She buys the book and her fate becomes inextricably linked with the four women in the photos.Richly atmospheric and featuring a memorable cast of characters, Out of Time is a delightful novel about history, love, and the persistence of passion.

    We find hermits, quacks, mariners, indefatigable travelers, and men of learning. We meet the amphibious Lord Rokeby, whose beard reached his knees and who seldom left his bath; the irascible Captain Thicknesses, who left his right hand, to be cut off after his death, to his son Lord Audley; and Curricle Coats, the Gifted Amateur, whose suit was sewn with diamonds and whose every performance ended in uproar. This is a glorious gallery of the extremes of human nature, portrayed with humor, sympathy, knowledge, and love.

    France has fallen and with Britain the next, and most crucial, country in Hitler's path, the threat shifts to unfamiliar terrain - the skies and an epic battle between the Luftwaffe and the RAF. Lenny is a young and inexperienced fighter pilot stationed in Gravesend. After a meeting at a dance with Stella, a radar operator with a more worldly attitude altogether, he falls in love for the first time. She is his eyes on the ground, he is her protector in the air, and as the battle intensifies so their affair gathers pace in an increasingly uncertain time. Class and national barriers lose their distinction and a heady whirl of parties, drinking and promiscuity distracts from the more serious business at hand.Told in intimate, alternate chapters from the perspectives of Lenny and Stella, That Summer matures into a breathtaking novel; a classic love story and a thrilling picture of life during wartime.

    Through the eyes of the young Earl Przepasniak ("a name unwieldy as a tumour"), it narrates the outrageous and tender story of Mavis, poet and mother, and Robert, the American dad. Earl's life revolves around the deeply wounding split of his parents and his attempts, through a less-than-idyllic childhood and the inexorable onslaught of manhood, to overcome the irresistible force of his father. But it is only when his parents meet their respective fates that Earl can feel not only loyal and guilty, but also free...

    They have more recently inspired the television series of the same name.Originally published in 1928 as The Irish R.M. and His Experiences.

    At a time when the world had begun to focus on angry young men, Green created a magnificently angry old one as his hero. Based on his father, the title character is a doctor and a man of principle whose life's work is about to be examined for the first time.Dr. Sam Abelman is tough and irascible, but he is dedicated healer and a good man guided by a belief in basic human decency; the right doctor for the poor and disadvantaged who fill the slums and tenements of Brooklyn. His relationship with his patients is sometimes explosive, especially as the world is changing and becoming more dangerous. Into this mix comes a hard-driving television producer, who learns about Dr. Abelman and wants to feature the doctor on his reality-based network show, Americans USA. To get Abelman to participate is not easy, and it calls for schmoozing that verges on a complete con of the principled old man. As tragedy looms, Abelman, whose difficult life is a living testament to his beliefs, becomes a true hero in the eyes of producer, for all the reasons that made him an impossible subject for the show.The Last Angry Man is dedicated to “Samuel Greenberg, M.D. 1886-1952”, the father of the author who practiced medicine in the heart of Brooklyn's cultural melting pot. Gerald Green knew his father's world, but he had left it as an adult. As he developed as a novelist, he became a writer, director and producer at NBC-TV in its early days. His behind-the-scenes knowledge of the emerging television industry was thorough and complete, and his perspective allowed him to understand the acute irony of applying media celebrity to such a man as his fictional hero, Dr. Sam Abelman.

    With biting wit, Dutourd presents the story of Edmund Du Chaillu, a boy born, to his bourgeois parents's horror, with the head of a spaniel. Edmund must endure his school-mate's teasing as well as an urge to carry a newspaper in his mouth. This is the story of his life, trials, and joys as he searches for a normal life of worth and love. "Dutourd is a fine craftsman, whose work has the classic virtues of brevity, lucidity, and concentration. He has written a sardonic divertissement that concerns itself with fundamental problems of man's existence-a tale that is sad-eyed, witty, and often very funny."—Charles J. Rolo, New York Times Book Review"A tiny masterpiece in the French classical tradition. . . . Stylish, elegant and witty, and told with an apparent lightheartedness that points to rather than obscures the hero's essential tragedy."—P. L. Travers, New York Herald Tribune"Wit, a good deal of shrewd classical allusion, and a Voltarian satire are the book's assets."—Edmund Fuller, Chicago Tribune"The work of an expert craftsman and of a careful writer of prose, ending with the rarest gift in modern letters: the comic spirit."—Henri Peyre, The Saturday Review"Dutourd might well have dropped his story at this point, had it been his intention simply to excoriate the human race for its treatment of those who are physically afflicted. Instead, he presses on in his terse, deadpan prose to teach a lesson to the afflicted of the world as well."—Time"A Dog's Head is one of the most curious, most beautifully conceived and written fantasies you've ever come across."—J. H. Jackson, San Francisco Chronicle"A Dog's Head is an excellent joke in the worst possible taste, and its author, M. Jean Dutourd, is a satirist of the first rank."—New Yorker

