Henry was considered a demi-god by his subjects, so each woman he chose was someone who had managed to stand out in a crowd of stunning ladies. Looking good was not enough (indeed, many of Henry’s lovers were considered unattractive); she had to have something extra special to keep the King’s interest. And Henry’s women were every bit as intriguing as the man himself. In this book Henry’s mistresses are rescued from obscurity. The 16th century was a time of profound changes in religion and society across Europe—and some of Henry’s lovers were at the forefront of influencing these events.

    So often viewed in her relationships with men, the Virgin Queen is portrayed here as the product of women: the mother she lost so tragically, the female subjects who worshiped her, and the peers and intimates who loved, raised, challenged, and sometimes opposed her.In vivid detail, Borman presents Elizabeth’s bewitching mother, Anne Boleyn, eager to nurture her new child, only to see her taken away and her own life destroyed by damning allegations--which taught Elizabeth never to mix politics and love. Kat Astley, the governess who attended and taught Elizabeth for almost thirty years, invited disaster by encouraging her charge into a dangerous liaison after Henry VIII’s death. Mary Tudor (“Bloody Mary”) envied her younger sister’s popularity and threatened to destroy her altogether. And animosity drove Elizabeth and her cousin Mary Queen of Scots into an intense thirty-year rivalry that could end only in death.Elizabeth’s Women contains more than an indelible cast of characters. It is an unprecedented account of how the public posture of femininity figured into the English court, the meaning of costume and display, the power of fecundity and flirtation, and how Elizabeth herself, long viewed as the embodiment of feminism, shared popular views of female inferiority and scorned and schemed against her underlings’ marriages and pregnancies.Brilliantly researched and elegantly written, Elizabeth’s Women is a unique take on history’s most captivating queen and the dazzling court that surrounded her.

    1536 - focusing on a pivotal year in the life of the King - reveals a fuller portrait of this complex monarch, detailing the finer shades of humanity that have so long been overlooked. We discover that in 1536 Henry met many failures - physical, personal, and political - and emerged from them a revolutionary new king who proceeded to transform a nation and reform a religion. A compelling story, the effects of which are still with us today, 1536 shows what a profound difference can be made merely by changing the heart of a king.

    It was sensational in its day, and has exerted endless fascination over the minds of historians, novelists, dramatists, poets, artists and film-makers ever since.Anne was imprisoned in the Tower of London on 2 May 1536, and tried and found guilty of high treason on 15 May. Her supposed crimes included adultery with five men, one her own brother, and plotting the King's death.Mystery surrounds the circumstances leading up to her arrest. Was it Henry VIII who, estranged from Anne, instructed Master Secretary Thomas Cromwell to fabricate evidence to get rid of her so that he could marry Jane Seymour? Or did Cromwell, for reasons of his own, construct a case against Anne and her faction, and then present compelling evidence before the King? Or was Anne, in fact, guilty as charged?Never before has there been a book devoted entirely to Anne Boleyn's fall. Alison Weir has reassessed the evidence, demolished many romantic myths and popular misconceptions, and rewritten the story of Anne's fall, creating a richly researched and impressively detailed portrait of the dramatic last days of one of the most influential and important figures in English history.

    This book is a retelling of Shakespeare's classic tragedy, 'Hamlet'.

    . . but all too well. Confidante of Nostradamus, scheming mother-in-law to Mary, Queen of Scots, and architect of the bloody St. Bartholomew’s Day Massacre, Catherine de Medici is one of the most maligned monarchs in history. In her latest historical fiction, Jeanne Kalogridis tells Catherine’s story—that of a tender young girl, destined to be a pawn in Machiavellian games. Born into one of Florence’s most powerful families, Catherine was soon left a fabulously rich heiress by the early deaths of her parents. Violent conflict rent the city state and she found herself imprisoned and threatened by her family’s enemies before finally being released and married off to the handsome Prince Henry of France. Overshadowed by her husband’s mistress, the gorgeous, conniving Diane de Poitiers, and unable to bear children, Catherine resorted to the dark arts of sorcery to win Henry’s love and enhance her fertility—for which she would pay a price. Against the lavish and decadent backdrop of the French court, and Catherine’s blood-soaked visions of the future, Kalogridis reveals the great love and desire Catherine bore for her husband, Henry, and her stark determination to keep her sons on the throne.

     Katherine Ashley, the daughter of a poor country squire, happily secures an education and a place for herself in a noble household. But when Thomas Cromwell, a henchman for King Henry VIII, brings her to the royal court as a spy, Kat enters into a thrilling new world of the Tudor monarchs. Freed from a life of espionage by Cromwell's downfall, Kat eventually befriends Anne Boleyn. As a dying favor to the doomed queen, Kat becomes governess and surrogate-mother to the young Elizabeth Tudor. Together they suffer bitter exile, assassination attempts, and imprisonment, barely escaping with their lives. But they do, and when Elizabeth is crowned, Kat continues to serve her, faithfully guarding all the queen's secrets (including Elizabeth's affair with the dashing Robert Dudley) . . . and ultimately emerging as the lifelong confidante and true mother-figure to Queen Elizabeth.

    Abandoned and in danger, Elizabeth Tudor has one simple aim: survival. This is their story.[image]Video TrailerSet against the background of the English Reformation, and threatened by a vengeful and unforgiving Queen, the mysterious brotherhood of the Rose Lodge attempts to guide the nation towards enlightenment and stability. Here,the special alchemy of the Virgin and the Crab works its magic: growing from childhood friendship, through adolescent flirtation, to mutual respect and admiration as together they prepare to sacrifice everything for the world they wish to inherit.

