Three-year-old Antoinette doesn’t speak, is inordinately clumsy, and must always be spoken to in quiet tones or else she becomes frightened. Then the outbreak of World War II forces Antoinette’s parents to return to America without their daughter. As the years pass, a relationship grows between the unmarried, childless woman and her innocent charge. Slowly Antoinette begins to change, becoming less frightened and delighting in objects and words, as does her foster mother. But when the war is over, Cecilia comes to collect her daughter—and take her away from the only person who has every really understood her. An insightful, unsentimental novel about the challenges of raising a mentally challenged child in 1940s England, The Innocents sweeps readers along to its shocking conclusion.

    And that is to be fiercely, inarguably and masterfully talented.No one knows who fathered eleven-year-old Satomi, and the women of her 1950s Japanese mountain town find her mother's restless sensuality a threat. Satomi's success in piano competitions has always won respect, saving her and her mother from complete ostracism. But when her mother's growing ambition tests this delicate social balance, Satomi's gift is not enough to protect them. Eventually, Satomi is pushed to make a drastic decision in order to begin her life anew. Years later, Satomi's choices echo in the life of her American daughter, Rumi, a gifted authenticator of Asian antiques. Rumi has always believed her mother to be dead, but when Rumi begins to see a ghost, she wonders: Is this the spirit of her mother? If so, what happened to Satomi?Picking Bones from Ash explores the struggles women face in accepting their talents, and asks what happens when mothers and daughters dare to question the debt owed each other. Fusing imagination and suspense, Marie Mutsuki Mockett builds a lavish world in which characters journey from Buddhist temples to the black market of international antiques in California, as they struggle to understand each other across cultures and generations."Marie Mockett brings postwar Japan into the 21st Century with sensitivity and grace, drawing the lives of three women to illuminate the tension between two cultures. Picking Bones from Ash is a lovely book."—KIT REED"In Marie Mockett's first novel—which ranges in confident and lovely prose from a mountain town in mid-century Japan to an antiques business in contemporary San Francisco—temples, ghosts, and oni demons aren't inert markers of exoticism: they're embedded in a lived web of human relationships and everyday tasks. Beginning in a world as solid as Jane Smiley's A Thousand Acres, Picking Bones from Ash takes the reader down a rabbit-hole as matter-of-factly supernatural as that of Haruki Murakami's Wind-Up Bird Chronicle. This wiry and delicate novel, as grounded as it is surreal, goes down like a tall glass of water. Except it's spiked: like Rumi, the younger of Mockett's two heroines, you will be haunted until you finish this book." —ELLIS AVERY"Remarkable and arresting, this debut has the pleasures of a fairy tale and a novel at the same time. Mockett probes the family mythology of a very peculiar line of talented Japanese women who may or may not be descended from the Princess of the Moon, and spins the tale of how they survived post-war Japan, modernity and life in America. A spellbinding new talent." —ALEXANDER CHEE "Mockett has made an impressive debut with Picking Bones from Ash. Here, she creates a fully-absorbing world with vivid characters who search for what was painfully lost to them. Mockett is a beautiful writer." —MIN JIN LEE, author of Free Food for Millionaires

    A large man with big appetites - his nickname Kubu means hippo in the Setswana language. He is happily married and lives in the capital, Gaborone.Twenty-first century Botswana is a country with real issues and real murders. In this collection of stories - one never previously published - Kubu investigates three mysterious deaths. A man is stabbed outside a bar. Is it just a jealous fight or is there something much more sinister behind it? A man suffers a gruesome death in a country town. Is it the result of witchcraft, or could there be another cause? A policeman is shot dead at close range in his own home. Is it the colleagues of a man he killed who was resisting arrest? And what of his wife's alibi?In the last story of the collection, The Haunting, a very unusual detective in South Africa solves a strange disappearance and fraud in a most unconventional way.Finally, author Michael Stanley interviews Detective Kubu himself in Gaborone until Kubu amusingly turns the tables!This entertaining collection of Kubu's shorter adventures is not to be missed by his many fans. And if you haven't met Kubu yet, then a treat is in store for you.Michael Stanley is the pen name of two South Africans - Michael Sears and Stanley Trollip - who write fiction together. Their novels - all featuring Detective Kubu - are A CARRION DEATH, THE SECOND DEATH OF GOODLUCK TINUBU (A DEADY TRADE in the UK), DEATH OF THE MANTIS, and DEADLY HARVEST. The books have been shortlisted for a variety of awards, and DEATH OF THE MANTIS won the BARRY AWARD for best paperback original in 2012.

