It tells the woeful tale of a group of 'fallen' women who have had their babies snatched from them at birth to be given up for adoption, and their wretched lives of drudgery earning their keep in the laundry.

    It brings to vivid and shocking life the age in which Shakespeare lived and in which the English martyrs died." Joseph PearceWriter-in-Residence, Thomas More College of Liberal Arts

    

    Now I hear since the Free State came in there is less freedom. The Church has made inroads everywhere, so that we are in fact becoming a bourgeois nation, with the Church supplying our aristocracy, and I do not see much hope for us intellectually. Once the Church is in command she will devour everything.’ -James Joyce in conversation with Arthur Power. This is the first paperback edition of Arthur Power’s unique and fascinating account of his friendship with James Joyce during the 1920s. Power, a young Irishman working as an art critic in Paris, first met Joyce in a Montparnasse dancehall, and the two men maintained a prickly friendship for several years. Power re-creates his conversations with the master, on a remarkable range of topics, literary and otherwise. We read of Joyce’s thoughts on writers past and present: Synge, Ibsen, Hardy, Turgenev, Tolstoy, Chekhov, Dostoevsky, Gide, Proust, T.S. Eliot, Tennyson and Shakespeare. Joyce also speaks of the looming might of America (‘Political influence, yes, but not cultural’); of religion (‘Do you believe in a next life?’ ‘I don’t think much of this life’); and of his own work.

    Howe is a poet of language in history whose work resonates back through Melville, Dickinson, and Shelley to the seventeenth-century Metaphysicals and Puritans (the nonconformism of the title), and forward again to T. S. Eliot and the abstract expressionists. The sequences fall into two sections, "Turning" and "Conversion," in half-ironic nonconforming counterpart to Eliot's Four Quartets. Her collaging and mirror-imaging of words are concretions of verbal static, visual meditations on what can and cannot be said. For Howe, "Melville's Marginalia" is the essential poem in the collection, an approach to an elusive and allusive mind through Melville's own reading and the notations in his library books. This, says Howe, is "Language a wood for thought."

    The very next day she is due to be executed at the hand of a swordsman. Nothing can change the tragic outcome. England will have a new queen before the month is out. And yet…What if events conspired against Henry VIII and his plans to take a new wife? What if there were things that even Thomas Cromwell couldn’t control, things which would make it impossible for history to go to plan?The year is 1536.History is about to be changed forever. The old Anne Boleyn is dead.The new Anne is a cold and calculating woman.Between Two Kings.

    and Beatrice, first introduced in The Babies. Unbeknownst to them they have come into being under the laws of Tsim Tsum, a Kabbalistic claim that a being cannot become, or come into existence, unless the creator of that being departs from that being. Along their journey they encounter many beguiling characters including The Healer, The Collector, Walter B.'s Extraordinary Cousin, and the Oldest Animal. These figures bewilder and dislodge what is at the heart of the immigrant experience: survival, testimony, and belonging.

    a carriage accident, a fire, and she was forever changed. Now, Emma bears the scars of that terrible night - literally.Lord Asher Russe lives in a mausoleum of an old family home, a beastly place with the hollow memories of a bereft House. The last of his line, he, too, suffered that one ill-fated night that changed his stars forever. Now, he lives in darkness, praying for the courage to end it all.When Emma and Ash meet unexpectedly during one dark and stormy night, an uncomfortable event becomes the most momentous of their lives.Can hope spring from the well of darkness? And will love flame eternal? Be prepared to be enchanted by this short Gothic tale.Previously published in the The Midnight Hour anthology

    She suggests that there has been a tendency for art therapy not merely to interact with and be enriched by other perspectives - psychological, social, anthropological and transpersonal - but to be subsumed by them. For this reason she makes a clear distinction between using art in one's practice of therapy, and working from an art-based model. This book presents a model of art therapy where the products and processes of art constitute the core of the model, rather than serving as the impetus for adaptations of other theories of counselling or therapy. It addresses how an arts-based approach can inform the therapist in all aspects of practice, from the conception of the work and the attempt to understand client needs to interacting with clients and communicating with others about the profession of art therapy.Integrated into the book are stories about the work of art therapists, art therapy students and those who seek help in art therapy, presenting the theory behind studio art therapy and bringing it to life. Moon believes that the arts have something unique to offer to the therapeutic process which distinguish the arts therapies from other therapeutic professions. This book is a comprehensive and engaging exploration of the possibilities inherent in the therapeutic use of the arts.

    As the King’s favorite, she enjoys his protection, but after seeing the downfall of three of his wives, she’s determined to avoid the same fate. Alice must walk a fine line between mistress and wife.She finds a powerful protector in Thomas Cromwell, and Alice has every reason to believe that she will continue to enjoy a life of wealth and comfort at Court…until she puts everything at risk by falling in love with a Frenchman, Nicholas Bourbon.When Cromwell is executed, Alice loses her only ally and flees to France. There she hopes to live in peace with Nicholas. But Alice is lured into a perilous game of treason, and peace doesn’t last long. Will Alice get back the life and love she’s fought for? Or will she lose herself to the whims of a capricious monarch?

    America's top military leaders are scrutinized as Puryear ponders what prepared our generals for the terrible responsibilities they bore during World War II, Korea, Vietnam, the Gulf War and on to today.

    But it is time to settle down and marry an heiress to save the crumbling and heavily burdened estate he inherited from his wastrel father. Not that he wishes to marry. He rather enjoys his own wastrel life.He finds the perfect solution when he rescues one hugely irritating spitfire by the name of Miss Katie Pringle from drowning. She's a runaway bride. Her wealthy father and even wealthier betrothed are offering an extremely generous reward for her safe return. All Niall has to do is get her back to London and claim his riches. What can possibly go wrong?

    Anne is a young twenty-first century woman in the midst of a life-long love affair with the 16th century and the enigmatic Anne Boleyn.From the zenith of Anne Boleyn's power and influence, the modern day Anne experiences, with poignant intimacy, the exhilarating days of Anne Boleyn's marriage to Henry VIII.

    King Henry the Eighth of England that day once more pronounced himself the happiest and most enviable man in his kingdom, for to-day he was once more a bridegroom, and Catharine Parr, the youthful widow of Baron Latimer, had the perilous happiness of being selected as the king's sixth consort.

    Between Grit and Grace will show you that success comes when you are comfortable living in the space between grit and grace—grit meaning being resilient and taking charge of your life (socially-acceptable masculine attributes), and grace meaning showing others mercy (socially-acceptable feminine trait). Author Sasha Shillcutt, MD, a nationally lauded, award-winning physician and speaker, will explain how to give yourself permission to disappoint nice people (and know that you are still a nice person anyway). You’ll learn how to stop apologizing for showing your strength and grit, and embrace your grace, too. This is where personal peace lives. Dr. Shillcutt, taught herself how to be a gritty, grace-filled leader and live authentically. Now, she wants to help other women be brave enough to do the same. Her passion is empowering and encouraging women to be brave enough in their professional and personal lives. She believes women cannot be too brave, too kind, too strong, too smart, too funny, too beautiful, or too authentic. Using real-life stories—ranging from women in law and medicine to women in education—the book explains how women can be feminine and formidable. Leadership and lipstick are not mutually exclusive. You’ll realize you can be bossy and caring, fearless and vulnerable, relentless and forgiving, smart and humble—and make it to the top. Across the space of ten chapters, you’ll learn how to navigate the forces that have shaped the modern workplace while doing so with grit and grace. When a woman lives authentically—she succeeds.