At the age of 13 Sidney Kidman ran away from home with only five shillings in his pocket. He went on to become a horse dealer, drover, cattle buyer and bush jockey and he also ran a coach business. Above all, Kidman created a mighty cattle empire of more than a hundred stations, fighting droughts, bushfires, floods and plagues of vermin to do so. His enterprise and courage won him a huge fortune and made him a legend.

    Integrating social history with economic and architectural analysis, and taking into account such factors as the availability of cheap land, inexpensive building methods, and rapid transportation, Kenneth Jackson chronicles the phenomenal growth of the American suburb from the middle of the 19th century to the present day. He treats communities in every section of the U.S. and compares American residential patterns with those of Japan and Europe. In conclusion, Jackson offers a controversial prediction: that the future of residential deconcentration will be very different from its past in both the U.S. and Europe.

    These crimes, social workers and prosecutors said, had gone undetected for years, and they consisted of a brutality and sadism that defied all imagining. Children across the country painted a nightmarish picture of their abuse, some claiming they had been taken to graveyards, sometimes to kill animals, and sometimes to dig up bodies, which were removed from their coffins and stabbed. In some cases, investigators said that the abusers were filming the crimes on behalf of international child pornography rings. The dangers of babysitting services and day care centers became a national news media fixation, and legislatures took action to fend off the new threats facing the country's children. Of the many hundreds of people who were investigated in connection with day care and ritual abuse cases around the country, some 190 were formally charged with crimes, leading to more than 80 convictions.But, none of it happened. It was a decade-long outbreak of collective hysteria—on a par with the Salem witch trials.Using extensive archival research conducted in Los Angeles, Miami, New York, Minneapolis, and elsewhere, and drawing on dozens of interviews conducted with the hysteria's major figures, n+1 editor Richard Beck shows how a group of legislators, doctors, lawyers, and parents, most working with the best of intentions, set the stage for a cultural disaster. Psychiatrists and talk therapists turned dubious theories of trauma and recovered memory into a destructive new kind of psychotherapy. Social workers and detectives employed coercive interviewing techniques that led children to tell them what they wanted to hear. Local and national journalists fanned the flames by promoting the story's salacious aspects, while aggressive prosecutors sought to make their careers by unearthing an unspeakable evil where parents feared it most. Beck tracks the panic all the way to its decline at the end of the decade, as parents and prosecutors were finally forced to reckon with the total lack of physical evidence underpinning the story. Yet at the heart of We Believe the Children is the idea that the conditions that made this frenzy of accusations possible were very specific to their moment in American history. The climate of fear that surrounded these cases influenced a whole series of arguments about women, children, and sex that had been intensifying for some twenty years. At the root of these accusations were competing visions of society and what it was that threatened it most.

    In this riveting account, editor Gary E. Moulton blends the narrative highlights of the Lewis and Clark journals so that the voices of the enlisted men and of Native peoples are heard alongside the words of the captains. All their triumphs and terrors are here—the thrill of seeing the vast herds of bison on the plains; the tensions and admiration in the first meetings with Indian peoples; Lewis's rapture at the stunning beauty of the Great Falls; the fear the captains felt when a devastating illness befell their Shoshone interpreter, Sacagawea; the ordeal of crossing the Continental Divide; the kidnapping and rescuing of Lewis’s dog, Seaman; miserable days of cold and hunger; and Clark's joy at seeing the Pacific. The cultural differences between the corps and Native Americans make for living drama that at times provokes laughter but more often is poignant and, at least once, tragic.

    In Error Australis, TV columnist, comedian and history buff Ben Pobjie recaps the history of Australia from its humble beginnings as a small patch of rapidly cooling rock, to its modern-day status as one of the major powers of the sub-Asian super-Antarctic next-to-Africa region. Pobjie recognises that history can be as gripping as any reality show – as thrilling as it is to see Delta Goodrem’s chair turn around, there is an argument that the Second World War was even more exciting – and like any good recapper, he provides an immediate, visceral sense of what it was like to be there in the moment at our nation’s defining events. All historians know that it is only by looking at where we have been that we can understand who we are, what we stand for, and why nothing seems to work. Error Australis is a scholastic and side-splittingly funny account of a young nation that has spent many years seeking its place in the world, and almost as many years not liking what it has found.