    When he quits his job in the Chicago stockyards to join other homesteaders settling the Great Plains, Nona finds herself torn between supporting her father's vision for their future and her mother's struggle to adjust to life on a desolate prairie.Initially, things look up for the family as they settle into life in Dalhart, Texas. The wheat boom is in full swing, and it appears her father's dream of providing his family with a home of their own is coming true. Too soon the effects of the depression impact her family. Then the rains stop. Before long, Dalhart is the epicenter of the Dust Bowl.Like Dust, I Rise transforms poverty into pride and reflects the heroism of endurance.

    We follow Johnny and Margo, Johnny's lifelong, albeit socially taboo, friendship with his friend, “Bullet Joe” Rogan, a pitcher in the Negro Leagues.Johnny introduces his granddaughter, Debby, to the tree in 1957, an era of bobby socks, roller-skating carhops and Elvis music, and Debby meets Mason in 1967's Summer of Love, just before Mason is drafted to fight in Vietnam.For 30 years, Debby wonders whatever became of the boy who changed her life. Then she finds out.

    For that is what it is: the story of a young English girl's growth towards maturity in the 1930s. We see Mary at school in Kensington and on holiday in Somerset; her attempt at drama school; her year in Paris learning dressmaking and getting engaged to the wrong man; her time as a secretary and companion; and her romance with Sam. We chose this book because we wanted to publish a novel like Dusty Answer, I Capture the Castle or The Pursuit of Love, about a girl encountering life and love, which is also funny, readable and perceptive; it is a 'hot-water bottle' novel, one to curl up with on the sofa on a wet Sunday afternoon. But it is more than this. As Harriet Lane remarks in her Preface: 'It is Mariana's artlessness, its enthusiasm, its attention to tiny, telling domestic detail that makes it so appealing to modern readers.' And John Sandoe Books in Sloane Square (an early champion of Persephone Books) commented: 'The contemporary detail is superb - Monica Dickens's descriptions of food and clothes are particularly good - and the characters are observed with vitality and humour. Mariana is written with such verve and exuberance that we would defy any but academics and professional cynics not to enjoy it.'

    Plunged into the past by acrimonious telephone calls and odd postcards from her mother, she tries to make sense of the eccentric family she has left behind. Why was her Mother as bitter as a tamarind with her lot in life? Why did she seem to love Roopa best, rubbing almond oil on her skin at bath-time and never scolding her for getting her sums wrong? And where did she disappear to while Dadda was away on business, leaving her daughters in the care of a superstitious old ayah? A wise and affectionate portrait of two generations of women in an Indian family, Tamarind Woman is a beautifully evocative novel that explores the mutability of memory and unravels the deep ties of love and resentment that bind mothers and daughters everywhere.Tamarind Woman is the author's debut novel.

    Enlivened at unexpected moments by sexual exploration, mysticism, and flashes of wit alternately dry and hilarious, her prose is spare and honed, her stories filled with subtly sly characterizations of men and, mostly, women, dissatisfied not so much with the downward spiral of their fortunes as with the hollowness of their neat little lives. Whether focused on the separate emergences of Miss Goering and Mrs. Copperfield from their affluent, airless lives in New York and Panama into a less defined but intense sexual and social maelstrom in the novella Two Serious Ladies, or on the doomed efforts of the neighbors Mr. Drake and Mrs. Perry to form a connection out of their very different loneliness in "Plain Pleasures," or on the bittersweet cultural collision of an American wife and a peasant woman in Morocco in "Everything Is Nice," Jane Bowles creates whole worlds out of the unexpressed longings of individuals, adrift in their own lives, whether residing in their childhood homes or in faraway lands that are somehow both stranger and more familiar than what they left behind.

    

    Dick Seaton is a shy, handsome American whose business takes him to Japan to close a very big deal. In violation of a timeless taboo, Dick and Kanno spend slow, tantalizing days falling in love. Then Dick discovers that Kanno’s love was paid for by his businessmen hosts. Sensing his rage and hurt, Kanno flees in confusion. And, too late, Dick realizes the truth—that she really loved him. Now, a stranger in a strange, exotic land, he must find her—and seduce her back into his life. Love her for a night… and you will remember her for a lifetime.

    These short fictions capture Rodoreda's full range of expression, from quiet literary realism to fragmentary impressionism to dark symbolism. Few writers have captured so clearly, or explored so deeply, the lives of women who are stuck somewhere between senseless modernity and suffocating tradition-Rodoreda's "women are notable for their almost pathological lack of volition, but also for their acute sensitivity, a nearly painful awareness of beauty" (Natasha Wimmer).