Her mourning is disrupted, however, by the unexpected arrival of a builder with a contract to add a porch onto her house. Stunned, Janie realizes the porch was meant to be a surprise from her husband—now his last gift to her.As she reluctantly allows construction to begin, Janie clings to the familiar outposts of her sorrow—mothering her two small children with fierce protectiveness, avoiding friends and family, and stewing in a rage she can't release. Yet Janie's self-imposed isolation is breached by a cast of unlikely interventionists: her chattering, ipecac-toting aunt; her bossy, over-manicured neighbor; her muffin-bearing cousin; and even Tug, the contractor with a private grief all his own.As the porch takes shape, Janie discovers that the unknowable terrain of the future is best navigated with the help of others—even those we least expect to call on, much less learn to love.

    But Hildy isn't one for self-pity and instead meets the world with a wry smile, a dark wit and a glass or two of Pinot Noir. When her two earnest grown-up children stage 'an intervention' and pack Hildy off to an addiction centre, she thinks all this fuss is ridiculous. After all, why shouldn't Hildy enjoy a drink now and then?But as the story progresses, we start to see another side to Hildy Good, and to her life's greatest passion - the lies and self deceptions needed to support her drinking, and the damage she causes to those she loves. When a cluster of secrets become dangerously entwined, the reckless behaviour of one threatens to expose the other, with devastating consequences.

    For years she’s been the caretaker of her psychotic mother, Camille— the crown-wearing, lipstick-smeared laughingstock of an entire town. Though it’s 1967 and they live in Ohio, Camille believes it’s 1951 and she’s just been crowned the Vidalia Onion Queen of Georgia.The day CeeCee discovers Camille in the front yard wearing a tattered prom dress and tiara as she blows kisses to passing motorists, she knows her mother has completely flipped. When tragedy strikes, Tootie Caldwell, a previously unknown great-aunt comes to CeeCee’s rescue and whisks her away to Savannah. Within hours of her arrival, CeeCee is catapulted into a perfumed world of prosperity and Southern eccentricities—a world that appears to be run entirely by women.While Tootie is busy saving Savannah’s endangered historic homes from the wrecking ball, CeeCee encounters a cast of unforgettable, eccentric characters. From the mysterious Thelma Rae Goodpepper, who bathes in an outdoor tub under the watchful eyes of a voyeuristic peacock, to Oletta Jones, the all-knowing household cook, to Violene Hobbs, the loud-mouthed widow who entertains a local police officer in her yellow see-through peignoir, the women of Gaston Street keep CeeCee entertained and enthralled for an entire summer.But CeeCee’s view of the world is challenged in ways she could have never imagined: there are secrets to keep, injustices to face, and loyalties to uphold. Just as she begins to find her ballast and experiences a sense of belonging, her newfound joy collides with the long-held fear that her mother’s legacy has left her destined for destruction.Laugh-out-loud funny, at times heartbreaking, and written in a pitch-perfect voice, Saving CeeCee Honeycutt is a spirited Southern tale that explores the intricate frailties and strengths of female relationships while illuminating the journey of a young girl who loses her mother but finds many others.

    Gone forever. It’s what her sister, Kit, an ER doctor in Santa Cruz, has always believed. Yet all it takes is a few heart-wrenching seconds to upend Kit’s world. Live coverage of a club fire in Auckland has captured the image of a woman stumbling through the smoke and debris. Her resemblance to Josie is unbelievable. And unmistakable. With it comes a flood of emotions—grief, loss, and anger—that Kit finally has a chance to put to rest: by finding the sister who’s been living a lie.After arriving in New Zealand, Kit begins her journey with the memories of the past: of days spent on the beach with Josie. Of a lost teenage boy who’d become part of their family. And of a trauma that has haunted Kit and Josie their entire lives.Now, if two sisters are to reunite, it can only be by unearthing long-buried secrets and facing a devastating truth that has kept them apart far too long. To regain their relationship, they may have to lose everything.

    Now, almost three decades after their relationship first blossomed in London, they live more or less happily in the suburbs with their moody seventeen-year-old son, Albie; then Connie tells him she thinks she wants a divorce.The timing couldn’t be worse. Hoping to encourage her son’s artistic interests, Connie has planned a month-long tour of European capitals, a chance to experience the world’s greatest works of art as a family, and she can’t bring herself to cancel. And maybe going ahead with the original plan is for the best anyway. Douglas is privately convinced that this landmark trip will rekindle the romance in the marriage and might even help him bond with Albie.Narrated from Douglas’s endearingly honest, slyly witty, and at times achingly optimistic point of view, Us is the story of a man trying to rescue his relationship with the woman he loves and learning how to get closer to a son who’s always felt like a stranger.

    To his shock, the child—wrapped in a sweater and wearing a tiny knitted hat—is still alive. To his wife’s shock, Nathan wants to adopt the boy…but the child’s grandmother steps in. Nathan makes her promise, however, that one day she’ll bring the boy to meet him so he can reveal that he was the one who rescued him. Fifteen years later, the widowered Nathan discovers the child abandoned once again—this time at his doorstep. Named Nat, the teenager has grown into a sullen delinquent whose grandmother can no longer tolerate him. Nathan agrees to care for Nat, and the two engage in a battle of wills that pans years. Still, the older man repeatedly assures the youngster that, unlike the rest of the world, he will never abandon him—not even when Nat suffers a trauma that changes both of their lives forever.From the bestselling author of Pay It Forward comes When I Found You, an exquisite, emotional tale of the unexpected bonds that nothing in life can break.

