Profusely and superbly illustrated, Country stands as one of the most brilliant explorations of American musical culture ever written.

    But the truth is surprisingly simple: over a period of several months, Joy Division transformed themselves from run-of-the-mill punk wannabes into the creators of one of the most atmospheric, disturbing, and influential debut albums ever recorded. Chris Ott carefully picks apart fact from fiction to show how Unknown Pleasures came into being, and how it still resonates so strongly today. EXCERPT The urgent, alien thwack of Stephen Morris' processed snare drum as it bounced from the left to right channel was so arresting in 1979, one could have listened to that opening bar for hours trying to figure how on earth someone made such sounds. Like John Bonham's ludicrous, mansion-backed stomp at the start of "When The Levee Breaks"-only far less expensive-the crisp, trebly snare sound with which Martin Hannett would make his career announced Unknown Pleasures as a finessed, foreboding masterpiece. Peter Hook's compressed bass rides up front as "Disorder" comes together, but it's not until the hugely reverbed, minor note guitar line crashes through that you can understand the need for such a muted, analog treatment to Hook's line. Layering a few tracks together to create a six-string shriek, Hannett's equalization cuts the brunt of Sumner's fuller live sound down to an echoing squeal, revealing a desperation born of longing rather than rage. This is the way, step inside.

    The author traces the story of Kate Bush's career, from her up-bringing in the Essex countryside through her first forays into music with a series of home recordings, to her number one debut album that propelled her to international stardom.

    He didn't know the name of the scruffy singer who had a bit part in a Joan Baez concert, but he knew his performance was unique. So began a dedicated and enduring relationship between America's finest critic of popular music— "simply peerless," in Nick Hornby's words, "not only as a rock writer but as a cultural historian"— and Bob Dylan, who in 2016 won the Nobel Prize for Literature. In Like A Rolling Stone Marcus locates Dylan's six-minute masterwork in its richest, fullest context, capturing the heady atmosphere of the recording studio in 1965 as musicians and technicians clustered around the mercurial genius from Minnesota, the young Bob Dylan at the height of his powers. But Marcus shows how, far from being a song only of 1965, "Like a Rolling Stone" is rooted in faraway American places and times, drawing on timeless cultural impulses that make the song as challenging, disruptive, and restless today as it ever was, capable of reinvention by artists as disparate as the comedian Richard Belzer and the Italian hip-hop duo Articolo 31. "Like a Rolling Stone" never loses its essential quality, which is directly to challenge the listener: it remains a call to arms and a demand for a better world. Forty years later it is still revolutionary as will and idea, as an attack and an embrace. How Does it Feel? In this unique, burningly intense book, Marcus tells you, and much more besides.

    Un retrato de una artista, sobre todo una artista.(Portrait of an artist, always an artist, above all an artist.)

    It was under these conditions that four young musicians found one another in Boston, Massachusetts, and started a band called Pixies.During their initial seven-year career, Pixies would play some of Europe's most gigantic festivals, keep the press guessing, and cultivate a fervid international fan base hungry for more and more of their unique surf punk. The band worked fast, cranking out four albums at a breakneck pace, but ultimately pressures and personality clashes took their toll: Pixies broke up just as bands were singing their praises as the rock'n'roll innovators. For twelve years, a Pixies reunion seemed impossible, but a sudden announcement in 2004 proclaimed the unthinkable-Pixies were getting back together. Their extremely successful reunion tour finally gave the group something they'd always lacked in their homeland: proof that their bone-rattling music had left an indelible impact. Fool the World tells Pixies' story in the words of those who lived it, from the band members to studio owners, from A&R executives, producers, and visual artists who worked with them to admirers of their music, such as Bono, PJ Harvey, Beck, and Perry Farrell. With new cartoons by Trompe Le Monde illustrator Steven Appleby, Fool the World is a complete journey through the life, death, and rebirth of one of the most influential bands of all time.

    From conception and composition to arrangement and production, the ways in which Pet Sounds changed the face of American popular music are chronicled. While Pet Sounds carries the tag of being a Beach Boys record, this lively expos� reveals just how little input the rest of the band had in its recording. Illustrating Brian Wilson's prodigious talent, the book chronicles his ability to turn his back on the protest songs and folk-rock of his contemporaries, and even on the bright surf sound of his own creation, in order to reach deep within himself to make music that struck an emotional chord and touched people's souls. Wilson's ability to embrace the rapidly advancing recording technology of the 1960s and to expertly blend rock 'n' roll, rhythm and blues, and jazz sounds with velvety harmonies and sensitive melodies to create a brand-new studio sound are discussed. An intimate portrait of Wilson's family, breakdown, and drug use is included.PBRBAbout the Author:/BBRBCharles L. Granata/B is a record producer, music historian, and the author of the award-winning ISessions with Sinatra: Frank Sinatra and the Art of Recording/I. He lives in Livingston, New Jersey. BTony Asher/B is a lyricist who collaborated with Brian Wilson on IPet Sounds/I. He lives in Los Angeles.

