It was a time when publishing was still a private affair - a scattered family of small houses here and in Europe - a time of gatherings in fabled apartments, parties into the night. It is a world in which to immerse himself, a world of intimate connections and surprising triumphs. But the deal that Philip cannot seem to close is love: one marriage goes bad; another fails to happen; and, finally, he meets a woman who enthralls, then betrays him, setting him on a course he could never have imagined for himself. Written with Salter's signature economy of prose, All That Is fiercely, fluidly explores a life unfolding in a world on the brink of change: a dazzling, sometimes devastating labyrinth of love and ambition, of the small shocks and grand pleasures of being alive.

    Into his tightly repressed existence bursts a brash young neighbour, whose vivacity and boldness begin to transform his life. Yet years pass by, feelings are repressed, opportunities missed. Until one day - led by a trail of bees - Albert discovers her body and is plunged back into his memories, where he must finally confront the lies and secrets that led to their estrangement. In doing so he unearths the truth of Claire’s murder – a question not so much of who but why.

    As the townspeople grapple with their problems, mild and dire, Olive is brought to a deeper understanding of herself and her life – sometimes painfully, but always with ruthless honesty.

    Perhaps they married too young and started a family too early. Maybe Frank's job is dull. And April never saw herself as a housewife. Yet they have always lived on the assumption that greatness is only just around the corner. But now that certainty is now about to crumble. With heartbreaking compassion and remorseless clarity, Richard Yates shows how Frank and April mortgage their spiritual birthright, betraying not only each other, but their best selves.

    Using his own experiences as a journalist and propagandist with the Red Army during the war against Poland, Babel brings to life an astonishing cast of characters from the exuberant, violent era of early Soviet history: commissars and colonels, Cossacks and peasants, and among them the bespectacled, Jewish writer/intellectual, observing it all and trying to establish his role in the new Russia.Drawn from the acclaimed, award-winning Complete Works of Isaac Babel, this volume includes all of the Red Cavalry cycle; Babel's 1920 diary, from which the material for the fiction was drawn; and his preliminary sketches for the stories—the whole constituting a fascinating picture of a great writer turning life into art.

    But, when the storm clouds of WW2 gather, the family must flee, accompanied by Viktor's lover and her child. But the house's story is far from over, as it passes from hand to hand, from Czech to Russian.

    Rejecting the prevailing sentimental stereotypes of her times, she portrayed her black characters with sympathy and understanding, endowing them with the full dimensions of human consciousness. In these novels and stories, she tapped the richness of rural southern black culture and oral traditions to capture the conflicting realities in an African American community and to reveal a grace and courage worthy of black pride.

    The first male child born in the newly established Republic of Texas, Eli McCullough is thirteen years old when a marauding band of Comanche storm his homestead and brutally murder his mother and sister, taking him captive. Brave and clever, Eli quickly adapts to Comanche life, learning their ways and language, answering to a new name, carving a place as the chief's adopted son, and waging war against their enemies, including white men-complicating his sense of loyalty and understanding of who he is. But when disease, starvation, and overwhelming numbers of armed Americans decimate the tribe, Eli finds himself alone. Neither white nor Indian, civilized or fully wild, he must carve a place for himself in a world in which he does not fully belong-a journey of adventure, tragedy, hardship, grit, and luck that reverberates in the lives of his progeny. Intertwined with Eli's story are those of his son, Peter, a man who bears the emotional cost of his father's drive for power, and JA, Eli's great-granddaughter, a woman who must fight hardened rivals to succeed in a man's world.Phillipp Meyer deftly explores how Eli's ruthlessness and steely pragmatism transform subsequent generations of McCulloughs. Love, honor, children are sacrificed in the name of ambition, as the family becomes one of the richest powers in Texas, a ranching-and-oil dynasty of unsurpassed wealth and privilege. Yet, like all empires, the McCoulloughs must eventually face the consequences of their choices.Harrowing, panoramic, and vividly drawn, The Son is a masterful achievement from a sublime young talent.

    This million-copy Pulitzer Prize-winning classic details the journey of Jaimie and his father from Kentucky to gold-rush California.

    Both the twelve-year-old and his father become fugitives, forced to run from Coos County–to Boston, to southern Vermont, to Toronto–pursued by the implacable constable. Their lone protector is a fiercely libertarian logger, once a river driver, who befriends them.In a story spanning five decades, Last Night in Twisted River–John Irving’s twelfth novel–depicts the recent half-century in the United States as “a living replica of Coos County, where lethal hatreds were generally permitted to run their course.” From the novel’s taut opening sentence–“The young Canadian, who could not have been more than fifteen, had hesitated too long”–to its elegiac final chapter, Last Night in Twisted River is written with the historical authenticity and emotional authority of The Cider House Rules and A Prayer for Owen Meany. It is also as violent and disturbing a story as John Irving’s breakthrough bestseller, The World According to Garp.What further distinguishes Last Night in Twisted River is the author’s unmistakable voice–the inimitable voice of an accomplished storyteller. Near the end of this moving novel, John Irving writes: “We don’t always have a choice how we get to know one another. Sometimes, people fall into our lives cleanly–as if out of the sky, or as if there were a direct flight from Heaven to Earth–the same sudden way we lose people, who once seemed they would always be part of our lives.”

