The four Latimer sisters, famous throughout New South Wales for their beauty, wit and ambition, have always been close; always happy. But then they left home to train as nurses, swapping the feather beds of their father's townhouse for the spartan bunks of hospital accommodation. And now, as the Depression casts its shadow across Australia, they are bound by their own secret desires as the world changes around them. Will they find the independence they crave? Or is life - like love - always bittersweet? 'As clever, compelling and as down-to-earth as its four heroines' Australian Women's Weekly

    Afterwards, hisdaughter Eleanor discovers a will, in which he has left his entireestate to a woman she has never heard of before. Hiding it fromher siblings, she sets out to solve this mystery, and to unearth theconfronting truth about her reclusive father’s past.But Henry isn’t the only Hoffman with secrets. In the months thatfollow, his children learn things about each other they could neverpreviously have imagined.The Last Will and Testament of Henry Hoffman is a gripping andmany-layered story of love and loss, conflict and survival. Itexplores subjects that affect us all: guilt and redemption, theinescapability of the past, and how trauma resonates acrossgenerations.

    But there's an ongoing battle between Lilli and Miss Dalgleish, seemingly for possession of Lilli's very soul.Ahead of its time in its subtle and clever use of narrative techniques, The True Story of Lilli Stubeck acknowledges that no true story can ever be one-sided. Narrator Kit's multi-layered account of Lilli Stubeck's story is informed by Kit and others' recollections, town gossip and an important little black book.

    It's not some bloody game.'In the murky world of Kings Cross in 1932, aspiring crime writer Joan Linderman and her friend and flatmate Bernice Becker live the wild bohemian life, a carnival of parties and fancy-dress artists' balls.One Saturday night, Joan is thrown headfirst into a real crime when she finds Ellie, her neighbour, murdered. To prove her worth as a crime writer and bring Ellie's killer to justice, Joan secretly investigates the case in the footsteps of Sergeant Lillian Armfield.But as Joan digs deeper, her list of suspects grows from the luxury apartment blocks of Sydney's rich to the brothels and nightclubs of the Cross's underclass.Death in the Ladies' Goddess Club is a riveting noir crime thriller with more surprises than even novelist Joan bargained for: blackmail, kidnapping, drug-peddling, a pagan sex cult, undercover cops, and a shocking confession.

    They come at the invitation of Dan Horton, the elderly owner of the farm on which the massacres unfolded. He hopes that by hosting the group he will satisfy his wife's dying wishes and cleanse some moral stain from the ground on which he and his family have lived for generations.But the sins of the past will not be so easily expunged.We walk with the ragtag group through this taboo country and note in them glimmers of re-connection with language, lore, country. We learn alongside them how countless generations of Noongar may have lived in ideal rapport with the land. This is a novel of survival and renewal, as much as destruction; and, ultimately, of hope as much as despair.LONGLISTED FOR THE MILES FRANKLIN LITERARY AWARD 2018LONGLISTED FOR THE ABIA LITERARY FICTION BOOK OF THE YEAR 2018LONGLISTED FOR THE INDIE BOOK AWARDS FICTION 2018SHORTLISTED FOR THE VICTORIAN PREMIER'S LITERARY AWARD FOR FICTION 2018SHORTLISTED FOR THE COLIN RODERICK AWARD 2018

    It's the worst terrorist attack in the country's history and Anna has no doubt which group is responsible for the carnage. She has been investigating the role of alleged war criminals in the globally active Ustasha movement. High in the Austrian Alps, guided by starlight and a crescent moon, Marin Katich is one of twenty would-be revolutionaries who slip stealthily over the border into Yugoslavia on a mission planned and funded in Australia that will have devastating consequences for all involved. Two and half years ago Anna and Marin had become lovers at university, but his sudden and mysterious disappearance brought their relationship to an abrupt end. Now the Sydney bombings will draw their lives back together. With Croatian extremists under suspicion and a power struggle erupting between ASIO and the federal police, events suddenly reach a trigger point with the impending arrival of Yugoslavia’s prime minister. This intricate political thriller provides a modern take on real-life events that have particular resonance in today's fraught political climate.

