After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    An empire built on the dreams of enslaved gods. Empire of Sand is Tasha Suri’s captivating, Mughal India-inspired debut fantasy.The Amrithi are outcasts; nomads descended of desert spirits, they are coveted and persecuted throughout the Empire for the power in their blood. Mehr is the illegitimate daughter of an imperial governor and an exiled Amrithi mother she can barely remember, but whose face and magic she has inherited.When Mehr’s power comes to the attention of the Emperor’s most feared mystics, she must use every ounce of will, subtlety, and power she possesses to resist their cruel agenda.Should she fail, the gods themselves may awaken seeking vengeance…Empire of Sand is a lush, dazzling fantasy novel perfect for readers of City of Brass and The Wrath & the Dawn.

    God Loves Hair is a collection of 20 short stories following a tender, intellectual, and curious child as he navigates complex realms of sexuality, gender, racial politics, religion, and belonging.Told with the poignant insight and honesty that only the voice of a young mind can convey, each story is accompanied by a vivid illustration by Toronto artist Juliana Neufeld.

    and finding your heart wherever, from an amazing new young author.Dimple Lala doesn't know what to think. She's spent her whole life resisting her parents' traditions. But now she's turning seventeen and things are more complicated than ever. She's still recovering from a year-old break-up and her best friend isn't around the way she used to be. Then, to make matters worse, her parents arrange for her to meet a "suitable boy." Of course, it doesn't go well... until Dimple goes to a club and finds him spinning a magical web of words and music. Suddenly the suitable boy is suitable because of his sheer unsuitability. Complications ensue.This is a story about finding yourself, finding your friends, finding love, and finding your culture -- sometimes where you least expect it.

    Born in the U.S., Guerrero was able to remain in the country and continue her education, depending on the kindness of family friends who took her in and helped her build a life and a successful acting career for herself, without the support system of her family.In the Country We Love is a moving, heartbreaking story of one woman's extraordinary resilience in the face of the nightmarish struggles of undocumented residents in this country. There are over 11 million undocumented immigrants living in the US, many of whom have citizen children, whose lives here are just as precarious, and whose stories haven't been told. Written with Michelle Burford, this memoir is a tale of personal triumph that also casts a much-needed light on the fears that haunt the daily existence of families likes the author's and on a system that fails them over and over.

    It’s nothing to do with what you said, Dad, I’d made up my mind to do this ages ago. Mum, maybe it will help to think of your twins together again.Jan, I’m leaving you my blue cashmere sweater and all my books, even though they mostly belonged to you in the first place.Louise, you can have my diamanté brooch and all my make up and any clothes you want. I’d like Carly to have my toy dog.Goodbye.Love from Tina.Tina is fifteen and having a miserable time at home since her twin brother died. She falls in love for the first time. Simon is from a private school and not part of Tina’s world. They don’t have much in common, but Tina convinces herself she’s in love. When Simon ends it with her, Tina’s world falls apart.First published in 1989, Falling Apart is an honest and thought-provoking story written by one of the world’s most popular writers. Jacqueline Wilson captures the voices of teenagers perfectly in this engrossing novel about couples and families, and what can happen when it all goes wrong.

    A boy who doesn't quite understand his lot--until he realizes he's a god. . . As an only son, Kiran has obligations--to excel in his studies, to honor the deities, to find a nice Indian girl, and, above all, to make his mother and father proud--standard stuff for a boy of his background. If only Kiran had anything in common with the other Indian kids besides the color of his skin. They reject him at every turn, and his cretinous public schoolmates are no better. Cincinnati in the early 1990s isn't exactly a hotbed of cultural diversity, and Kiran's not-so-well-kept secrets don't endear him to any group. Playing with dolls, choosing ballet over basketball, taking the annual talent show way too seriously. . .the very things that make Kiran who he is also make him the star of his own personal freak show. . .Surrounded by examples of upstanding Indian Americans--in his own home, in his temple, at the weekly parties given by his parents' friends--Kiran nevertheless finds it impossible to get the knack of "normalcy." And then one fateful day, a revelation: perhaps his desires aren't too earthly, but too divine. Perhaps the solution to the mystery of his existence has been before him since birth. For Kiran Sharma, a long, strange trip is about to begin--a journey so sublime, so ridiculous, so painfully beautiful, that it can only lead to the truth. . ."The best fiction reminds us that humanity is much, much larger than our personal world, our own little reality. Blue Boy shows us a world too funny and sad and sweet to be based on anything but the truth." --Chuck PalahniukNew York Times Bestselling Author

    For Kahlil Gibran (1883-1931), no single religious tradition revealed the whole truth, so he wove together insights from Eastern Christianity, Islam, Buddhism, American Transcendentalism and the folklore of his native Lebanon to create his own universal Anthem of Humanity.

    in 1982 at the age of 12, she was asked to "self-report" her race. Never identifying with a race previously, she rejects her new "not quite white" designation, and spends much of her life attempting to become "white" in the American sense. After her teen years trying to adapt to American culture, including watching General Hospital and The Jeffersons and perfecting recipes with Campbell's soup or Jell-O, Sen is forced to reckon with hard questions: what does it mean to be "white," who is allowed to be white, why does whiteness retain the power of invisibility while other colors are made hypervisible, and how much does whiteness figure into Americanness? Exploring hot-button topics such as passing, cultural appropriation, class inequality, bias within Indian immigrant communities, and code-switching, Sen offers new angles to the debate on race and immigration with emotional honesty, humor, and thoughtful criticism. Sen discovers her eventual acceptance of her "not whiteness" is actually what makes her American, and as a mother of three not white American children, looking at their own possible future, Sen brings the reader of Not Quite Not White to imagine how America might, by the end of the century, end up being defined outside its borders, in a new diaspora.

