England is awash with traitors, plotting to assassinate the Queen and bring about a foreign invasion. The young physician Christoval Alvarez, a refugee from the horrors of the Portuguese Inquisition, is coerced into becoming a code-breaker and spy in Sir Francis Walsingham’s espionage service. In the race to thwart the plot, who will triumph – the ruthless conspirators or the equally ruthless State?

    A King denies his heart and soul. A girl faces her true identity. All things must come to an end—all things but love. IN THE WINTER OF 1535, fourteen-year-old Kate Carey wants to escape her family home. She thinks her life will be so much better with Anne Boleyn, Henry VIII’s second wife and the aunt she idolises. Little does Kate know that by going to attend Anne Boleyn she will discover love and a secret that will shake the very foundations of her identity. As an attendant to Anne Boleyn, Kate is swept up in events that see her witness her aunt’s darkest days. By the time winter ends, Kate will be changed forever.

    The Tudor court is a tangible place, filled with real people and gives us a sixth wife of Henry VIII that stands out in Tudor fiction." Nancy Bilyeau, The Crown "An evocative and compelling story of Tudor intrigue, set in the final years of King Henry VIII." Tony Riches 1537. England. Henry VIII is in conflict with the Pope and the country is divided. A contingent of people in the north embark upon the Pilgrimage of Grace, to compel their monarch to bring him back into the fold. But the unyielding Henry sends an army to quell the uprising. In Yorkshire, Lady Katheryn Latimer, and her step-children, Margaret and John, are held under siege at Snape Castle. Henry proves victorious, although his victory doesn't wholly heal the divisions in the country. A few years later, widowed for the second time, Katheryn joins the household of Lady Mary Tudor where she encounters an old sweetheart, Thomas Seymour. But they are forced to cancel their plans to marry when King Henry VIII makes Katheryn an offer that she is unable to refuse. Haunted by the fates of Henry’s previous wives, Katheryn becomes the king’s trusted consort. But the court is treacherous and Katheryn wins more enemies than friends. . It is not until the Henry's death that Katheryn is finally able to follow the desires of her heart. Judith Arnopp is the author of numerous bestselling historical novels, including The Kiss of the Concubine, written from the perspective of Tudor women, from all walks of life.

    This compelling biography of the most powerful European monarch of his day begins with his conception (1526) and ends with his ascent to Paradise (1603), two occurrences surprisingly well documented by contemporaries. Eminent historian Geoffrey Parker draws on four decades of research on Philip as well as a recent, extraordinary archival discovery—a trove of 3,000 documents in the vaults of the Hispanic Society of America in New York City, unread since crossing Philip’s own desk more than four centuries ago. Many of them change significantly what we know about the king. The book examines Philip’s long apprenticeship; his three principal interests (work, play, and religion); and the major political, military, and personal challenges he faced during his long reign. Parker offers fresh insights into the causes of Philip’s leadership failures: was his empire simply too big to manage, or would a monarch with different talents and temperament have fared better?

    When Anna takes a career break in Venice she is unprepared for the extraordinary pull of the city's past over the present. Nor does she envisage being befriended by art historian, Vittore Anzelieri, and his nephew, Raffi. As her involvement with this charismatic family deepens, she finds herself embroiled in unravelling the secrets of a Renaissance masterpiece, and also having to fight for all that she holds dear - just as Ginevra had to, 500 years before. Although living very different lives, the hopes and aspirations of these two women are surprisingly similar, as are the corrupt powers that threaten to snatch away their happiness in this beautiful, but most illusionary, of cities. Stealing Venice is a love story, an art mystery, a powerful evocation of the world's most iconic city, a study of grief and of having the courage to find and follow one's true vocation in life. A captivating tale of two cities - London and Venice; of art and history; of theft and food.

    The daughter of an illiterate rope maker in Lyon, known to her contemporaries for her unusual learning as well as her skills as a singer and lutanist, Labé was in her thirties when she published her complete Works in 1555 and then disappeared from the scene, not to be rediscovered until the nineteenth century. Her love poetry, made famous by Rilke’s German versions, is published here with the originals en face and newly rendered into English by award-winning translator Richard Sieburth, who also includes a biographical chronology of the poet, notes, and an informative afterword to this edition. These Love Sonnets and Elegies confirm Labé’s reputation as the first modern Sappho.

    Proceeding chronologically, each chapter covers a specific time frame in which Southeast Asia is located in a global context. A discussion of general features that distinguish the period under discussion is followed by a detailed account of the various sub-regions. Students will be shown the ways in which local societies adapted to new religious and political ideas and responded to far-reaching economic changes. Particular attention is given to lesser-known societies that inhabited the seas, the forests, and the uplands, and to the role of the geographical environment in shaping the region's history. The authoritative yet accessible narrative features maps, illustrations, and timelines to support student learning. A major contribution to the field, this text is essential reading for students and specialists in Asian studies and early modern world history.

    Guido Ruggiero's work is based on archival research and new insights of social and cultural history and literary criticism, with a special emphasis on everyday culture, gender, violence and sexuality. The book offers a vibrant and relevant critical study of a period too long burdened by anachronistic and outdated ways of thinking about the past. Familiar, yet alien; pre-modern, but suggestively post-modern; attractive and troubling, this book returns the Italian Renaissance to center stage in our past and in our historical analysis.

    In England the king's declaration of a new church and dissolution of the monasteries overturns the customs and authorities of centuries. In the new world order, spies abound and no one can be trusted.To Brother Pacificus of the Abbey of St. Benet's in Norfolk, it looks like his abbey alone will be spared dissolution. But this last Benedictine house is mired in murder and intrigue. Then when Pacificus falls under suspicion, more than his own dark past comes to light, while the body count keeps rising. Pacificus's fate becomes entwined with that of three local children after their parents are arrested for treason and heresy. Protected only by this errant monk, a mysterious leper, and a Dutch eel-catcher, the children must quickly adjust; seeking their own identity, they soon find that neither parents nor protectors are quite what they seem.Based on historical events, this post-medieval mystery is laced with romance, fueled by greed, and punctuated with bouts of feasting, smuggling, and jailbreak.

    Written in alternating chapters between the two time periods, The Spoils of Avalon creates a sparkling, magical mystery that bridges the gap between two worlds that could hardly be more different-the industrialized, Darwinian, materialistic Victorian Age and the agricultural, faith-infused life of a medieval abbey on the brink of violent change at the hands of Henry VIII and Thomas Cromwell. First in a new series of historical mysteries, The Spoils of Avalon introduces two unlikely detectives and life-long friends-beginning as young people on the verge of making their names famous for the next several decades throughout Europe and America: the brilliant and brittle Violet Paget, known as the writer Vernon Lee, and the talented, genial portrait painter John Singer Sargent.