    But it’s not actually a joke. Having a spouse who takes care of things at home is a Godsend on the domestic front. It’s a potent economic asset on the work front. And it’s an advantage enjoyed – even in our modern society – by vastly more men than women.Working women are in an advanced, sustained, and chronically under-reported state of wife drought, and there is no sign of rain.But why is the work-and-family debate always about women? Why don’t men get the same flexibility that women do? In our fixation on the barriers that face women on the way into the workplace, do we forget about the barriers that – for men – still block the exits?The Wife Drought is about women, men, family and work. Written in Annabel Crabb’s inimitable style, it’s full of candid and funny stories from the author's work in and around politics and the media, historical nuggets about the role of ‘The Wife’ in Australia, and intriguing research about the attitudes that pulse beneath the surface of egalitarian Australia.Crabb's call is for a ceasefire in the gender wars. Rather than a shout of rage, The Wife Drought is the thoughtful, engaging catalyst for a conversation that's long overdue.

    I love his work.' DEON MEYER Africa, 1906: A young Australian adventurer is condemned to death.Sydney, the present: journalist Nick Eatwell has just lost his job, but his day is brightened when a fellow reporter, South African Susan Vidler, comes into his life looking for help with a story.Susan is chasing information about Nick's great-great uncle, Cyril Blake, who fought in the Anglo-Boer War and later joined the struggle for independence across the border in the German colony of South West Africa, now Namibia.A long-lost manuscript proves Nick's forebear was a somewhat reluctant hero. Soldier, deserter, cattle rustler and freedom fighter, Blake was helping the lost cause before the Kaiser's forces ordered his assassination.In Germany, historian Anja Berghoff is researching the origins of the famed desert horses of Namibia. She's also interested in Blake and an Irish-German firebrand and spy, Claire Martin, with whom Cyril had an affair.Nick and Anja head to Africa on the trail of a legend, but someone else is delving into the past, looking for clues to the secret location of a missing horde of gold that's worth killing for. Spanning two centuries, Ghosts of the Past is based on a true story. PRAISE FOR GHOSTS OF THE PAST'Thrilling adventure based on a true story' Daily Telegraph'As with all Park's books, the pace is fast' Army News'Even more captivating because it is based on a true story' Weekly Times 'Park once again shows why he is one of Australia's preeminent thriller writers. Cleverly utilising multiple timelines to tell an outstanding story across Africa's history, this is an amazing novel. Highly recommended.' Canberra Weekly

    Her wit is as sharp as a knife. She is one of my absolute must-read authors.' Victoria Purman, bestselling Australian author A kiss can change your life ...Jemima Kincaid loves her home, her horses and her job as a farrier. Life has not been kind to her, but Jemima is happy in the close-knit rural community of Horseshoe Hill, which rallied around in her hour of need. Even so, she is fiercely independent and will never rely on anyone again.Particularly a man like Finn Blackwood.An infuriatingly attractive geneticist and wild animal vet, Finn threatens not only the serenity of Jemima's present, but that of the future she has so carefully mapped out. But as their paths continue to cross, she finds her attraction to Finn impossible to counter, even as the trauma of her past threatens to undo her. Finn is fascinated by Jemima's solitary nature and unique vulnerabilities but Jemima knows all about loss and how to avoid it. Don't let anyone get close in the first place ...As the past begins to cast long shadows, Jemima and Finn discover that a kiss can bring worlds together-or tear them apart. Will they finally face their fears and find love on Horseshoe Hill?

    It took two years of juvie, a crazy mother and a porn stash for them to meet again.Sonny is a sixteen-year-old girl who watches the world from her bedroom window and has a habit of falling hopelessly in love with just about anyone. Vince is a sixteen-year-old boy who became a legend after he was taken away two years ago. Now, Vince is back. In the vertigo of 1990's Cabramatta, in households which harbour histories and parents who are difficult to love, they stumble upon each other once more.

