In these two stories of lives colliding, a mother buying a birthday gift has her dreams destroyed, and a honeymoon leads to an unexpected epiphany.

    The novel's characters, particularly its resilient heroine Koda Yukiko, find themselves trapped in their own drifting, unable to break out of the morass of indecisiveness. Set in the years during and after World War II, their lives and damaged psyches reflect the confusion of the times in which they live.Floating Clouds follows Yukiko as she moves from the physically lush and beautiful surroundings of Japanese-occupied French Indochina to the desolation and chaos of postwar Japan. Hayashi's spare, affecting novel presents a rare portrait of Japanese colonialism and the harshness of Japan's postwar experience from the perspective of a woman. Its rich cast of characters, drawn from the back alleys of urban Japan and the low rungs of society, offers an unforgettable portrait of Japanese society after the war.The tortured relationship between Yukiko and Tomioka, a minor official with the Department of Agriculture and Forestry, provides the dramatic center of the novel. Yukiko meets Tomioka while working as a typist for the Japanese ministry in Indochina, where they begin their affair. After the war, Tomioka returns to his wife but remains emotionally inscrutable to Yukiko, refusing to break off their relationship. Meanwhile, Yukiko must find her way in a radically changed postwar Japan. When Yukiko and Tomioka's lives once again cross, the two set down a path shaped by their passion and sense of desperation.First published in 1951, Floating Clouds is a classic of modern Japanese literature and was later made into a film by legendary Japanese director Mikio Naruse.

    Their erotic encounter, which has a profound effect on both, is explored with poetic, imaginative intensity. Amongst the Caribs, Inkle is a mere child whose survival depends entirely on Yarico's favor and protection. When he is rescued and taken with Yarico to the slave island of Barbados, however, she is entirely at his mercy. Loosely based on a popular narrative in the 17th and 18th centuries, this version of the tale's mythic dimensions are reinterpreted from both a female and a black perspective, engaging the reader in the psychological truths of the characters' experiences while laying the past bare as a text for the present.

    Youssef Rakha’s provocative, brutally intelligent novel of growth and change begins with a suicide and ends with a doomed revolution, forcefully capturing thirty years in the life of a living, breathing, daring, burning, and culturally incestuous Cairo.

    . . A sprawling tome that combines fact with fiction and covers 900 years in the history of New Forest, a 100,000-acre woodland in southern England . . . Rutherfurd sketches the histories of six fictional families, ranging from aristocrats to peasants, who have lived in the forest for generations. . . . But the real success is in how Rutherfurd paints his picture of the wooded enclave with images of treachery and violence, as well as magic and beauty.”–The New York Post

    Her poems comprise some of the most inviting lyrics I've found in a living poet."—Bookslut"Phrase by phrase Nguyen's work can be conversational, playful, funny, angry, acutely self-aware, and loaded with sensory information."—Anselm Berrigan, from the introductionRed Juice represents a decade of poems written roughly between 1998 and 2008, previously only available in small-run handmade chapbooks, journals, and out-of-print books. This collection of early poems by Vietnamese American poet Hoa Nguyen showcases her feminist ecopoetics and unique style, all lyrical in the post-modern tradition.[BUDDHA'S EARS ARE DROOPY TOUCH HIS SHOULDERS]Buddha's ears are droopy touch his shouldersas scarves fly out of windows and I shriekat the lotus of enlightenmentTravel to Free Street past Wacoto the hole in the Earthwearing waterI'm aiming my mouthfor apple pieBorn in the Mekong Delta and raised in the Washington, DC, area, Hoa Nguyen studied Poetics at New College of California in San Francisco. With the poet Dale Smith, Nguyen founded Skanky Possum, a poetry journal and book imprint. She is the author of eight poetry books and chapbooks and lives in Toronto, Ontario, where she teaches poetics at Ryerson University and curates a reading series.

