Essential to understanding Southeast Asia in the 21st century, Hello, Shadowlands reveals a booming underworld of organised crime across a region in flux— a $100 billion trade that deals in narcotics, animals and people —and the staggering human toll that is being steadily ignored by the West.

    To others he is a criminal. For Souk himself he is neither, merely a man seeking to balance what he once was, with what he now is. When the daughter of his estranged brother arrives, with her comes the possibility of atonement. Sun has come to tell him of the death of her father, and to give him a package. Her frail uncle is a very different man from family legend. Yet when she discovers the notebook of an American POW, detailing his torturous relationship with his captor, she is startled by what she learns. Meanwhile, Thomas Allen, still reeling from the death of his daughter, learns that the man he called Dad was not his biological father. The tragically unresolved love story his mother tells him, prompts Thomas to find out why her ‘greatest love’ never returned to her after the Vietnam War. His search leads him to the notorious prison ‘the Citadel’, and to Sun and her uncle. Despite the hostility of her family, Sun and Thomas begin a perilous relationship. Aware that the fate of Thomas’ father is revealed in the notebook, she is torn between helping Thomas, and the damaging affect the notebook’s revelations will have on all of them.

    Written by a young woman in her twenties at the end of an era when Vietnam closed itself off from the world, it is widely regarded as one of the most important works of fiction ever to come out of that country. Ostensibly, The Crystal Messenger is a magical and moving story of two sisters' journeys to emotional and sexual maturity. But it is also a powerful allegory about the fate of North and South Vietnam, the struggle with reunification after the war, and the effect of consumerism and westernisation on the nation's soul.

    For a few years in the early 1960s the CIA seemed to be running a perfect covert war in Laos - quiet, inexpensive, just enough arms to help Meo tribesmen defend their home territory from the Communist Pathet Lao. Then the big American war next door in Vietnam spilled across the border. How the perfect covert war ballooned into sorrow and disaster is the story Roger Warner tell in Shooting at the Moon, awarded the Cornelius Ryan Award for 1995's Best Book on Foreign Affairs by the Overseas Press Club.Warner describes his characters with a novelist's touch - soldiers and diplomats busy with war-making; CIA field officers from bareknuckle warriors to the quiet men pulling strings in the shadows; and above all the Meo as they realized they had been led down the garden path.This is a book about war, about secrecy, and its illusions, about the cruel sacrifice of small countries for the convenience of large ones. Nothing better has been written about the CIA in the years when it thought a handful of Americans in sunglasses could do anything with planeloads of arms and money to burn.

      At the peak of the war in Vietnam, a baby girl is born along the Song Ma River on the night of the full moon. This is Rabbit, who will journey away from her destroyed village with a makeshift family thrown together by war. Here is a Vietnam we’ve never encountered before: through Rabbit’s inexplicable but radiant intuition, we are privy to an intimate version of history, from the days of French Indochina and the World War II rubber plantations through the chaos of postwar reunification. With its use of magical realism—Rabbit’s ability to “hear” the dead—the novel reconstructs a turbulent historical period through a painterly human lens. This is the moving story of one woman’s struggle to unearth the true history of Vietnam while simultaneously carving out a place for herself within it.

    For eighteen months, John L. Rotundo and Don Ericson braved the test of war at its most bloody and most raw, specializing in ambushing the enemy and fighting jungle guerillas using their own tactics. From the undiluted high of a "contact" with the enemy to the anguished mourning of a fallen comrade, they experienced nearly every emotion known to man--most of all, the power and the pride of being the finest on America's front lines.From the Paperback edition.

    Army. He did so at a time when the country was pro-Vietnam and serving seemed an honorable thing to do. Little did he know that the tide would turn a mere six months later as drastically as it did. VIETNAM: THERE AND BACK is a candid account of the time when he and several other combat vets found themselves conducting operations in the jungles of Vietnam during and after the Tet Offensive. Purtell describes in gritty detail what it was like to live and fight with an infantry company only to return to anti-Vietnam sentiment so strong that he and his fellow veterans felt nobody cared about them or the sacrifices they made.

    With an unswerving concern for every American soldier trapped by enemy fire, and a fearlessness that became legendary, Ron Alexander earned enough official praise to become the second most decorated helicopter pilot of the Vietnam era. Yet, for Ron, the real reward came from plucking his fellow soldiers from harm's way, giving them another chance to get home alive.In Taking Fire, Alexander and acclaimed military writer Charles Sasser transport you right into the cramped cockpit of a Huey on patrol, offering a bird's eye view of the Vietnam conflict. Packed with riveting action and gritty "you-are-there" dialogue, this outstanding book celebrates the everyday heroism of the chopper pilots of Vietnam.