    From a stunning new literary talent, you won't be able to put down this novel about a mother's love for her children - it will break your heart.'With visceral prose and a tense narrative arc that unfolds over just three days, speeding towards a dramatic conclusion .... Sheerwater is a propulsive read with an acute emotional core ... likely to hold appeal for readers of both literary and crime fiction, and fans of writers such as Emily Maguire, Emma Viskic and Sofie Laguna.' Bookseller + PublisherAva and her two young sons, Max and Teddy, are driving to their new home in Sheerwater, hopeful of making a fresh start in a new town, although Ava can't help but keep looking over her shoulder. They're almost at their destination when they witness a shocking accident - a light plane crashing in the field next to the road. Ava stops to help, but when she gets back to the car, she realises that somehow, among the smoke, fire and confusion, her sons have gone missing ...From a substantial new Australian writing talent, Sheerwater is tense, emotional, unforgettable. Perfect for readers of Mark Brandi's Wimmera and Stephanie Bishop's The Other Side of the World, this is a beautifully written, propulsive, gut-wrenching and unputdownable novel - an aching, powerful story of the heroic acts we are capable of in the name of love.'Sheerwater is that rare gift of a book that balances gorgeous, glittering language with breathless pace. Leah Swann writes with devastating honesty ... This is an extraordinary novel - I tore through it, captivated by the imagery and the setting, desperately hoping for a happy ending.' Rebecca Starford, author of Bad Behavior'Heart-in-mouth story ... Swann's language is sinewy and pointed; the book is trim and every sentence is necessary...a complex and horribly believable story with tremendous flair.' The Age'Sheerwater is a haunting story built on conflict. Freedom and control, tenderness and violence, hope and fear, love and hate. It shows the strength of a mother's love and the yearning for something more ... This novel is full of beautifully gripping prose and deeply powerful emotions told through sublime pacing. I found it triggered a peculiar mix of wanting to dwell in the darkly emotive prose while needing to urgently push through it to find resolution. It will be one of those books that lingers in your mind, the memory of which may even be mistaken for a story read in the news.' Booktopia'Sheerwater is compelling reading ... There is an urgency in the writing that makes you read on because you must know what the conclusion is - no matter which way it goes ... This is an extraordinary literary debut; the writing is beautifully evocative and the intertwining narratives of the main characters seamless. It's tender, it's suspenseful and you'll be wanting to see so much more from Leah Swann - I ignored everything for a day to rip through the pages and loved every minute of it.' Better Reading

    Who are these people and what was their significance to Daniel?  For his eldest son, Richard, there are hidden motives for his impatience to settle the will. His sister Evonne is still hurting from decades of her parents' disapproval. The youngest sibling, Kelly, believes she knew her father best.  As Daniel's children carry out his last wishes, each of them must confront their entrenched ideas about their father, and reconsider their own lives. What they discover is beyond anything they imagined.

    but the war isn't over.For Ellie Linton, being back on the farm with her parents is what makes the terrible things that happened during the war -- the things she, Homer, Lee, Fi, and the others had to do -- all worthwhile. It's where she belongs.But the war won't let her go. A devastating tragedy has shattered any hope she ever had to reclaim her life, or herself. It's a new kind of fight. And the enemy isn't always from the other side of the border.Another spectacular novel of war and its consequences by bestselling author John Marsden.

    An engaging, entertaining read set in 1930s Sydney against the backdrop of the building of the Sydney Harbour Bridge...evocatively drawn.' - Books+PublishingBroke and hopeless in 1929, Yo O'Keenan flees the violence of his home in Chippendale, and by some miracle charms his way into a job on the Harbour Bridge, a new start for himself and his little sister, Agnes.Meanwhile, on the north side of Sydney, in her cluttered cottage at Lavender Bay, a young and ambitious costumier, Olivia Greene, works on her latest millinery creations, dreaming of taking her colours to Paris, London, New York.A random encounter in the Botanic Gardens sparks a powerful attraction, even as the gulf between this pair seems wider than the blue mile of harbour that divides the city.By mid-1932, the construction of the Bridge is complete, but Sydney is in chaos, on the brink of civil war, as the Great Depression begins to bite - hard.And then Yo disappears.Against the glittering backdrop of Sydney Harbour, The Blue Mile tells of the cruelties of poverty, the wild gamble a city took to build a wonder of the world, and the risks the truly brave will take for a chance at life.

    The old man was brought up expecting to marry the heiress to Kuran Station—a grand estate in the Australian Outback—only to be disappointed by his rejection and the selling off of the land. He has devoted his life to putting the estate back together and has moved into the once-elegant mansion.   McIvor tries to imbue William with his obsession, but his hold on the land is threatened by laws entitling the Aborigines to reclaim sacred sites. William’s mother desperately wants her son to become John McIvor’s heir, but no one realizes that William is ill and his condition is worsening.