This joyous and loving celebration of family is the first-ever picture book to highlight Black nighttime hair traditions--and is perfect for every little girl who knows what it's like to lose her bonnet just before bedtime. In my family, when the sun goes down, our hair goes up!My brother slips a durag over his locs.Sis swirls her hair in a wrap around her head.Daddy covers his black waves with a cap.Mama gathers her corkscrew curls in a scarf.I always wear a bonnet over my braids, but tonight I can't find it anywhere!Bedtime Bonnet gives readers a heartwarming peek into quintessential Black nighttime hair traditions and celebrates the love between all the members of this close-knit, multi-generational family.Perfect for readers of Hair Love and Crown: An Ode to the Fresh Cut

    But so many beautiful things in the world are brown -- calming beaches, cute animals, elegant violins, and more. Brown is musical. Brown is athletic. Brown is poetic. Brown is powerful!

    As the year passes, the narrator’s favorite dress goes through a series of creative changes, from dress to shirt to tank top to scarf and so on, until all that’s left of it is a good memory. Assisted by her patient and crafty mama, the narrator finds that when disaster strikes her favorite things, she doesn’t need to make mountains out of molehills—she “makes molehills out of mountains” instead! Structured around the days of the week, the story is also illustrated to show the passing of the seasons, a perfect complement to the themes of growing older and keeping hold (and letting go) of special mementos.

    When Greg finds a stick and draws a lion in the sand, his father says, "Don't go in the water, and don't leave Sandy." The little boy follows his father's advice. But he still manages to travel down the beach quite a way before realizing he can no longer see the blue umbrella where Dad is waiting. Greg's journey takes him past such landmarks as a jellyfish, a sand castle, a big pit in the sand, a ghost-crab hole, and more. Fortunately, he has his stick-and Sandy's tail-with him the whole way.

    Aleja's grandfather is a fisherman. Bisou's grandmother is a dentist. But Zura's Nana, who is her favorite person in the world, looks a little different from other grandmas. Nana Akua was raised in Ghana, and, following an old West African tradition, has tribal markings on her face. Worried that her classmates will be scared of Nana--or worse, make fun of her--Zura is hesitant to bring her to school. Nana Akua knows what to do, though. With a quilt of traditional African symbols and a bit of face paint, Nana Akua is able to explain what makes her special, and to make all of Zura's classmates feel special, too.

    She is convinced there is something more out there. So she sets out on a quest—a quest for color. When she finally finds what she's been looking for, it's everything she hoped for and more. But that doesn't mean she will ever stop looking.

    Little ballerinas have big dreams. Dreams of pirouettes and grande jetes, dreams of attending the best ballet schools and of dancing starring roles on stage. But in Harlem in the 1950s, dreams don’t always come true—they take a lot of work and a lot of hope. And sometimes hope is hard to come by.   But the first African-American prima ballerina, Janet Collins, did make her dreams come true. And those dreams inspired ballerinas everywhere, showing them that the color of their skin couldn’t stop them from becoming a star.   In a lyrical tale as beautiful as a dance en pointe, Kristy Dempsey and Floyd Cooper tell the story of one little ballerina who was inspired by Janet Collins to make her own dreams come true.

    She has no idea the rope will become part of her family’s history. But for three generations, that rope is passed down, used for everything from jump rope games to tying suitcases onto a car for the big move north to New York City, and even for a family reunion where that first little girl is now a grandmother. Newbery Honor–winning author Jacqueline Woodson and Coretta Scott King Award–winning illustrator James Ransome use the rope to frame a thoughtful and moving story as readers follow the little girl’s journey. During the time of the Great Migration, millions of African American families relocated from the South, seeking better opportunities. With grace and poignancy, Woodson’s lilting storytelling and Ransome’s masterful oil paintings of country and city life tell a rich story of a family adapting to change as they hold on to the past and embrace the future.

    Lyrically written and lovingly illustrated." - School Library Journal "Hesse's language is a quiet, elegant surge.... Muth contributes fine watercolor atmospherics." - Kirkus Reviews

    This richly detailed book ingeniously shows how food, technology, and even families have changed throughout American history. In 1710, a girl and her mother in Lyme, England, prepare a blackberry fool, picking wild blackberries and beating cream from their cow with a bundle of twigs. The same dessert is prepared by an enslaved girl and her mother in 1810 in Charleston, South Carolina; by a mother and daughter in 1910 in Boston; and finally by a boy and his father in present-day San Diego. Kids and parents alike will delight in discovering the differences in daily life over the course of four centuries. Includes a recipe for blackberry fool and notes from the author and illustrator about their research.From the Hardcover edition.

    Sure, he’s always been a little bit different—his tusk isn’t as long, he’s not as good of a swimmer, and he really doesn’t enjoy the cuisine. Then one night, an extra strong current sweeps Kelp to the surface, where he spots a mysterious creature that looks just like him! Kelp discovers that he and the creature are actually unicorns. The revelation leaves him torn: is he a land narwhal or a sea unicorn? But perhaps, if Kelp is clever, he may find a way to have the best of both worlds.

    At school, her teacher tells the class to look for the helpers—the good people working to make things better in big and small ways. She wants more than anything to help in a BIG way, but maybe she can start with one small act of kindness instead . . . and then another, and another. Small things can compound, after all, to make a world of difference.The Breaking News by Sarah Lynne Reul touches on themes of community, resilience, and optimism with an authenticity that will resonate with readers young and old.

    Who were the babies? Where did they come from? The notes left with them said "Please keep this baby safe" and "Please give my child shelter." Only the librarian can take them home, and the library is where they grow up. The whole island helps to raise them. The fisherman teaches them to cast from the pier, the ferryman shows them charts of the sea, and from the harbormaster they learn to recognize birds."Who are you?" other children ask. "Why don't you look alike?" The librarian gathers them in her arms. "Families don't always look alike," she says. "And where we're going is more important than where we came from."This charming, lighthearted fairytale contains a message of acceptance that is particularly significant for our time.

    Lewis.Through the eyes of one little girl, All Different Now tells the story of the first Juneteenth, the day freedom finally came to the last of the slaves in the South. Since then, the observance of June 19 as African American Emancipation Day has spread across the United States and beyond. This stunning picture book includes notes from the author and illustrator, a timeline of important dates, and a glossary of relevant terms. Told in Angela Johnson’s signature melodic style and brought to life by E.B. Lewis’s striking paintings, All Different Now is a joyous portrait of the dawn breaking on the darkest time in our nation’s history.

    He has a room to himself, where he can line up his precious things and nobody will move them one inch. But one day everything changes. When the new small person comes along, it seems that everybody might like it a bit more than they like Elmore Green. And when the small person knocks over Elmore’s things and even licks his jelly-bean collection, Elmore’s parents say that he can’t be angry because the small person is only small. Elmore wants the small person to go back to wherever it came from. Then, one night, everything changes. . . . In her signature visual style, Lauren Child gets to the heart of a child’s evolving emotions about becoming a big brother or sister.