    Week after week, Mauldin defied army censors, German artillery, and Patton’s pledge to “throw his ass in jail” to deliver his wildly popular cartoon, “Up Front,” to the pages of Stars and Stripes. “Up Front” featured the wise-cracking Willie and Joe, whose stooped shoulders, mud-soaked uniforms, and pidgin of army slang and slum dialect bore eloquent witness to the world of combat and the men who lived—and died—in it. This taut, lushly illustrated biography—the first of two-time Pulitzer Prize winner Bill Mauldin—is illustrated with more than ninety classic Mauldin cartoons and rare photographs. It traces the improbable career and tumultuous private life of a charismatic genius who rose to fame on his motto: “If it’s big, hit it.”

    when the postcards begin to arrive. Postmarked from Thailand, each hand-drawn card is beautifully rendered and signed simply "Nam." Mimi doesn't recognize the name, but Nam obviously knows her well, spurring her to launch what will become a decade-long quest to find him. As her search progresses, long-repressed memories begin to bubble to the surface: her childhood in 1970s Vietnam in a small alley in pre-Communist Saigon. Back then, who was her best friend as well as her brother's playmate, and what did art have anything to do with the alleys of her childhood? What was the dream of these children then? What happened when these children were separated by the end of the Vietnam war, their lives diverged onto different paths: one to freedom and opportunity, the other to tragedy and pain? Now Mimi must uncover the mystery of the postcards, including what might have happened to the people who where less fortunate: those who escaped the ravaged homeland by boat after the fall of Saigon. When the mystery is solved, Mimi has to make a resolution: what can possibly reunite the children from the alley of her childhood even when the alley exists no more?

    Home comes and goes, like thoughts, like the clouds drifting over our slightly wild blue garden. It doesn't make sense, for I am loved by my husband and our children who scamper in and out during the day. I am loved by the dog even, who likes to listen with me to opera in the evening. Still, the feeling that home is somewhere in general and nowhere in particular returns, quite predictably, when I remember my mother." --So begins THE UNQUIET DAUGHTER: A journalist born of the wartime love triangle that inspired the one in Graham Greene's THE QUIET AMERICAN, searches for her father after barely surviving a bizarre youth of privilege, estrangement and cruelty. As she yearns for her father's love and presence -- and that of anyone in her family abroad who was kept from her -- Danielle's tall, beautiful, French and Vietnamese mother leaves her in burlesque house dressing rooms in the American Midwest, in convent schools in Long Island and Dublin, and with strangers in New York City. Meanwhile she lies to Danielle about who they are and their past for decades in this sometime-humorous near-tragic love story between a daughter and a mother and more. In the end we learn if Flood's journey through the truth of what happened between her parents in early 1950's Saigon satisfies her life-long quest for who she is. A story of resilience and love on many levels. A tale of the power of love."Powerful," "compelling," "heartbreaking," "a gripping story of self-doubt and self-discovery." --PUBLISHERS WEEKLY"The similarities in THE UNQUIET DAUGHTER between Flood’s parents’ lives and the plot of Graham Greene novel, THE QUIET AMERICAN, “are tantalizingly close, far too close to be coincidental; as Flood writes in the Prologue: ‘I came from a love triangle much like the one Greene describes in his novel. I am the sequel he never wrote.’“…As sequels go, Danielle Flood’s life story could easily be a Graham Greene novel, full of dark twists and turns, betrayals, heartbreak and the saddest of all forms of unrequited love …“…moving and at times imbued with humour…the tension is all too believable, but so is the joy…forgiveness and healing are at the heart of the story and the author’s ability to forgive is almost as powerful as the complex plot itself.” --THE CATHOLIC WORLD REPORT"I loved it." -- Sara Nelson, as books editor of O, THE OPRAH MAGAZINE."THE UNQUIET DAUGHTER by Danielle Flood is the true story of an exceptional woman. It takes the reader on an amazing journey. Exotic, mysterious, exciting, and romantic.Bravo Danielle Flood. It's a classic." -- Oscar-nominated actor Elliott Gould"When I was 13 or so, the Vietnam War in full flower, reading Graham Greene's THE QUIET AMERICAN let me appreciate fiction in a whole new way. Years later, Danielle Flood's riveting memoir-cum-mystery-story has let me appreciate Greene and his novel - and the intersections of fiction and nonfiction - in new ways. Such a story! And so beautifully told." -- Kurt Andersen, novelist, host of the public radio show STUDIO 360"Holy Moly, Mother of God...It's a knockout...Ferociously honest and gorgeously written, Flood's memoir is a fiercely tragic story of her search for her real father, her knotted relationship with her complicated mother-and her hard-won understanding of herself. About memory, love, loss and time, Flood's engrossing debut shines like mica and is as polished as platinum." -- Caroline Leavitt, NEW YORK TIMES bestselling author."Passionate and unflinchingly honest, this is a fascinating memoir...Danielle Flood is the child of an affair so much like the one described in the love triangle of Greene's novel, THE QUIET AMERICAN that she is perfectly right to make her startling claim, 'I am a sequel he never wrote." --Michael Shelden, author, GRAHAM GREENE THE ENEMY WITHIN"In Danielle Flood's clear eyed memoir of her early life with her exquisitely beautiful and deeply troubled mother, this truth echoes: the fact that a child could survive such emotional devastation and cruelty is a testament to her resilience and her valiant spirit." -- Leslie Daniels, author, CLEANING NABOKOV'S HOUSEFor a limited time, you can read and excerpt -- the prologue and the first two chapters -- of THE UNQUIET DAUGHTER at http://www.danielleflood.com

