Nominally Muslim, the Kazakhs and their culture owed as much to shamanism and paganism as they did to Islam. Their ancient traditions and economy depended on the breeding and herding of stock across the vast steppes of central Asia, and their independent, nomadic way of life was anathema to the Soviets. Seven-year-old Shayakhmetov and his mother and sisters were left to fend for themselves after his father was branded a "kulak" (well-off peasant and thus class enemy), stripped of his possessions, and sent to a prison camp where he died. In the following years the family traveled thousands of miles across Kazakhstan by foot, surviving on the charity of relatives. Told with dignity and detachment, this central Asian Wild Swans awakens the reader to the scale of suffering of millions of Kazakhs, and also astonishes and inspires as a most singular survivor's tale.

    You may find it for free on the web. Purchase of the Kindle edition includes wireless delivery.

    This edition contains the definitive versions of these works, a foreword in which Rabe examines the interwoven relationship of the plays, and an afterword in which he discusses the process of their construction.

    It is the second play Maeterlinck wrote.Intruder concerns man's conflict with preternatural forces, against which he is powerless. The same theme was prevalent in Maeterlinck's first written play, Princess Maleine.The first performance of Intruder occurred at Paul Fort's Theatre d'Art in Paris on May 20, 1891. The play was to appear at the end of a program benefiting Paul Verlaine and Paul Gauguin. If the program went on too long, then the play was to be removed.

    This time live, 24/7 coverage of the extermination of a nation. The author, Ahmet M. Rahmanovic, pens a fictional novel based on the true events of Bosnia´s darkest period in "Black Soul", a new book release through Xlibris.This book, unlike any others, gives a face to all the actors in the Bosnian tragedy. In gripping war-action thriller, Rahmanovic takes readers from the battle-torn hills of Sarajevo to the streets of Chicago, where one man journeys to find new meaning in his life. Can he escape the horrors of memory in a foreign land, or will it continue to haunt him?

    The topics include feminism and the role of women in the drama, the American Dream, business and capitalism, the significance of technology, the legacy that Willy leaves to Biff, and Miller's use of symbolism. The authors of the essays include prominent Arthur Miller scholars such as Terry Otten and the late Steven Centola as well as young, emerging scholars. Some of the essays, particularly the ones written by the emerging scholars, tend to employ literary theory while the ones by the established scholars tend to illustrate the strengths of traditional criticism by interpreting the text closely. It is fascinating to see how scholars at different stages of their academic careers approach a given topic from distinct perspectives and sometimes diverse methodologies. The essays offer insightful and provocative readings of Death of a Salesman in a collection that will prove quite useful to scholars and students of Miller's most famous play.

    A Greek actor and a writer are discussing how to end a play. Actors, including Doris Levine from Great Neck, Blanche DuBois, and Groucho Marx, pop out of the audience. Peppered with metaphysical and philosophical questions, the play skids along farcically until the actor and writer conclude that it lacks a beginning as well as an end.

    Theatre script, playbook

    Concerned something has happened to her husband, Jill follows a string of clues to try and find out the secret Charles was keeping from her.

    A short critical essay which considers the significance of the title.

    When Daphna’s cousin Liam brings home his shiksa girlfriend Melody and declares ownership of their grandfather’s Chai necklace, a vicious and hilarious brawl over family, faith and legacy ensues.

    Her boss made a pass at her and she said no so she got a pink slip with her check. Julie's broke and disillusioned, so she drinks and turns on the stereo full blast to make the pain go away. Then her roommate comes home in the midst of an eating frenzy; her boyfriend has gone back to his wife so Alice has turned to food to forget. Julie suggests another way to vent their man

    In Eyes for Consuela, based on Octavio Paz’s classic story “The Blue Bouquet,” a vacationing American encounters a knife-toting Mexican bandit on a gruesome quest. And in When the World Was Green, cowritten with Joseph Chaikin, a journalist in search of her father interviews an old man who resolved a generations-old vendetta by murdering the wrong man. Together, these plays form a powerful trio from an enduring force in American theater.

    Meanwhile, all's not well on the unassuming Midwestern streets of Bloggs: with local children vanishing at an alarming rate, our hero, his lady friend, and a motley assortment of poets, butchers, and punk librarians prepare to battle the darkness on the edge of town.

    The poems form a three-way dialogue between the modern poet, the Christian heretics awaiting Judgement Day beneath their enigmatically-carved tombstones, and the heretic-hunters. Beneath the local and temporal, Dizdar explores universal issues: the value of resistance, though it might be futile; of faith, though it might be illusory; and of life, though it ends in death. Francis R Jones’s inventive and beautiful translations convey his deep understanding of Dizdar’s purpose. In addition a penetrating analysis of Stone Sleeper’s historical, religious and spiritual background is given by the distinguished scholar Rusmir Mahmutcehajic, whose book Across the Water: On the Poetry of Mak Dizdar is published by Fordham University Press.