    It is about a girl called Jane who gets a badly-paid job in a draper’s shop in the early years of the last century. Yet the title of the book is based on a Carlyle quotation – ‘Experience doth take dreadfully high wages, but she teacheth like none other’ – and Jane, having saved some money and been lent some by a friend, opens her own dress-shop.As Jane Brocket writes in her Persephone Preface: the novel ‘is a celebration of the Lancastrian values of hard work and stubbornness, and there could be no finer setting for a shop-girl-made-good story than the county in which cotton was king.’

    The name Saki is often thought to be a reference to the cupbearer in the Rubaiyat of Omar Khayyam, a poem mentioned disparagingly by the eponymous character in Reginald on Christmas Presents. Saki is considered a master of the short story and is often compared to O. Henry and Dorothy Parker. His tales feature delicately drawn characters and finely judged narratives. In addition to his short stories, he also wrote several plays; a short novel, The Unbearable Bassington (1912); and two novella-length satires, the episodic The Westminster Alice and When William Came (1913).

    Winner of the Somerset Maugham, Betty Trask and Yorkshire Post Author of the Year prizes, Glaister’s work has also been on numerous literary award short and longlists over the years, and several of her dramas have been broadcast on BBC Radio 4.Little Egypt is a once well-to-do country house. Now derelict and trapped on a small island of land between a railway, a dual carriageway and a superstore, it looks deserted ... but it isn’t. Nonagenarian twins, Isis and Osiris, now in their nineties, still live in Little Egypt, the home they were born in. For their long lives they have always remained here, guarding a terrible secret.Back in the 1920s, Isis and Osiris lived in Little Egypt with their obsessive Egyptologist parents, Evelyn and Arthur, this apparently idyllic sprawl of a dwelling hiding the secrets of a dysfunctional family life. When Evelyn and Arthur leave home to search for the fabled tomb of Herihor, the twins are left with housekeeper Mary to wonder when their reckless, self-centred parents will return. Isis is lonely and anxious about her twin, Osiris who, desperate to impress his parents, has developed a similar passion for all things Egyptian, and is convinced they will return successful from their quest — rich and famous. And then there’s Uncle Victor, returned from the war in a state of hyper-sensitivity, invading their lives with his perplexing moods and erratic affections. Without really considering the consequences, Victor, Isis and Osiris set off for Egypt to search for Evelyn and Arthur, setting in motion a chain of events which will dramatically change all of their lives forever.Now, in 2002, living in a state of destitution, the elderly twins’ lives seem to be drawing to a lost and miserable close — until a chance meeting between Isis and young American anarchist Spike, sparks an unlikely friendship and proves a catalyst for change.Looping between the 1920s and the present day, Little Egypt is a beautifully-observed novel about the loss of innocence, parental neglect and the eternal human quest to ‘belong’. By turns poignantly humorous, deeply moving and mysterious, it also evokes the wonder and majesty of Howard Carter’s Egypt on the cusp of Western discovery. This enormously accomplished novel took twenty years to come to fruition: it is well worth the wait.

    the integrity of vision coruscating; the whole driven by the author's restless experimentation with form. And at least two stories, "Blood" itself and "Fearless", will certainly end up in anthologies: not Best Scottish Writers, or Best Women Writers, but quite simply, Best." - New Statesman and Society"I remember reading a story by Janice Galloway for the first time; its urgency of voice, that certainty of expression, I wondered why I hadn't heard of her before; then discovered that she was altogether new to writing. It was some debut. She really is a fine writer." - James Kelman"A salutary collection... a marvelous revelation. A writer of passion and virtuosity shines through." - Scotland on Sunday"Genuinely unnerving... she is a fierce, troubling new writer." - Observer"Galloway flecks her hard-edged realism with impressionist grace-notes, a potent mixture that confirms her... as one of Scotland's best young writers." - Sunday Telegraph"There is ample proof in Blood of Galloway's unassailable talent. Marvellously funny and beautifully paced." - Glasgow Herald

