She co-created Upstairs, Downstairs and wrote the screenplay for Mrs Dalloway (for which she won an Evening Standard Award) and at aged eighty-six, this is her first autobiographical work.Characterised by an eye for the absurd, a terrific knack for storytelling and an insistence on honesty, Will She Do? is a wonderful raconteur's tale about family, about class, about youthful ambition and big dreams and what really goes on behind the scenes.Made a Dame in 1991, Eileen Atkins has been on American and British stage and screen since 1957 and has won an Emmy, a BAFTA and is a three-time Olivier Award winner; her theatre performances include The Height of the Storm, Ellen Terry, All that Fall and she has appeared in television and films ranging from Doc Martin to Cranford to The Crown.

    In between mail-outs and making cups of coffee she meets the formidable producer Thelma Holt. Within a fortnight Thelma has stolen her, cancelled her audition for RADA, sent her to evening classes to learn to type, organised a miniscule salary and renamed her. From that moment she becomes Sweetpea. Her days are spent in an eccentric office where Alan Rickman or Vanessa Redgrave might pop in at any moment. Evenings are filled with the adrenaline of an opening-night performance or the chatter of a smart restaurant where casting for the next production is discussed. Existing somewhere between glamour and penury, Sweetpea finds herself surrounded by dynamic personalities and struggling to trust her own creative instincts. Over the years her apprenticeship takes in unusual demands, misbehaving actors, divinely inspired directors and a hot-air balloon ride with British theatre's finest. GET ME THE URGENT BISCUITS is a keenly observed memoir about the vanishing world of London's West End in the 1980s and 1990s, in which a young woman is swept into the orbit of a theatrical impresario. Shrewd, poignant and irresistibly funny, above all it is a coming-of-age story about the search for independence and an ode to the beguiling nature of theatre.

     The Co-op’s Got Bananas! left our protagonist at the cusp of working for one of the world’s greatest newspapers – The Sunday Times . In this much-anticipated sequel, Hunter now looks back across five decades of successful writing to reflect on his colourful memories of the living in London during the height of the Swinging Sixties, becoming editor of Britain’s first colour weekend supplement The Sunday Times magazine; where he befriended the Beatles; and reporting on (and partying with) some of the biggest names in television, film and theatre of the day. As time moved on into the 1970s, '80s and '90s, Hunter encountered the likes of Sir Michael Caine, George Best, Melvyn Bragg, Joan Bakewell, Sir Sean Connery, Cilla Black, Paul Gascoigne, and Wayne Rooney to name a few. Hunter brings the story full circle to reflect on his years spent with the love of his life – the bestselling writer Margaret Forster, who sadly passed away in February 2016. This will not only be a colourful and enjoyable memoir of what it was like to be at the epicentre of Britain’s artistic heart, but also an emotional, heart-felt tribute to family, friends and colleagues. For those captivated by The Co-op’s Got Bananas!, this sequel is a must read.

    It's a still a mystery, and a much debated topic, among theater enthusiasts as to why "Merrily We Roll Along" flopped, especially since Sondheim's other productions, which include "Into the Woods," "Follies," "Sweeney Todd," and "A Funny Thing Happened on the Way to the Forum," have been so endearing and extraordinarily successful. In this Kindle Single, Pogrebin muses on why the show didn't get off the ground at the same time that she takes the reader on passionate, introspective journey, examining the importance of this very special moment in her life.Abigail Pogrebin is the author of Stars of David: Prominent Jews Talk About Being Jewish (Broadway Books 2007), and One And The Same: My Life as an Identical Twin and What I've Learned About Everyone's Struggle to Be Singular (Doubleday 2009). Pogrebin has written for many national publications, and has produced for Mike Wallace at "60 Minutes." She lives in New York City with her husband and two children.

    It is a book profoundly enriched by the author s two loves, love for the theater and love for his partner of fifty-two years, Tom Hatcher, who shared and inspired every aspect of his life and his work. Laurents writes about the musicals he directed, I Can Get It for You Wholesale, its producer David Merrick (the Abominable Showman ), and its (very young) stars Barbra Streisand and Elliott Gould . . . He writes about Stephen Sondheim s Anyone Can Whistle, which starred Angela Lansbury and Lee Remick, marking the debut for each in musical theater. He summons up the challenges and surprises that came with the making of La Cage aux Folles, the first big Broadway musical that was gay and glad to be. He writes in rich detail about his most recent production of Gypsy, how it began as an act of love, a love that spread through the entire company and resulted in a Gypsy unlike any other. And about his new bilingual production of West Side Story. And he talks, as well, about the works of other directors Fiddler on the Roof; Kiss Me, Kate; Spring Awakening; Street Scene; The Phantom of the Opera; LoveMusik; Sweeney Todd. Moving, exhilarating, provocative a portrait of an artist working with other artists; a unique close-up look at today s American musical theater by a man who s been at its red-hot center for more than five decades."

