A remarkably handsome young boy, still a teenager, gets "discovered" by a big-time movie agent. Because when he takes his shirt off young hearts beat faster, because he is the picture of innocence and trust and need, he will become a star. It seems almost preordained. The open smile says, "You will love me," and soon the whole world does. The young boy's name was Tab Hunter—a made-up name, of course, a Hollywood name—and it was his time. Stardom didn't come overnight, although it seemed that way. In fact, the fame came first, when his face adorned hundreds of magazine covers; the movies, the studio contract, the name in lights—all that came later. For Tab Hunter was a true product of Hollywood, a movie star created from a stable boy, a shy kid made even more so by the way his schoolmates—both girls and boys—reacted to his beauty, by a mother who provided for him in every way except emotionally, and by a secret that both tormented him and propelled him forward. In Tab Hunter Confidential: The Making of a Movie Star, Hunter speaks out for the first time about what it was like to be a movie star at the end of the big studio era, to be treated like a commodity, to be told what to do, how to behave, whom to be seen with, what to wear. He speaks also about what it was like to be gay, at first confused by his own fears and misgivings, then as an actor trapped by an image of boy-next-door innocence. And when he dared to be difficult, to complain to the studio about the string of mostly mediocre movies that were assigned to him, he learned that just like any manufactured product, he was disposable—disposable and replaceable. Hunter's career as a bona fide movie star lasted a decade. But he persevered as an actor, working continuously at a profession he had come to love, seeking—and earning—the respect of his peers, and of the Hollywood community. And so, Tab Hunter Confidential is at heart a story of survival—of the giddy highs of stardom, and the soul-destroying lows when phone calls begin to go unreturned; of the need to be loved, and the fear of being consumed; of the hope of an innocent boy, and the rueful summation of a man who did it all, and who lived to tell it all.

    Uniting fact and fiction into an original romantic vision, The Danish Girl eloquently portrays the unique intimacy that defines every marriage and the remarkable story of Lili Elbe, a pioneer in transgender history, and the woman torn between loyalty to her marriage and her own ambitions and desires.The Danish Girl is an evocative and deeply moving novel about one of the most passionate and unusual love stories of the 20th century.

    There’s just one catch: Gennady’s abusive boss wants him to honeytrap his American partner. Gennady doesn't want to seduce his new American friend for blackmail purposes… but nonetheless, he can’t stop thinking about kissing Daniel.FBI agent Daniel Hawthorne is delighted to get to know an agent from the mysterious Soviet Union… and determined not to repeat his past mistake of becoming romantically involved with a coworker. But soon, Daniel finds himself falling for Gennady. Can their love survive their countries’ enmity?

    Three days later, he’s found with a bullet in his head and a gun in his hand—a discovery that sends tremors through this conservative community, already unnerved by growing rumors of Satanic worship in the region.In the wake of this incident, bright but lonely Hannah Dexter is befriended by Lacey Champlain, a dark-eyed, Cobain-worshiping bad influence in lip gloss and Doc Martens. The charismatic, seductive Lacey forges a fast, intimate bond with the impressionable Dex, making her over in her own image and unleashing a fierce defiance that neither girl expected. But as Lacey gradually lures Dex away from her safe life into a feverish spiral of obsession, rebellion, and ever greater risk, an unwelcome figure appears on the horizon—and Lacey’s secret history collides with Dex’s worst nightmare.By turns a shocking story of love and violence and an addictive portrait of the intoxication of female friendship, set against the unsettled backdrop of a town gripped by moral panic, Girls on Fire is an unflinching and unforgettable snapshot of girlhood: girls lost and found, girls strong and weak, girls who burn bright and brighter—and some who flicker away.

    Pop culture phenomenon, social rights advocate, and the most prominent LGBTQ+ voice on YouTube, Tyler Oakley brings you his first collection of witty, personal, and hilarious essays written in the voice that’s earned him more than 10 million followers across social media.

    North Morgan's third novel moves beyond the confines of fiction to examine how homosexuality's acceptance into society has created a new breed of demons for a generation of men born as outsiders yet living at the forefront of popular culture. Heartbreaking but never far from humour, Love Notes to Men Who Don't Read confirms Morgan's place as the leading interpreter of gay culture on either side of the Atlantic.

    Though he hasn't got a lick of wit or magic to his name, he's perfectly content living life as an airheaded bachelor with his valet—the clever, unflappable Jacobi—by his side to ensure everything runs smoothly. All he lacks, according to his mother, is a wife.Despite Alphonse's protests, he's to marry Aaliyah Kaddour: a bright, headstrong young woman who would probably be charming company if she didn't threaten everything about Alphonse's way of life. Marrying means giving up his fashionable flat, his fast car, and, worst of all, it means losing Jacobi.Perhaps most distressingly, this talk of marriage is bringing all sorts of confusing feelings to the forefront. Because rather than falling for the beautiful girl being pushed into his arms, Alphonse seems to be falling for his valet. Except a man can't fall in love with another man. Can he?Meanwhile, Aaliyah has plans of her own. She's as devious as she is pretty, but if Alphonse wants to get through this marriage business in one piece, he'll have to trust her. Her and Jacobi, and, most dangerously, his own feelings.

