Ignored by her family and shipped off to her eighth boarding school, Alice would like a friend. And when she rescues Millie Maximus from drowning in a lake one day, she finds one.But Millie is a Bigfoot, part of a clan who dwells deep in the woods. Most Bigfoots believe that people—No-Furs, as they call them—are dangerous, yet Millie is fascinated with the No-Fur world. She is convinced that humans will appreciate all the things about her that her Bigfoot tribe does not: her fearless nature, her lovely singing voice, and her desire to be a star.Alice swears to protect Millie’s secret. But a league of Bigfoot hunters is on their trail, led by a lonely kid named Jeremy. And in order to survive, Alice and Millie have to put their trust in each other—and have faith in themselves—above all else.

    No problem! For the Problim children, every problem is a gift.Wendell and Thea—twins born two minutes apart on a Wednesday and a Thursday—see the move as a chance to make new friends in time for their birthday cake smash. But the neighbors find the Problims’ return problematic—what with Sal’s foggy garden full of Wrangling Ivy, toddler Toot’s 365 stanktastic fart varieties, and Mona’s human catapult.Truth be told, rumors are flying about the Problims! Rumors of a bitter feud, a treasure, and a certain kind of magic lingering in the halls of #7 Main Street. And the neighbors will do anything to get their hands on those secrets—including sending the Problim children to seven different homes on seven different continents!

    With a school bus falling from the sky. But no one saw it happen. They were all too busy— Talking about boogers. Stealing pocket change. Skateboarding. Wiping out. Braving up. Executing complicated handshakes. Planning an escape. Making jokes. Lotioning up. Finding comfort. But mostly, too busy walking home. Jason Reynolds conjures ten tales (one per block) about what happens after the dismissal bell rings, and brilliantly weaves them into one wickedly funny, piercingly poignant look at the detours we face on the walk home, and in life.

    . . A girl with a gift long thought lost . . . A Land ready for revolution . . . The heir to the Land should be strong. Fierce. Ruthless. At least, that’s what Beau’s father has been telling him his whole life, since Beau is the exact opposite of what the heir should be. With little control over his future, Beau is kept locked away, just another pawn in his father’s quest for ultimate power.That is, until Beau meets a girl who shows him the secrets his father has kept hidden. For the first time, Beau begins to question everything he’s ever been told and sets off in search of a rebel who might hold the key to setting things right. Teaming up with a fiery runaway boy, their mission quickly turns into something far greater as sinister forces long lurking in the shadows prepare to make their final move—no matter what the cost. But it just might be Beau who wields the power he seeks . . . if he can go from pawn to player before the Land tears itself apart.

    All he has left of Eddie is the journal his friend wrote stories in. Tristan is dreading the month he’s going to spend on his grandparents’ farm in Alabama, where he’s being sent to heal from the tragedy. But on his first night there, a sticky creature shows up in his bedroom and steals Eddie’s journal. Tristan chases after it — is that a doll? — and a tug-of-war ensues between them underneath a Bottle Tree. In a last attempt to wrestle the journal out of the creature’s hands, Tristan punches the tree, accidentally ripping open a chasm into the MidPass, a volatile place with a burning sea, haunted bone ships, and iron monsters that are hunting the inhabitants of this world. Tristan finds himself in the middle of a battle that has left black American gods John Henry and Brer Rabbit exhausted. In order to get back home, Tristan and these new allies will need to entice the god Anansi, the Weaver, to come out of hiding and seal the hole in the sky. But bartering with the trickster Anansi always comes at a price. Can Tristan save this world before he loses more of the things he loves?

    Sal is in the principal's office for the third time in three days, and it's still the first week of school. Gabi, student council president and editor of the school paper, is there to support her friend Yasmany, who just picked a fight with Sal. She is determined to prove that somehow, Sal planted a raw chicken in Yasmany's locker, even though nobody saw him do it and the bloody poultry has since mysteriously disappeared. Sal prides himself on being an excellent magician, but for this sleight of hand, he relied on a talent no one would guess . . . except maybe Gabi, whose sharp eyes never miss a trick. When Gabi learns that he's capable of conjuring things much bigger than a chicken--including his dead mother--and she takes it all in stride, Sal knows that she is someone he can work with. There's only one slight problem: their manipulation of time and space could put the entire universe at risk. A sassy entropy sweeper, a documentary about wedgies, a principal who wears a Venetian bauta mask, and heaping platefuls of Cuban food are just some of the delights that await in this mind-blowing novel gift-wrapped in love and laughter.

    T. Anderson and Eugene Yelchin pair up for an anarchic, outlandish, and deeply political saga of warring elf and goblin kingdoms.Uptight elfin historian Brangwain Spurge is on a mission: survive being catapulted across the mountains into goblin territory, deliver a priceless peace offering to their mysterious dark lord, and spy on the goblin kingdom — from which no elf has returned alive in more than a hundred years. Brangwain’s host, the goblin archivist Werfel, is delighted to show Brangwain around. They should be the best of friends, but a series of extraordinary double crosses, blunders, and cultural misunderstandings throws these two bumbling scholars into the middle of an international crisis that may spell death for them — and war for their nations. Witty mixed media illustrations show Brangwain’s furtive missives back to the elf kingdom, while Werfel’s determinedly unbiased narrative tells an entirely different story. A hilarious and biting social commentary that could only come from the likes of National Book Award winner M. T. Anderson and Newbery Honoree Eugene Yelchin, this tale is rife with thrilling action and visual humor . . . and a comic disparity that suggests the ultimate victor in a war is perhaps not who won the battles, but who gets to write the history.

