In Russia to this day Lenin inspires adulation. Everywhere, he continues to fascinate as a man who made history, and who created a new kind of state that would later be imitated by nearly half the countries in the world.Lenin believed that the 'the political is the personal', and while in no way ignoring his political life, Sebestyen focuses on Lenin the man - a man who loved nature almost as much as he loved making revolution, and whose closest ties and friendships were with women. The long-suppressed story of his ménage a trois with his wife, Nadezhda Krupskaya, and his mistress and comrade, Inessa Armand, reveals a different character to the coldly one-dimensional figure of legend.Told through the prism of Lenin's key relationships, Sebestyen's lively biography casts a new light on the Russian Revolution, one of the great turning points of modern history.

    Born in 1893 and dead by his own hand in 1930, Mayakovsky packed his thirty-six years with drama, politics, passion, and—most important—poetry. An enthusiastic supporter of the Russian Revolution and the emerging Soviet State, Mayakovsky was championed by Stalin after his death and enshrined as a quasi-official Soviet poet, a position that led to undeserved neglect among Western literary scholars even as his influence on other poets has remained powerful.   With Mayakovsky, Bengt Jangfeldt offers the first comprehensive biography of Mayakovsky, revealing a troubled man who was more dreamer than revolutionary, more political romantic than hardened Communist. Jangfeldt sets Mayakovsky’s life and works against the dramatic turbulence of his times, from the aesthetic innovations of the pre-revolutionary avant-garde to the rigidity of Socialist Realism and the destruction of World War I to the violence—and hope—of the Russian Revolution, through the tightening grip of Stalinist terror and the growing disillusion with Russian communism that eventually led the poet to take his life.   Through it all is threaded Mayakovsky’s celebrated love affair with Lili Brik and the moving relationship with Lili’s husband, Osip, along with a brilliant depiction of the larger circle of writers and artists around Mayakovsky, including Maxim Gorky, Viktor Shklovsky, Alexander Rodchenko, and Roman Jakobson. The result is a literary life viewed in the round, enabling us to understand the personal and historical furies that drove Mayakovsky and generated his still-startling poetry.   Illustrated throughout with rare images of key characters and locations, Mayakovsky is a major step in the revitalization of a crucial figure of the twentieth-century avant-garde.

    Now she turns her steely gaze on the multiple threats to Russian stability, among them President Putin himself.Putin's Russia depicts a far-reaching state of decay. Politkovskaya describes an army in which soldiers die from malnutrition, parents must pay bribes to recover their dead sons' bodies, and conscripts are even hired out as slaves. She exposes rampant corruption in business, government, and the judiciary, where everything from store permits to bus routes to court appointments is for sale. And she offers a scathing condemnation of the ongoing war in Chechnya, where kidnappings, extrajudicial killings, rape, and torture are begetting terrorism rather than fighting it.Sounding an urgent alarm, Putin's Russia is both a gripping portrayal of a country in crisis and the testament of a great and intrepid reporter.

    Germany has been defeated, Hitler has disappeared, and tensions are mounting ever higher along the Russian-Chinese border…where the threat of Japanese invasion haunts.For Petka, no life could be more thrilling and glorious than marching into battle alongside the Red Army. But he is only twelve, the bastard child of a fractured family, trapped in a village too tiny for his bursting spirit. So he must make his own adventure wherever he can find it. And if that means passing off a wolf cub as a puppy under the nose of his ferocious grandma, stealing bootleg alcohol for the bivouacked troops he worships, smuggling himself in a barrel across the border and into the line of fire, fighting for his life when his own aimless peers turn inexplicably vicious, or befriending an enigmatic Japanese POW who transcends Petka’s provincial world, then so be it.By turns comical, harrowing, poignant, and exhilarating, Petka reveals the soul of a boy who knows only to take from life all that he can—not merely what his circumstances allow.Nominated for the 2014 Rossica Translation Prize.

    Drawing on family diaries, on the contemplation of intriguing photographs in an old family album, and on stories passed down from father to son, he comes to terms with the meaning of his family's memories and histories. Focusing on his grandparents, Count Paul Ignatieff and Princess Natasha Mestchersky, he recreates their lives before, during, and after the Russian Revolution.