    When he dreams one night that he will drown, he knows upon waking it is only a matter of time before his dream becomes reality. Plucked from the timeline of history at the moment of his death, Gabriel becomes an apprentice time mage and part of an elite team of wizards who travel throughout history to fight the War of Time and Magic. Victorian London, the Aztec temples of 1487, the Greek island of Samos in 320 BCE, Scotland in the Middle Ages, and the battle fields of Alexander the Great are only some of the adventures in time that await Gabriel as he learns to become a time mage and joins the battle to protect the timeline of history in The Wizard of Time.

    The one time Gina didn’t listen to her, she almost got herself killed. So when she says that Gina will marry a man named Ethan—but she will have to wait for him—Gina believes her, and waits…Now thirty-six, Gina’s Mr. Right is nowhere in sight—until the day she’s stranded in a snowstorm, and rescued by the last type of Ethan she expected. It’s very romantic, yet surprisingly not. This Ethan is sexy, and clearly her hero. Still, instead of her “Aha” moment, Gina’s confused. And when Ethan is happy to discover she’s single, does Gina dare tell him, It’s because I've been waiting for you? But the bigger question is, does she dare question destiny—by taking it into her own hands? And is she brave enough to handle what happens once it’s time to stop waiting—and start living?

    Though most of us will board an aircraft at some point in our lives, we know little about how they work and the procedures surrounding their operation. It is that mystery that makes these losses, such as the vanishing of Malaysia Airlines flight 370, so terrifying. Without a Trace explores the most interesting of these disappearances: mysteries that have baffled investigators for years. Occasionally tragic, frequently amusing, Without a Trace is unerringly accurate and informative. The two Without a Trace volumes span 150 years and explore mysteries from around the world. This is volume one, beginning just before the golden age of aviation with a manned balloon swept over the English Channel, and ending with a top-secret spy plane disappearing at the height of the cold war. Each case is laid out in rich detail and presented chronologically, highlighting the historical context, official accident reports and contemporary news surrounding each mystery. Where did they go? Sylvia Wrigley introduces the crews, innocent bystanders and rescuers in this collection of true stories. Documenting the popular theories from each case, she uses her knowledge and experience as a pilot and an aviation journalist to demystify aviation jargon and narrow down each disappearance to the most likely explanations. This collection takes a hard look at the human failings of great aviators, explorers and celebrities who have pushed the limits of flight and ended up at the heart of a mystery. The stories encompass airships, military jets and commercial airlines - all of which have vanished without a trace.

    On the journey, he faces a variety of physical and mental obstacles. The book is written in diary format, at turns poignant and funny in a light, pacey style.

    

    He did extensive work on the history of the Vijayanagara Empire, particularly the fall of Hampi, the empire's capital. He translated The Vijayanagar Empire as Seen by Domingo Paes and Fernao Nuniz - described as an eyewitness account of Portuguese travellers to India in the 16th century and report on the Vijayanagar Empire. His other works include: Analytical History of India (1870), Eclipses of the Moon in India (1878), Antiquarian Remains in Presidency of Madras (1882), A Sketch of the Dynasties of S. India (1883), South Indian Chronological Tables (1889) and The Indian Calendar (with S. B. Dikshit) (1896).

    The audacious and patchwork concept underlying this story (the richer you are the less you are forced to consume; the greatest poverty is involved with the aggregation of goods) was Horace Gold’s and according to Pohl he had offered it to almost all of his regular contributors, asking for a story centered on the idea. The idea lacks all credibility, everyone (including Pohl) told him and everyone refused to write something so patently unbelievable until, according to Pohl, Horace browbeat him into an attempt and Pohl decided that it was less trouble to deliver something than continue to resist. To his utter shock, the story was received by Gold and his readership with great glee, was among the most popular GALAXY ever published (or Pohl) and one of the most anthologized. Whether this demonstrated the audacity and scope of Gold’s unreason or whether it confirmed Gold’s genius (or both) Pohl was utterly unable to decide. The sculpted consumer-obsessed society was used again by Pohl a few years later in the novelette THE MAN WHO ATE THE WORLD which was far more credible (consumption-obsession as a kind of personal tyranny) and, perhaps for that very reason, much less successful, barely remembered.

