But what happens when the apples fall somewhere else—sometimes a couple of orchards away, sometimes on the other side of the world?In this young adult edition, Andrew Solomon profiles how families accommodate children who have a variety of differences: families of people who are deaf, who are dwarfs, who have Down syndrome, who have autism, who have schizophrenia, who have multiple severe disabilities, who are prodigies, who commit crimes, and more.Elegantly reported by a spectacularly original and compassionate thinker, Far From the Tree explores how people who love each other must struggle to accept each other—a theme in every family’s life. The New York Times calls the adult edition a “wise and beautiful” volume, that “will shake up your preconceptions and leave you in a better place.”

    He desperately wants to know what it’s like and why it seems so easy for everyone but him to find someone. What’s worse is that, even though he is proud of his identity, Felix also secretly fears that he’s one marginalization too many—Black, queer, and transgender—to ever get his own happily-ever-after.When an anonymous student begins sending him transphobic messages—after publicly posting Felix’s deadname alongside images of him before he transitioned—Felix comes up with a plan for revenge. What he didn’t count on: his catfish scenario landing him in a quasi–love triangle....But as he navigates his complicated feelings, Felix begins a journey of questioning and self-discovery that helps redefine his most important relationship: how he feels about himself.Felix Ever After is an honest and layered story about identity, falling in love, and recognizing the love you deserve.

    Thompson’s Las Vegas, with the Good Doctor as tour guide. A Lord of the Rings-like adventure in the city’s underground flood channels. A seven-day stay at a seedy motel on East Fremont Street.The stories in My Week at the Blue Angel aren’t about Steve Wynn, Cirque du Soleil, or how to play poker and they aren’t set in Caesars Palace, XS Nightclub, or a 2,000-seat showroom. They’re about prostitutes, ex-cons, and the homeless and they’re set under Caesars Palace and in trailer parks and weekly motels.In this creative-nonfiction collection, Matthew O’Brien—author of Beneath the Neon: Life and Death in the Tunnels of Las Vegas—and veteran photographer Bill Hughes show a side of the city rarely seen. A side beyond the neon lights, themed facades, and motel-room doors. A side beyond the barbwire fences, “No Trespassing” signs, and midnight shadows.A side of Las Vegas many locals and visitors are curious about, but few ever explore.

    Hailed by the New York Times as "one of the most influential texts in gender studies, men's studies and gay studies," this book uncovers the homosocial desire between men, from Restoration comedies to Tennyson's Princess.

    Its beloved antiheroine, Harriet, is erratic, unsentimental, and endearing-very much like the woman who created her, Louise Fitzhugh.Born in 1928, Fitzhugh was raised in segregated Memphis, but she soon escaped her cloistered world and headed for New York, where her expanded milieu stretched from the lesbian bars of Greenwich Village to the art world of postwar Europe, and her circle of friends included members of the avant-garde like Maurice Sendak and Lorraine Hansberry. Fitzhugh's novels, written in an era of political defiance, are full of resistance: to authority, to conformity, and even -- radically, for a children's author -- to make-believe.As a children's author and a lesbian, Fitzhugh was often pressured to disguise her true nature. Sometimes You Have to Lie tells the story of her hidden life and of the creation of her masterpiece, which remains long after her death as a testament to the complicated relationship between truth, secrecy, and individualism.

    Then came the Emperor Constantine, with his bishops, monks and missionaries. And so began an endless loop of alternating permissiveness and censure.Ackroyd takes us right into the hidden history of the city; from the notorious Normans to the frenzy of executions for sodomy in the early nineteenth century. He journeys through the coffee bars of sixties Soho to Gay Liberation, disco music and the horror of AIDS.Today, we live in an era of openness and tolerance and Queer London has become part of the new norm. Ackroyd tells us the hidden story of how it got there, celebrating its diversity, thrills and energy on the one hand; but reminding us of its very real terrors, dangers and risks on the other.'Peter Ackroyd is the greatest living chronicler of London' Independent