    He examines the myths and misconceptions that have grown up around progressive rock and paints a vivid, colourful picture of the Seventies based on hundreds of hours of his own interviews with musicians, music business insiders, journalists and DJs, and from the personal testimonies of those who were fans of the music in that extraordinary decade.

    The Second World War has gone on too long. Shops are closed ‘for the duration’. Trains run a restricted service ‘for the duration’. Life has paused, for the duration. A little girl, Pamela, is growing up fast. A young Englishman, Rupert Blundell, vows there’ll be no more wars. Both are waiting for their lives to begin.Then comes Hiroshima. Finally, devastatingly, the war is over.1962. Rupert is now strategic advisor to Lord Mountbatten, and his close confidant. Pamela is eighteen and has moved to London, eager for love and experience of every kind. There’ll be parties at Cliveden, Christine Keeler, Stephen Ward, the Astors. Life is a whirlwind.But beneath the glamour lies quiet, desperate terror, as the Cuban missile crisis unfolds and the world spins ever closer to nuclear war.Reckless is a gripping novel set against the world in crisis, by a superb novelist at the height of his powers.

    THE SINNER AND THE SAINT is the deeply researched and immersive tale of how Dostoevsky came to write this great murder story--and why it changed the world. As a young man, Dostoevsky was a celebrated writer, but his involvement with the radical politics of his day condemned him to a long Siberian exile. There, he spent years studying the criminals that were his companions. Upon his return to St. Petersburg in the 1860s, he fought his way through gambling addiction, debilitating debt, epilepsy, the deaths of those closest to him, and literary banishment to craft an enduring classic.The germ of CRIME AND PUNISHMENT came from the sensational story of Pierre Fran�ois Lacenaire, a notorious murderer who charmed and outraged Paris in the 1830s. Lacenaire was a glamorous egoist who embodied the instincts that lie beneath nihilism, a western-influenced philosophy inspiring a new generation of Russian revolutionaries. Dostoevsky began creating a Russian incarnation of Lacenaire, a character who could demonstrate the errors of radical politics and ideas. His name would be Raskolnikov.Lacenaire shaped Raskolnikov in profound ways, but the deeper insight, as Birmingham shows, is that Raskolnikov began to merge with Dostoevsky. Dostoevsky was determined to tell a murder story from the murderer's perspective, but his character couldn't be a monster. No. The murderer would be chilling because he wants so desperately to be good.The writing consumed Dostoevsky. As his debts and the predatory terms of his contract caught up with him, he hired a stenographer to dictate the final chapters in time. Anna Grigorievna became Dostoevsky's first reader and chief critic and changed the way he wrote forever. By the time Dostoevsky finished his great novel, he had fallen in love.Dostoevsky's great subject was self-consciousness. CRIME AND PUNISHMENT advanced a revolution in artistic thinking and began the greatest phase of Dostoevsky's career. THE SINNER AND THE SAINT now gives us the thrilling and definitive story of that triumph.

    T. Anderson delivers an account of the Siege of Leningrad and the role played by Russian composer Shostakovich and his Leningrad Symphony.In September 1941, Adolf Hitler’s Wehrmacht surrounded Leningrad in what was to become one of the longest and most destructive sieges in Western history—almost three years of bombardment and starvation that culminated in the harsh winter of 1943–1944. More than a million citizens perished. Survivors recall corpses littering the frozen streets, their relatives having neither the means nor the strength to bury them. Residents burned books, furniture, and floorboards to keep warm; they ate family pets and—eventually—one another to stay alive. Trapped between the Nazi invading force and the Soviet government itself was composer Dmitri Shostakovich, who would write a symphony that roused, rallied, eulogized, and commemorated his fellow citizens—the Leningrad Symphony, which came to occupy a surprising place of prominence in the eventual Allied victory.This is the true story of a city under siege: the triumph of bravery and defiance in the face of terrifying odds. It is also a look at the power—and layered meaning—of music in beleaguered lives.

    Featuring a beautifully diverse and inspirational set of voices from around the world, that includes some of today’s most influential modern poets, with additional contest winners chosen from 4,500 submissions, Crown Anthology is curated to be a light in the wild dark, illuminating the crown that exists in everyone.