    A country chiefly famous in the West for media images of poverty, underdevelopment, and natural disasters, Bangladesh did not exist as an independent state until 1971. Willem van Schendel's history reveals the country's vibrant, colourful past and its diverse culture as it navigates the extraordinary twists and turns that have created modern Bangladesh. The story begins with the early geological history of the delta which has decisively shaped Bangladesh society. The narrative then moves chronologically through the era of colonial rule, the partition of Bengal, the war with Pakistan and the birth of Bangladesh as an independent state. In so doing, it reveals the forces that have made Bangladesh what it is today. This is an eloquent introduction to a fascinating country and its resilient and inventive people.

    From one of Australia's most loved novelists. He felt like a pirate landing on an island of little maimed animals. A great wave had swept them up and dumped them here. All of them, like him, stranded, wanting to go home. It is 1954 and thirteen-year-old Frank Gold, refugee from wartime Hungary, is learning to walk again after contracting polio in Australia. At the Golden Age Children's Polio Convalescent Hospital in Perth, he sees Elsa, a fellow-patient, and they form a forbidden, passionate bond. The Golden Age becomes the little world that reflects the larger one, where everything occurs, love and desire, music, death, and poetry. Where children must learn that they are alone, even within their families. Written in Joan London's customary clear-eyed prose, The Golden Age evokes a time past and a yearning for deep connection. It is a rare and precious gem of a book from one of Australia's finest novelists.

    A must-read for concerned citizens” (Library Journal, starred review) from bestselling author Jeremy Scahill and his colleagues at the investigative website The Intercept.Drones are a tool, not a policy. The policy is assassination. But drone strikes often kill people other than the intended target. These deaths, which have included women and children, dwarf the number of actual combatants who have been assassinated by drones. They have generated anger toward the United States among foreign populations and have even become a recruiting tool for jihadists.The first drone strike outside a declared war zone was conducted more than twelve years ago, but it was not until May 2013 that the White House released a set of standards and procedures for conducting such strikes. However, there was no explanation of the internal process used to determine whether a suspect should be killed without being indicted or tried, even if that suspect is an American citizen. The implicit message of the Obama administration has been: Trust, but don’t verify. The Assassination Complex reveals stunning details of the government’s secretive drone warfare program based on documents supplied by a confidential source in the intelligence community. These documents make it possible to begin the long-overdue debate about the policy of drone warfare and how it is conducted. The Assassination Complex allows us to understand at last the circumstances under which the US government grants itself the right to sentence individuals to death without the established checks and balances of arrest, trial, and appeal—“readers will be left in no doubt that drone warfare affronts morality and the Constitution” (Kirkus Reviews).

    More than 200 women speak in it, describing how young girls, who dreamed of becoming brides, became soldiers in 1941. More than 500,000 Soviet women participated on a par with men in the Second World War, the most terrible war of the 20th century. Women not only rescued and bandaged the wounded but also fired a sniper's rifle, blew up bridges, went reconnoitering and killed... They killed the enemy who, with unprecedented cruelty, had attacked their land, their homes and their children. Soviet writer of Belarussia, Svetlana Alexiyevich spent four years working on the book, visiting over 100 cities and towns, settlements and villages and recording the stories and reminiscences of women war veterans. The Soviet press called the book"a vivid reporting of events long past, which affected the destiny of the nation as a whole." The most important thing about the book is not so much the front-line episodes as women's heart-rending experiences in the war. Through their testimony the past makes an impassioned appeal to the present, denouncing yesterday's and today's fascism...

    Moving away from our ongoing fascination with the Anzac story, he looks at the rich and illuminating present to write a character study of the modern Australian soldier - war fighter, peacekeeper, street-level diplomat and aid worker.Having been taken into their ranks in a way rarely before afforded an outsider, Masters gives heart and shape to the contemporary digger: how they are selected, how they are led, and how they are transformed from civilians to disciplined professional soldiers. And in asking if they are unique, he examines what it is that allows these young Australians to lend moral authority to communities teetering on the precipice of violence in places such as Somalia, Iraq and Afghanistan.By sharing the experiences of the young men and women who make up the Australian army, Masters puts under severe challenge the notion that soldiering is the province of dumb grunts. In doing so, he argues that the best measure of this country's military legend is found in the present. Uncommon Soldier is a rare and powerful work."I long ago came to the view that Australians are more familiar with the digger drawn from history than they are the ones doing the killing and dying in the here and now." The result of a three-year immersive investigation embedded with the Australian Defence Forces in Afghanistan, Uncommon Soldier is Chris Masters' penetrating and significant exploration of the contemporary Australian soldier. As a journalist Masters has seen first-hand the way battlefields have changed over the decades. More than ever intelligence had become the key to ferreting out the enemy and 'the notion that soldiering [is] the province of dumb grunts' has been put under severe challenge.