    His face has graced the covers of Rolling Stone, Entertainment Weekly, and Spin, among other magazines; he has a Pay–Per–View special slated for Christmas 2000; and he will be performing at the MTV Video Music Awards this September.Eminem‘s personal life is also garnering him a lot of media attention: he‘s currently being sued for defamation of character by his mother and faces two separate assault charges.Along with his controversial lyrics and Eminem's own commentary on them, Angry Blonde will feature never–before–published photos.

    Organized by year, it has all the most current information about the band's classic years from 1958--1978."650 images...capture The Who's journey from raucous r&b interpreters to roiling rockers..."--The Washington PostThe Who put on one of the most astounding stage shows ever seen (culminating in a blaze of smashed-up instruments) and took popular music to new heights with the first rock opera. Together, songwriter Pete Townshend, sexy lead singer Roger Daltrey, guitarist John Entwhistle, and drumming wild man Keith Moon redefined rock. Here, in a series of day-to-day diaries brimming with enthusiasm, thoroughness, and fresh information, is the tale of their performing career. The authors gained rare access to various official archives, many not viewed before; to friends and associates (some of whom had never spoken publicly about their relationship with the group); and to Pete, Roger, and John themselves. Three hundred photos capture the charismatic band, Daltrey has contributed a foreword, and the diaries recount club dates, TV appearances, auditions, and recordings. No Who fan can do without this unprecedented and engrossing look at the band.

    The missing link between free jazz and punk rock, they were raw, primal, and, when things were clicking, absolutely unstoppable. Led by legendary guitarist Wayne Kramer, The MC5 was a reflection of the times: exciting, sexy, violent, chaotic, and out of control, all but assuring their time in the spotlight would be short-lived. They toured the country, played with music legends, and had a rabid following, their music acting as the soundtrack to the blue collar youth movement springing up across the nation. Kramer wanted to redefine what a rock 'n' roll group was capable of, and there was power in reaching for that, but it was also a recipe for disaster, both personally and professionally. The band recorded three major label albums but, by 1972, it was all over. Kramer's story is (literally) a revolutionary one, but it's also the deeply personal struggle of an addict and an artist, a rebel with a great tale to tell. The '60s were not all peace and love, but Kramer shows that peace and love can be born out of turbulence and unrest. From the glory days of Detroit to the junk-sick streets of the East Village, from Key West to Nashville and sunny L.A., in and out of prison and on and off of drugs, his is the classic journeyman narrative, but with a twist: he's here to remind us that revolution is always an option.

    Presents a summary of the innovative musician's life during his nine years in New York City, together with a collection of 150 full-color photographs and reminiscences on the stories behind the photographs.

    It is a story that, like its subject, reflects the tidal ebbs and flows of American history in the twentieth century. To his fans, he was the ultimate hipster; to his detractors, he was temperamental, eccentric, taciturn, or childlike. His angular melodies and dissonant harmonies shook the jazz world to its foundations, ushering in the birth of “bebop” and establishing Monk as one of America’s greatest com­posers. Elegantly written and rich with humor and pathos, Thelonious Monk is the definitive work on modern jazz’s most original composer.

    Oxford Street is a sea of long hair and flared jeans; prog rock prevails. But Ron Watts, the 100 Club’s “rock night” manager, has witnessed the impromptu and chaotic gigs at High Wycombe College of Art. He invites the Sex Pistols to start a residency in central London, and over the next eighteen months, everything changes.            Unlike many writers, Phil Strongman was actually at the 100 Club punk festival in September 1976 and witnessed punk’s violent and dramatic rise. After tracing its underground roots in New York and Detroit, Strongman shows how the Sex Pistols and the Clash, along with their confreres, took rock ’n’ roll closer to the edge than any band before them. But after the outrage over the Pistols’ legendary outburst on Bill Grundy’s TV show catapulted the band into the center of a press feeding frenzy, it was swiftly eclipsed by the blossoming of a new movement in time for the Queen’s Silver Jubilee. Punk had traveled from the underground to the mainstream in the space of six months.            Based on new interviews with Malcolm McLaren, Jah Wobble, Glen Matlock, Roadent, and many more, Strongman vividly re-creates the punk eruption and charts its spread across Britain and to the West Coast of the United States. Thirty years after its inception, UK punk has found its definitive account in Pretty Vacant.

    With transcriptions of the unedited session tapes; in-depth interviews with musicians; freshly discovered Columbia Records files; never-before-seen photographs; and a foreword by the last surviving member of the band, drummer Jimmy Cobb, Kind of Blue is a vital piece of music history—and will be essential for fans and scholars for years to come.

    It is the music book of 2008.From "White Riot" to "Rock The Casbah", The Clash were a band like no other. Part of the original wave of British punk bands to emerge in the 1970s, their skilled musicianship, intelligent songwriting, boundless energy, definitive style and passionate idealism caught the spirit of the times and made them a worldwide phenomenon. "Rolling Stone" magazine declared "London Calling" one of the greatest albums of all time, and their music has only become more resonant over the past thirty years. Their story is steeped in mythology. Many people have their own opinions about what made them tick - but now readers can hear the full story from the band themselves.This is the long-awaited, first official book by Joe Strummer, Mick Jones, Paul Simonon and Topper Headon. Lavishly produced, "The Clash by The Clash" brings together for the first time remarkable, previously unseen personal and professional photos of the band at home, on stage, in the studio and on the road. The result is more than a book - it is an event.