    Written between the ages of sixteen and eighteen, with examinations of anxiety, death, first loves, and first lusts, Graffiti extends a hand to those undergoing the trials and uncertainty of teenagehood, and assures them they're not alone.

    Nidali mixes humor with a sharp, loving portrait of an eccentric middle-class family, and this perspective keeps her buoyant through the hardships she encounters: the humiliation of going through a checkpoint on a visit to her father’s home in the West Bank; the fights with her father, who wants her to become a famous professor and stay away from boys; the end of her childhood as Iraq invades Kuwait on her thirteenth birthday; and the scare she gives her family when she runs away from home. Funny, charming, and heartbreaking, A Map of Home is the kind of book Tristram Shandy or Huck Finn would have narrated had they been born Egyptian-Palestinian and female in the 1970s.

    . . until a family betrayal costs her the biggest competition of her life. Now, she has left her Chicago home behind to follow her stage mom to New Jersey. At the Princeton Academy of the Arts, Radha is determined to leave performing in her past, and reinvent herself from scratch.Jai is captain of the Bollywood Beats dance team, ranked first in his class, and an overachiever with no college plans. Tight family funds means medical school is a pipe dream, which is why he wants to make the most out of high school. When Radha enters his life, he realizes she's the exact ingredient he needs for a show-stopping senior year.With careful choreography, both Radha and Jai will need to face their fears (and their families) if they want a taste of a happily ever after.A delicious YA rom-com full of heart, flavor, and just enough heat. -JULIE MURPHY, New York Times bestselling author of Dumplin' A tasty treat! Nisha Sharma always delights. -MEG CABOT, author of The Princess Diaries A sumptuous tale of dance, food, and culture. I savored every last page! - PINTIP DUNN, New York Times bestselling author

    What future is there for such a girl? But a mysterious figure steps forward and offers to instruct her in the highest forms of martial arts--a path to a life of strength and independence.Half a world away in England, a young boy's idyllic summer on the Sussex downs implodes with the firing of a single bullet. Torn from his family, he becomes the hostage of a urbanely sadistic uncle. He dreams of escaping to find his beloved friend--but the friend is in China, ten thousand miles away.The girl trains to be deadly. The boy flees across continents. They do not know it yet, but their lives are already inextricably bound together, and will collide one fateful night when they least expect it.'Crouching Tiger Hidden Dragon' meets 'Downton Abbey,' this remarkable tale of friendship, danger, and coming of age will stay with you long after you have finished the last page.A prequel to MY BEAUTIFUL ENEMY.

    Thirty-two emerging voices share deeply personal moments relating to immigration, infertility, divorce, mental health, suicide, sexual orientation, gender identity, racism, colorism, casteism, religion, and much more, all while balancing the push and pull of belonging to two cultural hemispheres. Every story sheds light on the authentic truths of living as womxn with hyphenated identities that have only been whispered — until now."untold: defining moments of the uprooted" contains sensitive content. Recommended for ages 16+.Authors:Tanuja Desai Hidier - ForewordTrisha Sakhuja-Walia - IntroductionRita Sengupta - Coming Out AgainL.M. Iyer - Performing LinesRavleen K. - The Hair CutSharda Sekaran - Anywhere But IndiaHena Wadhwa - Fourth AvenueMeera Solanki Estrada - Born UntouchableNova A. - I'm Here, and I'm QueerJ. Lalwani - Terror and Redemption in Trump CountryAmrisa Niranjan - Coming to Ah-merri-kahRadhika Patel - Harrison RoadShimul Chowdhury - An "American"Gabriella Deonath - Unveiling MeM.K. Ansari - The Whispering of the JinnPooja Patel - Poor Obstetric OutcomeApoorva Verghese - Dark and LovelySubrina Singh - Surviving SuicideNupur Chaudhury - EnoughJessie Brar - The Day I Woke UpPriyal Sakhuja - The Unforgiving SunKimberly Parekh - A Tale of Two: A (Cancer) Journey Between Best Friends Anantha Sudhakar - A Tale of Two: A (Cancer) Journey Between Best Friends Rajvir Gill - The Good GuyNisha Singh - PuttarSaahil - A Saccharine SicknessChandra Coats - Meeting My First Blood RelativeDuriba Khan - HomeNina Malagi - In The Eye of the OwnerAnita Wadhwani - Motherly InstinctsRadhika Menon - MutassanRaksha Muthukumar - Kirby JacksonNeha Patel - Someday, MaybeSabina England - Amor Indocumentado

    In this virtuosic array of poems, lists, shards, and sequences, Sharif assembles her family’s and her own fragmented narratives in the aftermath of warfare. Those repercussions echo into the present day, in the grief for those killed, in America’s invasions of Afghanistan and Iraq, and in the discriminations endured at the checkpoints of daily encounter.At the same time, these poems point to the ways violence is conducted against our language. Throughout this collection are words and phrases lifted from the Department of Defense Dictionary of Military and Associated Terms; in their seamless inclusion, Sharif exposes the devastating euphemisms deployed to sterilize the language, control its effects, and sway our collective resolve. But Sharif refuses to accept this terminology as given, and instead turns it back on its perpetrators. “Let it matter what we call a thing,” she writes. “Let me look at you.”