blue eyes, and Connie knows there is nothing safe about this paradise and the aristocratic man who calls it home. The island is cursed…as is Sylvester himself. Yet something in him calls to Connie, ignites a desire that's filled with raw, timeless need. But Corazón has many secrets, each more dangerous than the last. And in a place where everlasting love, the past and fate intersect, even death is only a beginning…

     But Drake’s exploits in his earlier years, though less well known, are even more remarkable. Born into a poor, obscure family, he worked his way rapidly up in the maritime world to his first captaincy. Before long, he was the most successful of all English pirates, admired by his countrymen, hated and feared by the Spanish. Queen Elizabeth and her ministers saw the potential in this rough-mannered but enterprising young man, and gave him their blessing for the first British venture into the Pacific Ocean. This success of this voyage, which lasted for three years, exceeded their wildest hopes. Not only did Drake come home with a vast treasure of captured gold, silver and jewels; he became the first man ever to circumnavigate the globe in a single mission, and bring most of his crew home alive and well. Soon after his triumphant return, Elizabeth knighted this newly rich adventurer, and gave her blessing to his acts of pillage. It was a gesture that made war with Spain inevitable. And Drake’s part in the coming war changed the course of world history. SIR FRANCIS DRAKE: THE QUEEN’S PIRATE tells the extraordinary story of Drake’s early years and his journey around the world on his famous ship, the Golden Hind.

    Queen Elizabeth reigns from the throne while two rival spymasters -- Sir Robert Cecil and the Earl of Essex -- plot from the shadows. Their goal? To control succession upon the aged queen's death. The man on which their schemes depend? Christopher Marlowe, a cobbler's son from Canterbury who has defied expectations and become an accomplished poet and playwright. Now that the plague has closed theatres, Marlowe must resume the work for which he was originally recruited: intelligence and espionage.Fighting to stay one step ahead in a dizzying game that threatens the lives of those he holds most dear, Marlowe comes to question his allegiances and nearly everything he once believed. As tensions mount, he is tossed into an impossible bind. He must choose between paths that lead either to wretched guilt and miserable death or to love and honour.An historical novel with a contemporary edge, This Marlowe measures the weight of the body politic, the torment of the flesh, and the state of the soul.

    In some months as many Eritreans as Syrians arrive on European shores, yet the country is not convulsed by civil war. Young men and women risk all to escape. Many do not survive - their bones littering the Sahara;their bodies floating in the Mediterranean.Still they flee, to avoid permanent military service and a future without hope. As the United Nations reported: 'Thousands of conscripts are subjected to forced labor that effectively abuses, exploits and enslaves them for years.'Eritreans fought for their freedom from Ethiopia for thirty years, only to have their revered leader turn on his own people. Independent since 1993, the country has no constitution and no parliament. No budget has ever been published. Elections have never been held and opponents languish in jail.International organizations find it next to impossible to work in the country.Nor is it just a domestic issue. By supporting armed insurrection in neighboring states it has destabilized the Horn of Africa. Eritrea is involved in the Yemeni civil war, while the regime backs rebel movements in Somalia, Ethiopia and Djibouti.This book tells the untold story of how this tiny nation became a world pariah.

    Foremost amongst the group of ambitious men who sought to govern, Seymour's usurpation of power set him on a course that ended on the block. To the common-folk Seymour was "The Good Duke," but to his fellow councillors he was a traitor. This is a story of power and ambition, failure and execution.

    A Future Without Hate or Need brings to life the rich and multi-layered lives of a dissident political community, their shared experiences and community-building cultural projects, as they attempted to weave together their ethnic particularity – their identity as Jews – with their internationalist class politics.

    With the establishment of the ducal regime in Florence in 1530, there was increasing debate about how to be a nobleman. Was fashionable clothing a sign of magnificence or a source of mockery? Was the graceful courtier virile or effeminate? How could a man dress for court without bankrupting himself? This book explores the whole story of clothing, from the tailor's workshop to spectacular court festivities, to show how the male nobility in one of Italy's main textile production centers used their appearances to project social, sexual, and professional identities.Sixteenth-century male fashion is often associated with swagger and ostentation but this book shows that Florentine clothing reflected manhood at a much deeper level, communicating a very Italian spectrum of male virtues and vices, from honor, courage, and restraint to luxury and excess. Situating dress at the heart of identity formation, Currie traces these codes through an array of sources, including unpublished archival records, surviving garments, portraiture, poetry, and personal correspondence between the Medici and their courtiers.Addressing important themes such as gender, politics, and consumption, Fashion and Masculinity in Renaissance Florence sheds fresh light on the sartorial culture of the Florentine court and Italy as a whole.

    Of these minorities Christians are by far the largest, comprising over 10% of the population in Syria and as much as 40% in Lebanon.The largest single group of Christians are the Arabic-speaking Orthodox. The author draws on archaeological evidence and previously unpublished primary sources uncovered in Russian archives and Middle Eastern monastic libraries to present a vivid and compelling account of this vital but little-known spiritual and political culture, situating it within a complex network of relations reaching throughout the Mediterranean, the Caucasus and Eastern Europe.

    This interpretation remains seductive because of its simplicity; there are villains and victims in this familiar cautionary tale of the American frontier. But as this volume of groundbreaking scholarship shows, the story of the bison’s demise is actually quite nuanced.Bison and People on the North American Great Plains brings together voices from several disciplines to offer new insights on the relationship between humans and animals that approached extinction. The essays here transcend the border between the United States and Canada to provide a continental context. Contributors include historians, archaeologists, anthropologists, paleontologists, and Native American perspectives. This book explores the deep past and examines the latest knowledge on bison anatomy and physiology, how bison responded to climate change (especially drought), and early bison hunters and pre-contact trade. It also focuses on the era of European contact, in particular the arrival of the horse, and some of the first known instances of over-hunting. By the nineteenth century bison reached a “tipping point” as a result of new tanning practices, an early attempt at protective legislation, and ventures to introducing cattle as a replacement stock. The book concludes with a Lakota perspective featuring new ethnohistorical research.Bison and People on the North American Great Plains is a major contribution to environmental history, western history, and the growing field of transnational history.

    Instead, this invigorating new book equips teachers to enable student-centred discovery of these complex texts.Because Shakespeare's plays are excellent vehicles for many topics -history, socio-cultural norms and mores, vocabulary, rhetoric, literary tropes and terminology, performance history, performance strategies - it is tempting to teach his plays as though they are good for teaching everything. This lens-free approach, however, often centres the classroom on the teacher as the expert and renders Shakespeare's plays as fixed, determined, and dead. Teaching Shakespeare with Purpose shows teachers how to approach Shakespeare's works as vehicles for collaborative exploration, to develop intentional frames for discovery, and to release the texts from over-determined interpretations. In other words, this book presents how to teach Shakespeare's plays as living, breathing, and evolving texts.