    When Nor’easter Igor unearths gold coins on Bounty Beach in Treasure Harbor, treasure seekers from near and far converge on the town in hopes of finding the treasure of a lifetime. Set in the Outer Banks of North Carolina in the seaside town of Treasure Harbor, this eight book series features heroes and heroines who are dealing with the fact that their beloved town has gone treasure crazy. Lara Callahan is a journalist living in Philadelphia and working for the Philadelphia Times newspaper. When her job sends her back to her hometown of Treasure Harbor, North Carolina in pursuit of a story about centuries old pirate’s treasure, Lara has mixed feelings. Years ago Lara left Treasure Harbor in order to seek a new life away from talk of buried treasure and the hunt for the elusive pirate’s booty. Her childhood was fractured by her parents’ obsession with finding the lost treasure; Lara still feels jaded about the dysfunction she and her sister, Avery, endured as a result. Now that she’s back in Treasure Harbor, Lara finds herself confronted by the ghosts of the past. Ryan Burton, her childhood best friend and the object of her teen crush, is now a gorgeous, kind man who is determined to find the treasure buried by his ancestor, Drake Burton. Although Lara quickly finds herself falling for Ryan, she isn’t sure that she can bear to watch someone she cares about become so consumed with the treasure. Ryan Burton can’t believe his eyes when Lara Callahan walks into Pirate Pizza looking all grown up and gorgeous. Years ago they were best friends before the enmity of their families and the centuries old Burton-Callahan feud tore them apart. Now an executive at the Burton import-export family business, Ryan is struggling to make his family proud of his achievements. Now that gold coins have washed up on Bounty Beach, the town is in a frenzy over the elusive treasure. Wanting to spend time with Lara, Ryan suggests they pool their resources since she’s writing a series of articles about the treasure and he’s officially become a treasure seeker. When romantic sparks fly between them, Ryan finds himself imagining a future with the spunky journalist. But when tensions rise over the treasure in the small seaside town, Ryan begins to realize that he and Lara are at odds over his pursuit of the treasure. Will Lara and Ryan find their way to a happy ending?

    J.L. is on the run from an empty heart and is desperate for solitude. Yet solitude eludes her from the moment she hangs up her pots and pans in the cook tent, and the men in the camp begin to drift toward her, drawn by her silence. These men are drifters, romantics and outcasts - men who have come to the North in search of answers for questions they can't define.

    A heart - a human heart - slithering down outside the window of a train travelling between London Bridge and Blackfriars. Someone must have thrown it out from a carriage in front. Kumiko is determined to find out who - and why. But Skelton was sitting next to Kumiko on the train and he saw it too, so he also wants to get to the bottom of the mystery. Or he says he does, but really he just wants Kumiko back, because she's walked out on him, just like that, and left him heartbroken. Each for their own reasons, Kumiko and Skelton set out - separately - on a bizarre trail of discovery. Darting between dingy student pubs, the roofs of Borough Market and the corridors and car-parks of Guy's Hospital, they become embroiled in the seedy world of young medical students, until eventually the gossip and the stories lead them both to the hospital's infamous dissection lecturer - known behind his back as 'King Death'...

    After a violent encounter with white sailors, Simeon makes up his mind to move to Paris, known as a safe haven for black artists and intellectuals, and before long he is under the spell of the City of Light, where he can do as he likes and go where he pleases without fear. Through Babe, another black American émigré, he makes new friends, and soon he has fallen in love with a Polish actress who is a concentration camp survivor. At the same time, however, Simeon begins to suspect that Paris is hardly the racial wonderland he imagined: The French government is struggling to suppress the revolution in Algeria, and Algerians are regularly stopped and searched, beaten, and arrested by the French police, while much worse is to come, it will turn out, in response to the protest march of October 1961. Through his friendship with Hossein, an Algerian radical, Simeon realizes that he can no longer remain a passive spectator to French injustice. He must decide where his true loyalties lie.