    Constance, the woman who taught Kitty everything she knew, is dying. At her mentor's bedside, Kitty asks her, "What is the one story you always wanted to write?"The answer lies in a single sheet of paper buried in Constance's office—a list of one hundred names—with no notes or explanation. But before Kitty can ask her friend, it is too late.Determined to unlock the mystery and rebuild her own shaky confidence, Kitty throws herself into the investigation, tracking down each of the names on the list and uncovering their connection. Meeting these ordinary people and learning their stories, Kitty begins to piece together an unexpected portrait of Constance's life... and starts to understand her own.

    When the dynamics between the two escalate, they threaten everything Andi believes about love, family, and motherhood—leaving both women standing at a crossroad in their lives and in their hearts.Another Piece of My Heart is a novel that illuminates the nuances and truths about relationships and is Jane Green at her absolute best.

    Resonating with emotional intensity and narrative innovation reminiscent of Ann Patchett’s Bel Canto, Barbara Kingsolver’s The Poisonwood Bible, and Zora Neale Hurston’s Their Eyes Were Watching God, Haigh’s Mrs. Kimble is a timeless story of grief, passion, heartache, deception, and the complex riddle of love.

    She throws herself into her work from dusk to dawn, until her solitary routine is disrupted by the appearance of a mysterious child who shows up at her cabin barefoot and covered in bruises.The girl calls herself Ursa, and she claims to have been sent from the stars to witness five miracles. With concerns about the child’s home situation, Jo reluctantly agrees to let her stay—just until she learns more about Ursa’s past.Jo enlists the help of her reclusive neighbor, Gabriel Nash, to solve the mystery of the charming child. But the more time they spend together, the more questions they have. How does a young girl not only read but understand Shakespeare? Why do good things keep happening in her presence? And why aren’t Jo and Gabe checking the missing children’s website anymore?Though the three have formed an incredible bond, they know difficult choices must be made. As the summer nears an end and Ursa gets closer to her fifth miracle, her dangerous past closes in. When it finally catches up to them, all of their painful secrets will be forced into the open, and their fates will be left to the stars.In this gorgeously stunning debut, a mysterious child teaches two strangers how to love and trust again.

    Living with her single mother in a small apartment, Evelyn Bucknow is a young girl wincing her way through adolescence. With a voice that is as charming as it is recognizable, Evelyn immerses the reader in the dramas of an entire community. The people of Kerrville stuck at once in the middle of nowhere but also at the center of everything, are the source from which Moriarty draws on universal dilemmas of love and belief to render a story that grows in emotional intensity until it lifts the reader to heights achieved only by the finest of fiction.

    Scott Coffman, a middle school teacher, has been fostering an eight-year-old boy while the boy’s mother serves a jail sentence. Scott and Mara both have five days left until they must say good-bye to the ones they love the most.Through their stories, Julie Lawson Timmer explores the individual limits of human endurance and the power of relationships, and shows that sometimes loving someone means holding on, and sometimes it means letting go.

    Her sensitive and able crafting of language, character, and situation pierces through the turmoil and stress of everyday life, illuminating its message with almost painful intensity: "Maybe you should start wanting less." Wingate's words resonate as readers are introduced to Kate Bowman, her architect husband Ben, and their infant son. Kate, on maternity leave from her high-profile Chicago job, has been given the unenviable task of convincing her increasingly frail and forgetful grandmother that she can no longer live alone on the Missouri farm that has been her home for almost half a century. Kate and Ben are struggling to deal with mounting debts and medical bills as they strive to build a lifestyle, rather than a life. Frustrated by dealing with her stubborn, if well-meaning, grandmother, Kate finds solace and clarity in Grandma Rose's handwritten journal. The simple stories of earlier, less complicated times renew Kate's understanding of the truly important things in life. Through the journal, Kate discovers the essence of the remarkable Grandma Rose and is forced to reevaluate her priorities and those of her family. Simply put, Wingate's aim is to exhort readers to "stop and smell the roses." The daily race to achieve and have more, more, more is clearly and all-too-accurately portrayed in these pages. I guarantee readers will stop to think of their own lives and where they are spending their energies. Let's hope Lisa Wingate has other relatives as inspiring as Grandma Rose for future novels.

    As she peels back layer upon layer of the secrets it holds, Inara's life becomes interwoven with that of Mei Lein, a young Chinese girl mysteriously driven from her home a century before. Through the stories Mei Lein tells in silk, Inara uncovers a tragic truth that will shake her family to its core — and force her to make an impossible choice.Inspired by true events, Kelli Estes's brilliant and atmospheric debut serves as a poignant tale of two women determined to do the right thing, and the power of our own stories.

    After four harrowing years fighting on the Western Front, Tom Sherbourne returns home to take a job as the lighthouse keeper on Janus Rock, nearly half a day's journey from the coast. To this isolated island, where the supply boat comes once a season and shore leaves are granted every other year at best, Tom brings a young, bold, and loving wife, Isabel. Years later, after two miscarriages and one stillbirth, the grieving Isabel hears a baby's cries on the wind. A boat has washed up onshore carrying a dead man and a living baby. Tom, whose records as a lighthouse keeper are meticulous and whose moral principles have withstood a horrific war, wants to report the man and infant immediately. But Isabel has taken the tiny baby to her breast. Against Tom's judgment, they claim her as their own and name her Lucy. When she is two, Tom and Isabel return to the mainland and are reminded that there are other people in the world. Their choice has devastated one of them. M. L. Stedman's mesmerizing, beautifully written debut novel seduces us into accommodating Isabel's decision to keep this "gift from God." And we are swept into a story about extraordinarily compelling characters seeking to find their North Star in a world where there is no right answer, where justice for one person is another's tragic loss.