Best of
15th-Century
2000
The Heretic
Lewis M. Weinstein - 2000
It tells the story of a family of secret Jews living in Seville on the eve of the Spanish Inquisition.
Machu Picchu
Elizabeth Mann - 2000
Without the use of the wheel, they built a vast and sophisticated network of roads. Without an alphabet, they administered a population of ten million people. With the most primitive of tools, they built cities of stone.Machu Picchu is as astonishing as its builders. Set in a remote, inaccessible area of the high Andes, this breathtaking city was never found by the Spanish Conquistadores. It is an untouched example of the genius of the Inkas.Machu Picchu tells the story about the rise of the Inkas and the building of this great city. Award-winning author Elizabeth Mann has become justly famous for engrossing narratives that make distant worlds comprehensible and complex engineering feats accessible. In Machu Picchu, these talents are displayed to their fullest.Amy Crehore's paintings convey a fabulous world that seems at once intensely real and dream-like. Her luminous pallette is an Inka tapestry unfaded by time.Wonders of the World seriesThe winner of numerous awards, this series is renowned for Elizabeth Mann's ability to convey adventure and excitement while revealing technical information in engaging and easily understood language. The illustrations are lavishly realistic and accurate in detail but do not ignore the human element. Outstanding in the genre, these books are sure to bring even the most indifferent young reader into the worlds of history, geography, and architecture."One of the ten best non-fiction series for young readers." - Booklist
Isabella And Leonardo: The Artistic Relationship Between Isabella D'este And Leonardo Da Vinci
Francis Ames-Lewis - 2000
Her artistic relationship with Leonardo da Vinci (1452-1519) is charted through the letters that they exchanged over the course of about six years. Beginning in late 1499, Leonardo spent several months in Mantua, where he met Isabella and produced a finished portrait drawing of her. In the years that followed, the marchioness wrote to the artist to ask him to undertake other paintings and projects. Though little came of these requests, da Vinci did produce a drawing of some classical hard-stone vases to assist her search for collectible antiques and also started work on a painting of Christ as a twelve-year-old boy at her request.The story of their relationship is explored in depth for the first time in Isabella and Leonardo. This illuminating story raises interesting and important questions about relationships between artists and patrons, and about women as art patrons at the beginning of the 16th century.
An English Medieval and Renaissance Song Book: Part Songs and Sacred Music for One to Six Voices
Noah Greenberg - 2000
The specialist will not miss the quiet sophistication with which the music has been selected and prepared. Some of it is printed here for the first time, and much of it has been edited anew." — NotesThis treasury of 47 vocal works — edited by Noah Greenberg, founder and former director of the New York Pro Musica Antiqua — will delight all lovers of medieval and Renaissance music. Containing a wealth of both religious and secular music from the 12th to the 17th centuries, the collection covers a broad range of moods, from the hearty "Blow Thy Horne Thou Jolly Hunter" by William Cornysh to the reflective and elegiac "Cease Mine Eyes" by Thomas Morley.Of the religious works, nine were written for church services, including "Sanctus" by Henry IV and "Angús Dei" from a beautiful four-part mass by Thomas Tallis. Other religious songs in the collection come from England's rich tradition of popular religious lyric poetry, and include William Byrd's "Susanna Farye," the anonymously written "Deo Gracias Anglia" (The Agincort Carol), and Thomas Ravenscroft's "O Lord, Turne Now Away Thy Face" and "Remember O Thou Man."Approximately half of the songs are secular, some from the popular tradition and others from the courtly poets and musicians surrounding such musically inclined monarchs as Henry VIII — who himself is represented in this collection with two charming songs, "With Owt Dyscorde" and "O My Hart." Among the notable composers of Tudor and Elizabethan England represented here are Orlando Gibbons, John Dowland, and Thomas Weelkes.