    They included the Tsar’s mother, the Dowager Empress Marie, and his sister, the Grand Duchess Xenia, Prince Felix Youssupov, the murderer of Rasputin and a man once mooted as a future leader of Russia, and Grand Duke Nicholas, former Commander-in-Chief of the Russian Armies.As the ship prepared to set sail, a British sloop carrying 170 White Russian soldiers drew up alongside. The soldiers stood on deck and sang the Russian National Anthem. It was the last time the anthem was sung to members of the Imperial Family within Russian territory for over 70 years. The Dowager Empress stood on deck alone. Nobody dared to approach her.The Russian Court at Sea vividly recreates this unlikely voyage, with its bizarre assortment of warring characters and its priceless cargo of treasures, including rolled-up Rembrandts and Faberge eggs. It is a story, by turns exotic, comic and doomed, of an extraordinary group of people caught up in an extraordinary moment in history when their lives were in every way at sea.

    It also relates the extraordinary history of the museum's collection, a collection that has enabled the Van Gogh Museum to evolve into a world-renowned centre of knowledge about Van Gogh's work and the art of his time.

    For over 200 years, the route of the Vladimirka Road has been at the centre of the nation's history, having witnessed everything from the first human footsteps to the rise of Putin and his oil-rich oligarchy. Tsars, wars, famine and wealth: all have crossed and travelled this road, but no-one has ever told its story. In pursuit of the sights, sounds and voices both past and present, Jeremy Poolman travels the Vladimirka. Both epic and intimate, The Road of Bones is a record of his travels - but much more. It looks into the hearts and reveals the histories of those whose lives have been changed by what is known by many as simply The Greatest of Roads. This is a book about life and about death and about the strength of will it takes to celebrate the former while living in the shadow of the latter. Anecdotal and epic, The Road of Bones follows the author's journey along this road, into the past and back again. The book takes as its compass both the voices of history and those of today and draws a map of the cities and steppes of the Russian people's battered but ultimately indefatigable spirit.

    To cheer the fall of a bankrupt totalitarian regime is one thing; to build on its ruins a stable democratic state is quite another. The challenge of helping to steer post-Soviet Russia-with its thousands of nuclear weapons and seething ethnic tensions-between the Scylla of a communist restoration and the Charybdis of anarchy fell to the former governor of a poor, landlocked Southern state who had won national election by focusing on domestic issues. No one could have predicted that by the end of Bill Clinton’s second term he would meet with his Kremlin counterparts more often than had all of his predecessors from Harry Truman to George Bush combined, or that his presidency and his legacy would be so determined by his need to be his own Russia hand.With Bill Clinton at every step was Strobe Talbott, the deputy secretary of state whose expertise was the former Soviet Union. Talbott was Clinton’s old friend, one of his most trusted advisers, a frequent envoy on the most sensitive of diplomatic missions and, as this book shows, a sharp-eyed observer. The Russia Hand is without question among the most candid, intimate and illuminating foreign-policy memoirs ever written in the long history of such books. It offers unparalleled insight into the inner workings of policymaking and diplomacy alike. With the scope of nearly a decade, it reveals the hidden play of personalities and the closed-door meetings that shaped the most crucial events of our time, from NATO expansion, missile defense and the Balkan wars to coping with Russia’s near-meltdown in the wake of the Asian financial crisis. The book is dominated by two gifted, charismatic and flawed men, Bill Clinton and Boris Yeltsin, who quickly formed one of the most intense and consequential bonds in the annals of statecraft. It also sheds new light on Vladimir Putin, as well as the altered landscape after September 11, 2001.The Russia Hand is the first great memoir about war and peace in the post-cold war world.From the Hardcover edition.

    Sofia is a Soviet Everywoman, a doctor's widow who works as a typist in a Leningrad publishing house. When her beloved son is caught up in the maelstrom of the purge, she joins the long lines of women outside the prosecutor's office, hoping against hope for any good news. Confronted with a world that makes no moral sense, Sofia goes mad, a madness which manifests itself in delusions little different from the lies those around her tell every day to protect themselves. Sofia Petrovna offers a rare and vital record of Stalin's Great Purges.