Military scholar Carlo Terzo is exiled to Palermo, Sicily, in the wake of World War II. While caring for his ailing wife, he begins to tutor Salvatore Dragonara, a young Communist and poet, and Fiore, an aristocrat and daughter of the overprotective Duchess Mastema. When the unlikely pair fall for each other, they test Terzo's theory that the the principles of war can be applied to the battles of love.

    The speaker is David Kepesh, white-haired and over sixty, an eminent TV culture critic and star lecturer at a New York college - as well as an articulate propagandist of the sexual revolution. For years he has made a practice of sleeping with adventurous female students while maintaining an aesthete's critical distance. But now that distance has been annihilated.The agency of Kepesh's undoing is Consuela Castillo, the decorous, humblingly beautiful twenty-four-year-old daughter of Cuban exiles. When he becomes involved with her, Kepesh finds himself dragged helplessly into the quagmire of sexual jealousy and loss. In chronicling the themes of eros and mortality, licence and repression, freedom and sacrifice. The Dying Animal is a burning coal of a book, filled with intellectual heat and not a little danger.

    In a novel that is at once a thrilling road trip across America and a moving tale about love, language, and who we are, the bestselling author of The Inner Circle and Drop City offers a timely story about a woman in desperate pursuit of a man who has stolen her identity.

    In the end, however, it is a meditation on the nature of totalitarian regimes, on the transition to democracy after the end of such regimes, and on the power of language to create and define reality. Ricardo Piglia combines his trademark avant-garde aesthetics with astute cultural and political insights into Argentina’s history and contemporary condition in this conceptually daring and entertaining work.The novel follows Junior, a reporter for a daily Buenos Aires newspaper, as he attempts to locate a secret machine that contains the mind and the memory of a woman named Elena. While Elena produces stories that reflect on actual events in Argentina, the police are seeking her destruction because of the revelations of atrocities that she—the machine—is disseminating through texts and taped recordings. The book thus portrays the race to recover the history and memory of a city and a country where history has largely been obliterated by political repression. Its narratives—all part of a detective story, all part of something more—multiply as they intersect with each other, like the streets and avenues of Buenos Aires itself. The second of Piglia’s novels to be translated by Duke University Press—the first was Artifical Respiration—this book continues the author’s quest to portray the abuses and atrocities that characterize dictatorships as well as the difficulties associated with making the transition to democracy. Translated and with an introduction by Sergio Waisman, it includes a new afterword by the author.

    Michael is a rising OB/GYN at a prominent private practice in Albany, New York; he also moonlights at a local women’s health clinic. But Annie, his wife, has become tired of her workaholic husband’s absences, and the soccer-mom lifestyle has worn thin. She begins a passionate love affair with bad-boy, fading celebrity painter Simon Haas—an affair that quickly goes awry when Simon’s wife Lydia, who is also the model upon whom he built his career, discovers the truth.  Abortion, local evangelism, marital disenchantment, and the rifts of social class:  Brundage takes on the fault lines of our era with a deft hand.

    Using short, encyclopaedic/biographical entries, Wilcock profiles people who are definitely iconoclasts. They tear down traditional beliefs and scientific notions on many different topics, from utopias to biology, offering a riveting array of ideas. Some real people with iconoclastic bents are included along with some bizarre fictional characters.

    But his past life is a recurring nightmare—filth, desperation, and blackouts. And more trouble is only a hundred miles away. Darren and Alastair leave Liverpool, heading south in a rickety old car. They have been sent by their gang boss to wreak violent revenge, but they have only a rough idea of their quarry: a one-armed man.Interspersed between the scabrous banter and a pitch-perfect street dialect, Niall Griffiths offers stunning descriptions of the Welsh landscape and a dark, knowing humor. Despite the ever present drugs, violence, and anger, he reveals a fragile humanity. Graywolf is proud to introduce this striking, distinctive voice to American readers.

    More murders will soon be uncovered: women killed in the same way, and, it becomes clear, by the same hand.Narrated by the irreverent, despairing yet determined Detective Minami of the Tokyo Metropolitan Police, Tokyo Year Zero tells a fictionalized story of the real-life hunt for “the Japanese Bluebeard”—a decorated Imperial soldier who raped and murdered at least ten women amid the bleak turmoil of post-war Japan (“one huge sea of displaced persons . . . one minute here and one minute gone”). And it is the story of Detective Minami: chasing down, and haunted by, memories of atrocities that he can no longer explain or forgive.

    Red dress, black hair, body like a knife. He takes her back to his room and wakes the next morning in a bathtub full of blood and ice, missing a kidney.Dragging himself from a hospital bed, Phineas discovers he wants to be with Jude like a hunger -- and he wants to find her and kill her. Falling for her is the start of a twisted love story that takes him from the snowy streets of Denver to the high plains of Texas where the boundaries between torturer and victim, killer and accomplice, become nightmarishly distorted.

    Against a backdrop of petty crime, she struggles to live her dreams, calling on cultural masters Charlie Chaplin, Kafka, and da Vinci for inspiration. In an effort to support herself and her layabout performance-artist boyfriend, Clown Girl finds herself unwittingly transformed into a corporate clown, trapping herself in a cycle of meaningless, high-paid gigs that veer dangerously close to prostitution. Monica Drake has created a novel that riffs on the high comedy of early film stars -- most notably Chaplin and W. C. Fields -- to raise questions of class, gender, economics, and prejudice. Resisting easy classification, this debut novel blends the bizarre, the humorous, and the gritty with stunning skill.

    In the AFC Championship game against Denver, to the surprise and dismay of virtually everyone, Rick actually got into the game. With a 17-point lead and just minutes to go, Rick provided what was arguably the worst single performance in the history of the NFL. Overnight, he became a national laughingstock and, of course, was immediately cut by the Browns and shunned by all other teams.But all Rick knows is football, and he insists that his agent, Arnie, find a team that needs him. Against enormous odds Arnie finally locates just such a team and informs Rick that, miraculously, he can in fact now be a starting quarterback–for the mighty Panthers of Parma, Italy.Yes, Italians do play American football, to one degree or another, and the Parma Panthers desperately want a former NFL player–any former NFL player–at their helm. So Rick reluctantly agrees to play for the Panthers–at least until a better offer comes along–and heads off to Italy. He knows nothing about Parma, has never been to Europe, and doesn’t speak or understand a word of Italian. To say that Italy holds a few surprises for Rick Dockery would be something of an understatement.