    Of all of Hemingway’s canonical fictions, perhaps none demonstrate so forcefully the power of the author’s revolutionary style as his short stories. In classics like “Hills like White Elephants,” “The Butterfly in the Tank,” and “The Short Happy Life of Francis Macomber,” Hemingway shows us great literature compressed to its most potent essentials. We also see, in Hemingway’s short fiction, the tales that created the legend: these are stories of men and women in love and in war and on the hunt, stories of a lost generation born into a fractured time. The Short Stories of Ernest Hemingway presents many of Hemingway’s most famous classics alongside rare and unpublished material: Hemingway’s early drafts and correspondence, his dazzling out-of-print essay on the art of the short story, and two marvelous examples of his earliest work—his first published story, “The Judgment of Manitou,” which Hemingway wrote when still a high school student, and a never-before-published story, written when the author was recovering from a war injury in Milan after WWI. This work offers vital insight into the artistic development of one of the twentieth century’s greatest writers. It is a perfect introduction for a new generation of Hemingway readers, and it belongs in the collection of any true Hemingway fan.

    Knock on Any Door dramatizes young immigrant Nick Romano's struggle to survive when his father's business folds, leaving his family with no choice but to move to a poor neighborhood across town. A series of petty crimes land the former Catholic altar boy in reform school, where forceful "rehabilitation" only creates a hardened and resistant spirit among the inmates. Once released, Nick returns to Chicago, where family conflicts and a brief, tragic marriage spiral him further downward, culminating in his arrest for the murder of a police officer. The whole city watches the thrilling legal battle unfold as Nick takes the stand to fight for his life. Motley researched his novel on the streets of his native Chicago, talking to immigrants about their experiences and visiting juveniles in Illinois's youth detention centers. In Knock on Any Door, Motley creates a painfully vivid picture of poverty, the struggle for ethnic identity, and the flaws of the penal system in urban America.

    For generations, the Sawtelles have raised and trained a fictional breed of dog whose thoughtful companionship is epitomized by Almondine, Edgar's lifelong friend and ally. But with the unexpected return of Claude, Edgar's paternal uncle, turmoil consumes the Sawtelles' once peaceful home. When Edgar's father dies suddenly, Claude insinuates himself into the life of the farm—and into Edgar's mother's affections. Grief-stricken and bewildered, Edgar tries to prove Claude played a role in his father's death, but his plan backfires—spectacularly. Forced to flee into the vast wilderness lying beyond the farm, Edgar comes of age in the wild, fighting for his survival and that of the three yearling dogs who follow him. But his need to face his father's murderer and his devotion to the Sawtelle dogs turn Edgar ever homeward. David Wroblewski is a master storyteller, and his breathtaking scenes—the elemental north woods, the sweep of seasons, an iconic American barn, a fateful vision rendered in the falling rain—create a riveting family saga, a brilliant exploration of the limits of language, and a compulsively readable modern classic.

    Book 1 in this new series introduces the reader to life in 18th Century England, where, despite being one of the freest countries in the world there were rumblings of discontent amongst the citizens and Jake Frake is no exception to this endemic restlessness. From an early age he has developed an independent mind and spirit, a trait that is not openly welcomed for someone of his lowly class. Fate and circumstance leads him to join a band of smugglers and he furthers their cause. Jack himself is sentenced to eight years of servitude in the Colonies and he embarks on a sea voyage aboard the Sparrowhawk, destined for Virginia.

     A desperate young Jewish woman sacrifices her life to save her baby twins from the terrible death that awaits them. Decades later, in New York, Rabbi Jeremiah Neumann discovers the existence of his long lost twin. He rushes headlong to meet him – but is shocked to discover that his identical twin is a priest. The two brothers travel to Poland to find out who they truly are. Page by page they uncover the terrible secret of their bloodcurdling heritage. A long-dormant evil is resurrected, and once again threatens to take the twins’ lives. Will they survive the new storm? At God’s Mercy is a captivating book that is hard to put down. It will take you deep behind the frontiers of human atrocity, where cruelty meets courage, and faith meets fate. Its chilling storyline bites hard at religious establishment and raises hard questions regarding Judaism, Christianity, human nature, faith and existence.