    His career has spanned more than half a century, his lyrics have become synonymous with musical theater and popular culture, and in Finishing the Hat—titled after perhaps his most autobiographical song, from Sunday in the Park with George—Sondheim has not only collected his lyrics for the first time, he is giving readers a rare personal look into his life as well as his remarkable productions.Along with the lyrics for all of his musicals from 1954 to 1981—including West Side Story, Company, Follies, A Little Night Music and Sweeney Todd—Sondheim treats us to never-before-published songs from each show, songs that were cut or discarded before seeing the light of day. He discusses his relationship with his mentor, Oscar Hammerstein II, and his collaborations with extraordinary talents such as Leonard Bernstein, Arthur Laurents, Ethel Merman, Richard Rodgers, Angela Lansbury, Harold Prince and a panoply of others. The anecdotes—filled with history, pointed observations and intimate details—transport us back to a time when theater was a major pillar of American culture. Best of all, Sondheim appraises his work and dissects his lyrics, as well as those of others, offering unparalleled insights into songwriting that will be studied by fans and aspiring songwriters for years to come. Accompanying Sondheim’s sparkling writing are behind-the-scenes photographs from each production, along with handwritten music and lyrics from the songwriter’s personal collection. Penetrating and surprising, poignant, funny and sometimes provocative, Finishing the Hat is not only an informative look at the art and craft of lyric writing, it is a history of the theater that belongs on the same literary shelf as Moss Hart’s Act One and Arthur Miller’s Timebends. It is also a book that will leave you humming the final bars of Merrily We Roll Along, while eagerly anticipating the next volume, which begins with the opening lines of Sunday in the Park with George.

    There, he fell in with a subculture of young musicians playing some of the most original and brutal music in the world. Turns out the chaos of Pearson’s bands — The Locust, Swing Kids, and Some Girls — is nothing compared to the madness of his life.An icon of the West Coast noise and punk scene, Pearson managed to arrive at adulthood by outsmarting skinheads and dodging equally threatening violence at home. Once there, the struggle continued, with Pearson getting beat up on Jerry Springer and, on more than one occasion, chased out of town by ferociously angry audiences.From the Graveyard of the Arousal Industry is the outrageously candid story of Pearson’s life. In loving, meticulous detail, Pearson gives readers the dirt behind each rivalry, riff, and lineup change.

    There are 10 reading parts.

    Outsider - spanning through his relationship with his mother, his unorthodox education, and early years as an art dealer - is often scandalous and consistently fascinating.

    The author of 'The Life and Times of the Thunderbolt Kid' isn't, after all, a Shakespeare scholar, a playwright, or even a biographer. Reading 'Shakespeare The World As Stage', however, one gets the sense that this eclectic Iowan is exactly the type of person the Bard himself would have selected for the task. The man who gave us 'The Mother Tongue' and 'A Walk in the Woods' approaches Shakespeare with the same freedom of spirit and curiosity that made those books such reader favorites. A refreshing take on an elusive literary master.

     Anthony had a special feeling about Jonathan Larson's rock musical from his first audition, so he was thrilled when he landed a starring role as the filmmaker Mark Cohen. With his mom's cancer in remission and a reason to quit his newly acquired job at Starbucks, his life was looking up. When Rent opened to thunderous acclaim off Broadway, Rapp and his fellow cast members knew that something truly extraordinary had taken shape. But even as friends and family were celebrating the show's success, they were also mourning Jonathan Larson's sudden death from an aortic aneurysm. By the time Rent made its triumphant jump to Broadway, Larson had posthumously won the 1996 Pulitzer Prize. When Anthony's mom began to lose her battle with cancer, he struggled to balance the demands of life in the theatre with his responsibility to his family. Here, Anthony recounts the show's magnificent success and his overwhelming loss. He also shares his first experiences discovering his sexuality, the tension it created with his mother, and his struggle into adulthood to gain her acceptance. Variously marked by fledgling love and devastating loss, piercing frustration and powerful enlightenment, Without You charts the course of Rapp's exhilarating journey with the cast and crew of Rent as well as the intimacies of his personal life behind the curtain.

    Streisand. Dylan. Pavarotti. McCartney. Sting. Madonna. What do these musicians have in common besides their super-stardom? They have all worked with legendary music producer Phil Ramone. For almost five decades, Phil Ramone has been a force in the music industry. He has produced records and collaborated with almost every major talent in the business. There is a craft to making records, and Phil has spent his life mastering it. For the first time ever, he shares the secrets of his trade.Making Records is a fascinating look "behind the glass" of a recording studio. From Phil's exhilarating early days recording jazz and commercial jingles at A&R, to his first studio, and eventual legendary producer status, Phil allows you to sit in on the sessions that created some of the most memorable music of the 20th century -- including Frank Sinatra's Duets album, Bob Dylan's Blood on the Tracks, Ray Charles's Genius Loves Company and Paul Simon's Still Crazy After All These Years. In addition to being a ringside seat for contemporary popular music history, Making Records is an unprecedented tutorial on the magic behind what music producers and engineers do. In these pages, Phil offers a rare peek inside the way music is made . . . illuminating the creative thought processes behind some of the most influential sessions in music history. This is a book about the art that is making records -- the way it began, the way it is now, and everything in between.

    But, while scraping a living as a charwoman in a rundown north London tenement, she continued to long for her home in the Forest of Dean and the cherished relatives she had left behind. Determined to give their children the rural upbringing she had enjoyed, the young couple moved to an isolated, crumbling cottage not far from the Forest. But even in the 1950s they lacked heating or running water, and money was tight. Food was begged, borrowed or home-grown, and their clothes were hand-me-downs. It was a primitive life of hard work on the land, struggling to make ends meet, and finding strength in the embrace of a loving family.

    The volume includes A New Kind of Drama, To a Young Stage Designer and six other of Jones's reflections.

    In it, Bechet reacalls his life in music, highlighting his narrative with tales of Sunday afternoon bucking contests between black and Creole musicianers, his deportation from London, and the gunfight that put him in jail in Paris."