    Closeted teenager Jeremy is sent to live with wealthy relatives after his mother enters rehab. Struggling to fit into the posh world of Ballena Beach, Jeremy joins the high school swim team, dates a popular girl, and begins to think he may have landed in paradise - until his great aunt Katharine starts to dictate his every move and a late-night phone call insinuates that his father's accidental death was not so accidental after all.As Jeremy grows accustomed to the veneer of a fabulous life, so grows his need for answers - as well as the danger of immeasurable harm. Weaving together a murder mystery, sexual ambiguity, and characters with hidden identities and agendas, Nick Nolan offers listeners a deliciously witty novel about the "puppet" who wishes only to be a real boy. Strings Attached is also a surprisingly heartfelt story about coming-of-age and coming out - not necessarily in that order.

    After being orphaned as a young girl, Asghar grapples with coming-of-age as a woman without the guidance of a mother, questions of sexuality and race, and navigating a world that put a target on her back. Asghar's poems at once bear anguish, joy, vulnerability, and compassion, while exploring the many facets of violence: how it persists within us, how it is inherited across generations, and how it manifests in our relationships with friends and family, and in our own understanding of identity. Using experimental forms and a mix of lyrical and brash language, Asghar confronts her own understanding of identity and place and belonging.

    That's when he learns what it truly means to surrender everything. Cody is strong, sexy, and more generous than Travis believed possible. He takes him in and begins unraveling all the pain and secrets that led to Travis being alone, homeless, and running for his life with an envelope of stolen cash.With such a sweet, fragile heart, Travis has never let his guard down with anyone, but he can’t resist falling deeper and deeper into Cody’s effortless dominance and possessive touch. Over stormy summer nights in Cody’s isolated cabin, Travis discovers the euphoric passion of giving in to the desires Cody draws out of him.Heart. Mind. Body. Travis hands over everything to the man who taught him to trust. The only problem is... Cody isn’t who he says he is—and his own dangerous secrets may shatter the faith Travis put in him.This is a 70,000 word stand-alone novel which contains intensely intimate scenes between two men, and a happily ever after with no cliffhangers.

    These women broke ground, broke ceilings, and broke molds--includingMaya Angelou - Jane Austen - Ruby Bridges - Rachel Carson - Shirley Chisholm - Marie Curie & Irene Joliot Curie - Isadora Duncan - Amelia Earhart - Artemisia Gentileschi - Grace Hopper - Dolores Huerta - Frida Kahlo - Billie Jean King - Audre Lorde - Wilma Mankiller - Toni Morrison - Michelle Obama - Sandra Day O'Connor - Sally Ride - Eleanor Roosevelt - Margaret Sanger - Sappho - Nina Simone - Gloria Steinem - Kanno Sugako - Harriet Tubman - Mae West - Virginia Woolf - Malala YousafzaiOpen to any page and find daily inspiration and lasting delight.

     After almost crashing my car in the Alaskan wilderness, I wake up in the muscled arms of one of the locals. He’s a rugged pilot bringing supplies to my research station, but he’s got more than work on his mind. His eyes tell me he likes giving orders. And I like taking them. Caleb is the most intense man I’ve ever met. When his plane breaks down and traps us together, his untamed dominance emerges. I’m his, and he knows it. And he demands total submission. We’re trapped together, but it won’t last forever. He’s a beast of a man, and I’m in his grip. CALEB: If he wants to survive out here, he’ll do as I say. I’m divorced, straight, and single, but those labels disappear when I see Elliot. He’s soft and innocent—and I have him all to myself. He’s not a pushover, but surviving in Alaska is no easy task. He needs a strong pair of hands to show him the ropes. Elliot awakens something in me. The desire to dominate him, to bend him to my will and hear him beg for more makes me feel alive. And I love it. I’m a hardened man with a sturdy body, but as much as I bury it, part of me wants to spoil him—and have him scream my name all night. Doesn’t matter that Elliot’s a man; he’s the only one I want in my cockpit. In the wilderness, what I say goes. This is the first book in the Submission series. It can be enjoyed as a standalone with no cliffhanger. Readers can expect an extra-spicy MM romance with several steamy scenes. Heat level: 10.