    It ends in around 1800 when the rough outline of the contemporary North America could be perceived.Dropping the usual Anglocentric description of North America's fate, Taylor brilliantly conveys the far more vivid and startling story of the competing interests--Spanish, French, English, Native, Russian--that over the centuries shaped and reshaped both the continent and its 'suburbs' in the Caribbean and the Pacific. It is one of the greatest of all human stories.

    

    She uncovers a chaotic metropolis where crime and poverty blur with abundant natural beauty and where the shadow of Mount Vesuvius is a daily reminder that life must be lived for the moment.She leads us through the alleyways of the labyrinthine old town, along the sweeping Gulf of Naples and into suburbia. join her to feast on sweet sfogliatelle, get to know the generous locals, fiercely loyal to their city, and cruise along the coast on the back of a vespa.And when Penny meets a Bass player in a local band, she thinks she might have found that other reason to stick around.....

    Not many have lived as many lives as Archie Roach – stolen child, seeker, teenage alcoholic, lover, father, musical and lyrical genius, and leader – but it took him almost a lifetime to find out who he really was. Roach was only two years old when he was forcibly removed from his family. Brought up by a series of foster parents until his early teens, his world imploded when he received a letter that spoke of a life he had no memory of. In this intimate, moving and often shocking memoir, Archie’s story is an extraordinary odyssey through love and heartbreak, family and community, survival and renewal – and the healing power of music. Overcoming enormous odds to find his story and his people, Archie voices the joy, pain and hope he found on his path through song to become the legendary singer-songwriter and storyteller that he is today – beloved by fans worldwide. Tell Me Why is a stunning account of resilience and the strength of spirit – and of a great love story.Shortlisted for the Victorian Premier’s Literary Awards, Non-FictionShortlisted for the 2020 Indie Book Awards, Non-FictionArchie Roach is the 2020 VIC Australian of the Year  ‘Just like his early songs, Tell Me Why was written with empathy as its impetus and that intent shines through on every page. This is a phenomenal work by one of the most articulate and recognisable members of the Stolen Generations. It will be read, studied and discussed for many years to come.’ The Australian ‘Beautiful, gut-wrenching and compelling memoir’ Sydney Morning Herald ‘Archie’s deeply resonant voice sings out – of a broken country and a life renewed. The voice of Australia.’ Daniel Browning, ABC journalist and producer ‘Roach is honest and humble in his oft-heartbreaking retelling of his search for identity, belonging and purpose’ Courier Mail ‘Best book of 2019: Tell Me Why by Archie Roach, a beautifully written autobiography that captures one of the most remarkable lives in Australian music’ Weekend Australian

    . . the only way to understand why so many Americans have decided to vote against their own economic and political interests" (Molly Ivins)Hailed as "dazzlingly insightful and wonderfully sardonic" (Chicago Tribune), "very funny and very painful" (San Francisco Chronicle), and "in a different league from most political books" (The New York Observer), What's the Matter with Kansas? unravels the great political mystery of our day: Why do so many Americans vote against their economic and social interests? With his acclaimed wit and acuity, Thomas Frank answers the riddle by examining his home state, Kansas-a place once famous for its radicalism that now ranks among the nation's most eager participants in the culture wars. Charting what he calls the "thirty-year backlash"-the popular revolt against a supposedly liberal establishment-Frank reveals how conservatism, once a marker of class privilege, became the creed of millions of ordinary Americans.A brilliant analysis-and funny to boot-What's the Matter with Kansas? is a vivid portrait of an upside-down world where blue-collar patriots recite the Pledge while they strangle their life chances; where small farmers cast their votes for a Wall Street order that will eventually push them off their land; and where a group of frat boys, lawyers, and CEOs has managed to convince the country that it speaks on behalf of the People.