    In a journal he calls The Miraculous, he records stories of the inexplicable and the extraordinary. These miracles fill Wunder with the feeling that he is not alone, that the world is magical, that he is part of something brighter than he can imagine.But then his newborn sister dies, at only eight days old. If that can happen, then miracles don’t exist. So Wunder gets rid of The Miraculous. And he stops believing.Then Wunder meets Faye—a cape-wearing, outspoken girl with losses of her own. Together, they find an abandoned house by the cemetery and the old woman who lives there—and who might be a witch. The old woman asks for Wunder and Faye’s help. She asks them to go through graveyards and forests, to townhalls and police stations, by bike and by train. She asks them to believe. And together, they go on a journey that leads them to friendship, to healing—and to miracles.THE MIRACULOUS is Jess Redman’s stunning debut about facing grief, trusting the unknown, and finding the brightness in the darkest moments.

    until her parents mysteriously vanish and a drooling rakkhosh demon slams through her kitchen, determined to eat her alive. Turns out there might be some truth to her parents' fantastical stories-like how Kiranmala is a real Indian princess and how she comes from a secret place not of this world.To complicate matters, two crush-worthy princes ring her doorbell, insisting they've come to rescue her. Suddenly, Kiran is swept into another dimension full of magic, winged horses, moving maps, and annoying, talking birds. There she must solve riddles and battle demons all while avoiding the Serpent King of the underworld and the Rakkhoshi Queen in order to find her parents and basically save New Jersey, her entire world, and everything beyond it...

    Which is why it makes everyone uncomfortable when he talks about his brother. Liam, his eight-year-old kid brother, who, up until a year ago, slept in the bunk above Charlie, took pride in being as annoying as possible, and was the only person who could make Charlie laugh until it hurt.Then came the morning when the bunk, and Liam, disappeared forever. No one even remembers him—not Charlie’s mother, who has been lost in her own troubles; and not Charlie’s father, who is gone frequently on business trips. The only person who believes Charlie is his best friend, Ana—even if she has no memory of Liam, she is as determined as Charlie is to figure out what happened to him.The search seems hopeless—until Charlie receives a mysterious note, written in Liam’s handwriting. The note leads Charlie and Ana to make some profound discoveries about a magic they didn’t know existed, and they soon realize that if they're going to save Liam, they may need to risk being forgotten themselves, forever.

    Did she lock the front door? Is there a terrible reason her mom is late? Recently her anxiety has been getting out of control, but one thing that has always soothed her is drawing. Kiki's sketchbook is full of fanciful doodles of the rich Indian myths and legends her mother has told her over the years.One day, her sketchbook's calming effect is broken when her mythological characters begin springing to life right out of its pages. Kiki ends up falling into the mystical world she drew, which includes a lot of wonderful discoveries like the band of rebel kids who protect the kingdom, as well as not-so-great ones like the ancient deity bent on total destruction. As the one responsible for creating the evil god, Kiki must overcome her fear and anxiety to save both worlds--the real and the imagined--from his wrath. But how can a girl armed with only a pencil defeat something so powerful?

    The castle is a temporary boarding school for children escaping the Blitz, but soon it’s clear there is something terribly wrong. There are clues hinting that a spy is in the house, and there are undeniable signs of a sinister magic. When the children in the castle’s temporary boarding school begin disappearing one by one, it’s a race against the clock for twelve-year-old Kat Bateson, her two younger siblings, and their new best friend.

    . .Eleven-year-old Willodeen adores creatures of all kinds, but her favorites are the most unlovable beasts in the land: strange beasts known as “screechers.” The villagers of Perchance call them pests, even monsters, but Willodeen believes the animals serve a vital role in the complicated web of nature.Lately, though, nature has seemed angry indeed. Perchance has been cursed with fires and mudslides, droughts and fevers, and even the annual migration of hummingbears, a source of local pride and income, has dwindled. For as long as anyone can remember, the tiny animals have overwintered in shimmering bubble nests perched atop blue willow trees, drawing tourists from far and wide. This year, however, not a single hummingbear has returned to Perchance, and no one knows why.When a handmade birthday gift brings unexpected magic to Willodeen and her new friend, Connor, she’s determined to speak up for the animals she loves, and perhaps even uncover the answer to the mystery of the missing hummingbears.

    Not speaking French at a school full of snobby French girls is bad enough, but Maya believes there is something sinister going on in her new city. A purple-eyed man follows Maya and her younger brother, James. Statues seem to have Maya’s face. And an eerie cabinet filled with mysterious colored bottles calls to her. When James becomes the target of dark forces, Maya decides she must answer the call of the Cabinet of Earths, despite the danger.

    But Lou can only hear the fear in her own voice. She’s never liked crowds or loud noises or even high fives; in fact, she’s terrified of them, which makes her pretty sure there’s something wrong with her.When Lou crashes their pickup on a dark and snowy road, child services separate the mother-daughter duo. Now she has to start all over again at a fancy private school far away from anything she’s ever known. With help from an outgoing new friend, her aunt and uncle, and the school counselor, she begins to see things differently. A sensory processing disorder isn’t something to be ashamed of, and music might just be the thing that saves Lou—and maybe her mom, too.