    Vincent’s Hospital was sold in 2010 to create multi-million-dollar homes. In its 161 years of existence, the legendary institution treated survivors of the Titanic, tended to victims of both World Trade Center attacks, and served as Ground Zero of the AIDS Crisis.With honesty, humor, and flights of historical fancy, GHOSTS OF ST. VINCENT’S tells the hospital’s story through the eyes of a man who spent a winter on its 7th floor AIDS ward and survived just in time for the drug “cocktail” that saved so many lives.Featuring appearances by indomitable icons, from poet Edna St. Vincent Millay to director Sidney Lumet to photographer Robert Mapplethorpe, with appearances by Ed Koch and The Ramones, among others, GHOSTS OF ST. VINCENT’S explores coming out and coming back from the dead, gender fluidity and gentrification, the price of forgiveness, the cost of survival, and the ephemeral nature of New York City.

    This is a book to help us understand the American moment and to help us better understand one another.Derek Black grew up at the epicenter of white nationalism. His father founded Stormfront, the largest racist community on the Internet. His godfather, David Duke, was a KKK Grand Wizard. By the time Derek turned nineteen, he had become an elected politician with his own daily radio show—already regarded as the "the leading light" of the burgeoning white nationalist movement. "We can infiltrate," Derek once told a crowd of white nationalists. "We can take the country back."Then he went to college. At New College of Florida, he continued to broadcast his radio show in secret each morning, living a double life until a classmate uncovered his identity and sent an email to the entire school. "Derek Black ... white supremacist, radio host ... New College student???" The ensuing uproar overtook one of the most liberal colleges in the country. Some students protested Derek's presence on campus, forcing him to reconcile for the first time with the ugliness of his beliefs. Other students found the courage to reach out to him, including an Orthodox Jew who invited Derek to attend weekly Shabbat dinners. It was because of those dinners—and the wide-ranging relationships formed at that table—that Derek started to question the science, history, and prejudices behind his worldview. As white nationalism infiltrated the political mainstream, Derek decided to confront the damage he had done.Rising Out of Hatred tells the story of how white-supremacist ideas migrated from the far-right fringe to the White House through the intensely personal saga of one man who eventually disavowed everything he was taught to believe, at tremendous personal cost. With great empathy and narrative verve, Eli Saslow asks what Derek Black's story can tell us about America's increasingly divided nature.

    But for the people of Laramie–both the friends of Matthew and those who hated him without knowing him–the tragedy was personal. In a chorus of voices that brings to mind Thornton Wilder’s Our Town, The Laramie Project allows those most deeply affected to speak, and the result is a brilliantly moving theatrical creation.

    Brady Novak was kind, responsible and easy on the eyes. Yeah, the guy had a kid but Ryan loved her too. What could go wrong? Well, Ryan's sister Ellie, that's what. Ellie is a flighty, love-em-and-leave-em kinda girl with a big heart who doesn't realize she dated the guy Ryan had fantasized about. But, like all of Ellie's other relationships, this one ended within two months, just in time to send Brady running off to take a job in Phoenix, taking Ryan's heart with him.Ryan never thought he'd see Brady again until eight years later Ryan's sister blindsides him by announcing that not only is Brady back in Atlanta but she'd asked him out on a date. And he'd accepted. As if that wasn't enough to send Ryan on a tailspin, a neighborhood girl brings him face to face with Brady in an unexpected way.Brady can't believe when he sees Ryan again. He assumed Ryan had moved on from Atlanta, like he'd always said he would. But Brady hasn't forgotten his cute, nerdy friend and wants nothing more than to have a chance to try the relationship they never got to have all those years ago, but convincing Ryan that he hadn't slept with Ellie proves difficult. Ryan is still hurt over the way they left things and makes it an uphill battle, but Brady has waited too long. He'll damn well give a good go of trying to get his man and with the help of his precocious teenage daughter and a little help from friends they may just get their Happily Ever After. *2nd Edition, has been re-edited and revised*