    It surveys relevant pictorial sources, archaeological artefacts and archival information, and provides credible evidence for the clothes in a typical royal servant's wardrobe in the early year's of Henry VIII's reign. Detailed patterns, practical instructions, specially-commissioned line drawings and high-quality colour photographs provide guidance on reconstructing men's garments circa 1498 to 1511. An essential guide to ordinary men's dress in the early sixteenth century for researchers and costumiers working in museums, education, re-enactment, stage and screen. Dispatched direct from the publishers in the UK.

    It was here that the first military engagement of the Revolutionary War was fought and here that Thoreau came to live deliberately on the shores of Walden Pond. Between the Revolution and the settlement of the little cabin with the bean rows, however, Walden Woods was home to several generations of freed slaves and their children. Living on the fringes of society, they attempted to pursue lives of freedom, promised by the rhetoric of the Revolution, and yet withheld by the practice of racism. Thoreau was all but alone in his attempt to conjure up the former occupants of these woods. Other than the chapter he devoted to them in Walden, the history of slavery in Concord has been all but forgotten.In Black Walden: Slavery and Its Aftermath in Concord, Massachusetts, Elise Lemire brings to life the former slaves of Walden Woods and the men and women who held them in bondage during the eighteenth century. After charting the rise of Concord slaveholder John Cuming, Black Walden follows the struggles of Cuming's slave, Brister, as he attempts to build a life for himself after thirty-five years of enslavement. Brister Freeman, as he came to call himself, and other of the town's slaves were able to leverage the political tensions that fueled the American Revolution and force their owners into relinquishing them. Once emancipated, however, the former slaves were permitted to squat on only the most remote and infertile places. Walden Woods was one of them. Here, Freeman and his neighbors farmed, spun linen, made baskets, told fortunes, and otherwise tried to survive in spite of poverty and harassment.With a new preface that reflects on community developments since the hardcover's publication, Black Walden reminds us that this was a black space before it was an internationally known green space and preserves the legacy of the people who strove against all odds to overcome slavery and segregation.

    Yet as long ago as the sixteenth century, British monarchs deployed what we might now describe as “spin.” In this book a leading historian reveals how Tudor kings and queens sought to enhance their authority by presenting themselves to best advantage. Kevin Sharpe offers the first full analysis of the verbal and visual representations of Tudor power, embracing disciplines as diverse as art history, literary studies, and the history of consumption and material culture.The author finds that those rulers who maintained the delicate balance between mystification and popularization in the art of royal representation—notably Henry VIII and Elizabeth I—enjoyed the longest reigns and often the widest support. But by the end of the sixteenth century, the perception of royalty shifted, becoming less sacred and more familiar and leaving Stuart successors to the crown to deal with a difficult legacy.

    The few studies that do cover these neglected areas have tended to be quite general, focusing upon garments rather than the wearers. As such this present volume fills an important gap by providing a detailed analysis of not only what people wore in Henry's reign, but why. The book describes and analyses dress in England through a variety of documents, including warrants and accounts from Henry's Great Wardrobe and the royal household, contemporary narrative sources, legislation enacted by Parliament, guild regulations, inventories and wills, supported with evidence and observations derived from visual sources and surviving garments. Whilst all these sources are utilised, the main focus of the study is built around the sumptuary legislation, or the four 'Acts of Apparel' passed by Henry between 1509 and 1547. English sumptuary legislation was concerned primarily with male dress, and starting at the top of society with the king and his immediate family, it worked its way down through the social hierarchy, but stopped short of the poor who did not have sufficient disposable income to afford the items under consideration. Certain groups - such as women and the clergy - who were specifically excluded from the legislation, are examined in the second half of the book. Combining the consideration of such primary sources with modern scholarly analysis, this book is invaluable for anyone with an interest in the history of fashion, clothing, and consumption in Tudor society.

    By some accounts Norfolk became known as the greatest soldier and aristocrat alive under Henry VIII's rule, in Britain a period of transition from medieval to modern and spanning the Renaissance and Reformation. In this first comprehensive biography of Norfolk David M. Head confronts the central paradox of Norfolk's career. Here was a man of enormous ambition and family pride whose talents never matched that ambition-a man whose military and political victories brought him only short-term rewards, often followed by personal disaster. A social and religious conservative, Norfolk was uncomfortable with reformation ideology and the "low-born" men of the court. The duke sought a primary position within the court like that earned by Cromwell and Wolsey but was unwilling to perform the sustained hard work required to achieve that stature. By the 1540s Norfolk was probably the richest man in England, but nonetheless, at the hands of Cromwell and Wolsey, he was repeatedly exiled from the court for emotional excesses as factional struggles swirled and political rivalries turned personal and bloody. Even when exiled from court, his military and diplomatic service repeatedly earned him a return to Henry's inner circle, a place he proved unable to hold, as family disasters undermined his position and the shifts of faction turned against him. To understand Thomas Howard is to grasp the intimate scale of Tudor England and its measurement of power as one's proximity to the crown. He serves as a symbol for this age of transition-a nobleman, a figure from the feudal past, adjusting to a changing age that he did not always understand and to which he could never completely accommodate himself.

    These include the killing of "Sweet Fanny Adams" in 1867; the horrific murder committed by the postmaster at Grayshott in 1901; the mysterious poisoning of Hubert Chevis in 1943; and the gun battle in the village of Kingsclere in 1944, which resulted in the deaths of three people. Nicola Sly’s carefully researched, well-illustrated, and enthralling text will appeal to anyone interested in the shady side of Hampshire’s history, and should give much food for thought.