    1952, French Indochina. Since her mother's death, eighteen-year-old half-French, half-Vietnamese Nicole has been living in the shadow of her beautiful older sister, Sylvie. When Sylvie is handed control of the family silk business, Nicole is given an abandoned silk shop in the Vietnamese quarter of Hanoi. But the area is teeming with militant rebels who want to end French rule, by any means possible. For the first time, Nicole is awakened to the corruption of colonial rule - and her own family's involvement shocks her to the core... Tran, a notorious Vietnamese insurgent, seems to offer the perfect escape from her troubles, while Mark, a charming American trader, is the man she's always dreamed of. But who can she trust in this world where no one is what they seem? The Silk Merchant's Daughter is a captivating tale of dark secrets, sisterly rivalry and love against the odds, enchantingly set in colonial era Vietnam.

    Initially cast as target-spotters for gunships and air-assault forces, the scout pilots evolved into live bait as enemy weapons and tactics improved. Their small helicopters were vulnerable even to minor damage, and parachuting from a damaged bird was impossible. Casualty rates could be as high as 50%; a scout unit often resembled a WWI fighter squadron, with replacements dying almost before they could unpack. Yet fresh volunteers kept coming, even if only to stay out of the infantry. In his visceral memoir, Smith tells the familiar story of a young man who flunked out of college, sampled the 1960s counterculture and found himself first in the army, then in Vietnam. For Smith, the war was a theater of the absurd whose only meaning was survival. His narrative of low-altitude, high-risk operations in 1969-70 replicates that of others: initial confusion giving way first to proficiency and pleasure in stalking and killing anonymous enemies, later to a sense that both his skill and his luck are running out. Gritty enough to appeal to adventure fans, this memoir makes a useful contribution to a subject, American helicopter pilots in Vietnam, whose recorded history is largely still in its anecdotal stage.

    Murder, human-rights abuse, drugs, prisoner and child sex slavery, blackmail, extortion, extreme violence, medical maltreatment, and unjustifiable death penalties feature as everyday occurrences in the living hells that are Bangkwang and Klong Prem jails. Sebastian Williams' blistering exposé graphically reveals this shocking reality through the eyes of a long-term inmate who has endured first hand the unimaginable, inhuman nightmare that constitutes the Thai penal system.

    The book encompasses the time before enlistment, Boot Camp, Infantry Training Regiment, Artillery School, and his time in Vietnam during the Tet Offensive of 1968. Incorporated with actual pictures from the times and places remembered in this book, it gives the reader a mix of emotions felt during the good times and bad, of combat and of non-combat, with the intent of giving the lay person a more complete picture of the Vietnam experience. After serving in Vietnam, Dr. Cowart earned a B.A. degree in Zoology from the University of Washington, and a Doctor of Dental Surgery degree from the UW School of Dentistry He currently lives, writes, and maintains a general dental practice in Kent, Washington. Visit the "BLOOD ON RED DIRT" Facebook page to see all the pictures in this book in full size and living color.