    Not to Painted Bay. Not to his family’s struggling mussel farm. Not to his jerk of a brother. Not with his entire life plan in shreds. And certainly not into the tempting arms of MORGAN WIPENE, the older, ruggedly handsome fisheries officer who seems determined to screw with Judah’s intention to wallow in peace.But dreams are fickle things. Shatter them and it’s hard to pick up the pieces. Hard to believe. Hard to start again.But the hardest thing of all? Finding the courage to trust in love and build a new dream where you least expected it.

    It was a journey that would lead him from a homoerotic Navy initiation ceremony in the jungles of Vietnam to that strangest of strange lands: San Francisco in the early 1970s. Reflecting on the profound impact those closest to him have had on his life, Maupin shares his candid search for his "logical family," the people he could call his own. "Sooner or later, we have to venture beyond our biological family to find our logical one, the one that actually makes sense for us," he writes. "We have to, if we are to live without squandering our lives." From his loving relationship with his palm-reading Grannie who insisted Maupin was the reincarnation of her artistic bachelor cousin, Curtis, to an awkward conversation about girls with President Richard Nixon in the Oval Office, Maupin tells of the extraordinary individuals and situations that shaped him into one of the most influential writers of the last century. Maupin recalls his losses and life-changing experiences with humor and unflinching honesty, and brings to life flesh-and-blood characters as endearing and unforgettable as the vivid, fraught men and women who populate his enchanting novels. What emerges is an illuminating portrait of the man who depicted the liberation and evolution of America’s queer community over the last four decades with honesty and compassion—and inspired millions to claim their own lives.

    He lives alone with his cat Gracie. And he’s a postman. At least he was a postman until, three months before his sixty-fifth birthday, he receives a letter from the Royal Mail thanking him for decades of service and stating he is being forced into retirement. At once, Albert’s sole connection with his world unravels. Every day as a mail carrier, he would make his way through the streets of his small English town, delivering letters and parcels and returning greetings with a quick wave and a “how do?” Without the work that fills his days, what will be the point? He has no friends, family, or hobbies—just a past he never speaks of, and a lost love that fills him with regret. And so, rather than continue his lonely existence, Albert forms a brave plan to start truly living. It’s finally time to be honest about who he is. To seek the happiness he’s always denied himself. And to find the courage to look for George, the man that, many years ago, he loved and lost—but has never forgotten. As he does, something extraordinary happens. Albert finds unlikely allies, new friends, and proves it’s never too late to live, to hope, and to love.

    Described by the London Review of Books as one of “the most brilliant critics writing in America today,” Gary Indiana is a true radical whose caustic voice has by turns haunted and influenced the literary and artistic establishments. With I Can Give You Anything but Love, Gary Indiana has composed a literary, unabashedly wicked, and revealing montage of excursions into his life and work—from his early days growing up gay in rural New Hampshire to his escape to Haight-Ashbury in the post–summer-of-love era, the sweltering 1970s in Los Angeles, and ultimately his existence in New York in the 1980s as a bona fide downtown personality. Interspersed throughout his vivid recollections are present-day chapters set against the louche culture and raw sexuality of Cuba, where he has lived and worked occasionally for the past fifteen years. Connoisseurs will recognize in this—his most personal book yet—the same mixture of humor and realism, philosophy and immediacy, that have long confused the definitions of genre applied to his writing. Vivid, atmospheric, revealing, and entertaining, this is an engrossing read and a serious contribution to the genres of gay and literary memoir.

    Ainsley Graham is cultivating a reputation as an eccentric.Two years ago, he catastrophically ended his academic career by publicly claiming to talk to ghosts. When Joachim Cockburn, a WWI veteran studying the power of delusional thinking, arrives at his door, Ainsley quickly catalogues him as yet another tiresome Englishman determined to mock his life’s work.But Joachim is tenacious and openhearted, and Ainsley’s intrigued despite himself. He agrees to motor his handsome new friend around to Scotland’s most unmistakable hauntings. If he can convince Joachim, Ainsley might be able to win back his good name and then some. He knows he’s not crazy—he just needs someone else to know it, too.Joachim is one thesis away from realizing his dream of becoming a psychology professor, and he’s not going to let anyone stop him, not even an enchanting ginger with a penchant for tartan and lewd jokes. But as the two travel across Scotland’s lovely—and definitely, definitely haunted—landscape, Joachim’s resolve starts to melt. And he’s beginning to think that an empty teaching post without the charming Dr. Graham would make a very poor consolation prize indeed…