    Whidden started out at sea in 1834, at the age of twelve, and did not retire until 1870. This is his account of over a quarter-century spent on the high seas. Orphaned at five, nothing held Whidden back from embarking on sea life seven years later. Serving as an apprentice, he quickly proved his worth, and earned himself a mate’s position by his early twenties. Graduating to third, second and first office, he ended his career in command of, and having part-ownership of his own vessel. This memoir, Ocean Life in the Old Sailing Ship Days, records a series of real events, from his childhood impressions of rough and ready seamen, to his thrilling and brutal experiences of war. His travels saw him spanning the world, with stops at major ports such as Honolulu, Buenos Aires, Calcutta, and Liverpool. His life spans the changes in the shipping industry over the 19th and into the 20th century. During the Civil War, Whidden was heavily involved in profitable island trading in the Bahamas to elude Confederate sailors. However, shortly after the close of the war, in 1870, Whidden left sailing as he found it being overtaken by foreign interests. John D. Whidden (1832-1911) wrote Ocean Life in the Old Sailing Days in 1908, partly as a memoir, but also to offer a snippet of the “old sailing ship days” before major changes occurred to its business environment, fundamentally changing its nature. It is a classic account of a different way of life, which will appeal to both sailing enthusiasts and historians alike.

    But it's only recently that scientists have pieced together the elusive, compelling saga of that epic migration. And the more we learn about them, the more we must marvel at the courage, adaptability, enterprise, and enduring resilience of the First Americans. Most of us know little about the early Americans and the wonders they achieved. Some of them learned to hunt forty-ton whales from dugout canoes; others built a vast system of canals that irrigated crops on tens of thousands of acres. Fully a thousand years before the pyramids at Giza went up, people on the Mississippi River were constructing even larger pyramidal earthworks, and later, a thousand miles to the north, others built a city that would remain the largest in North America until after the Revolutionary War. In the cradle of civilization that evolved in Central America, the Olmecs, Mayans, and Aztecs built complex cultures and dazzling cities whose monumental structures and works of art still have the power to awe and inspire. This book describes the peopling of North and Central America and examine their amazing societies - the farmers and cliff-dwellers of the Southwest United States, the mound-builders of the Midwest, the Northwest Coast whale-hunters with their potlatches and totem poles, and the mighty, gods-driven cultures of Mesoamerica. It is a saga as breathtaking as it is surprising.

    Includes the exclusive short story "The Gift." “A rich, satisfying mix of romance, horror, and time travel." - Kirkus Reviews (Marking Time) Saira is a young woman who has no idea she’s “special”. No one has explained to her that she is descended from a unique family, and if she were to trace one of the strange spirals she finds, she could end up lost in time. So when her mother disappears, Saira survives as she always has – until one night she finds herself transported back to Whitechapel, London in 1888, on the night of Jack the Ripper's double murders. And that's just the beginning... "An enthralling mystery, wrapped in a thriller, tied with a romantic bow." LitBuzz Reviews "April White is a consummate story teller who weaves historical events into a fast paced story through time. A great plot, intriguing characters that you'll instantly care about, and beautiful writing that is some of the best I've ever read." G. Elliot, Author

    Przemysl, Poland. No one has explained to three-year-old Renatka what war is. She knows her Tatus, a doctor, is away with the Polish Army, that her beautiful Mamusia is no longer allowed to work at the university, and that their frequent visitors-among them Great Aunt Zuzia and Uncle Julek with their gifts of melon and clothes-have stopped appearing. One morning Mamusia comes home with little yellow six-pointed stars for them to wear. Renatka thinks they will keep her family safe.In June of 1942, soldiers in gray-green uniforms take Renata, Mamusia, and grandmother Babcia to the Ghetto where they are crammed into one room with other frightened families. The adults are forced to work long hours at the factory and to survive on next to no food. One day Mamusia and Babcia do not return from their shifts. Six years old and utterly alone, Renata is passed from place to place and survives through the willingness of ordinary people to take the most deadly risks. Her unlikely blonde hair and blue eyes and other twists of fate save her life but stories become her salvation. Hans Christian Andersen's fairy tales transport her to an enchanted world; David Copperfield helps her cope on her own; and she longs for the family in Swallows and Amazons. A chronicle of the horrors of war, Let Me Tell You a Story is a powerful and moving memoir of growing up in a disturbing world, and of the magical discovery of books.

    A cousin to the popular best-in-breed show, agility competitions resemble doggie boot camp: dogs scamper across teeter-totters, jump tires, and scoot down tunnels-without leashed guidance from a human. Taking home ribbons requires a focused handler and a cooperative dog. Robert Rodi is a self-proclaimed Blue-stater who prefers fine wine and Italian literature (in "Italian") to SUVs and suburban sprawl. His dog Dusty's scrawny build and skittish personality make him an unnatural competitor. Nevertheless, Rodi recounts a year filled with victories, failures, and hysterical personalities, and the loving bond between one man and his bug-eyed dog.