She lives above a small rail station, which she cleans in order to earn her keep. When Noa discovers a boxcar containing dozens of Jewish infants bound for a concentration camp, she is reminded of the child that was taken from her. And in a moment that will change the course of her life, she snatches one of the babies and flees into the snowy night.Noa finds refuge with a German circus, but she must learn the flying trapeze act so she can blend in undetected, spurning the resentment of the lead aerialist, Astrid. At first rivals, Noa and Astrid soon forge a powerful bond. But as the facade that protects them proves increasingly tenuous, Noa and Astrid must decide whether their friendship is enough to save one another - or if the secrets that burn between them will destroy everything.

    We follow him from an orphaned childhood to the casual atrocities of occupying troops, through his own soldiering adventures, and up to his final vocation as a hermit alone on an island. Mike Mitchell's superb translation allows readers to enjoy more fully one of the great masterpieces of European literature and the first German bestseller.

    Traven. Evidence suggests that he was born Otto Feige in Schlewsig-Holstein and that he escaped a death sentence for his involvement with the anarchist underground in Bavaria. Traven spent most of his adult life in Mexico, where, under various names, he wrote several bestsellers and was an outspoken defender of the rights of Mexico's indigenous people. First published in 1935, The Treasure of the Sierra Madre is Traven's most famous and enduring work, the dark, savagely ironic, and riveting story of three down-and-out Americans hunting for gold in Sonora.

    The Great War is raging through Europe, and in the ancient, mountainous lands southwest of the Caspian Sea the Turks have begun systematically to exterminate their Christian subjects. Unable to deny his birthright or his people, one man, Gabriel Bagradian—born an Armenian, educated in Paris, married to a Frenchwoman, and an officer doing his duty as a Turkish subject in the Ottoman army—will strive to resist death at the hands of his blood enemy by leading 5,000 Armenian villagers to the top of Musa Dagh, "the mountain of Moses." There, for forty days, in the face of almost certain death, they will suffer the siege of a Turkish army hell-bent on genocide. A passionate warning against the dangers of racism and scapegoating, and prefiguring the ethnic horrors of World War II, this important novel from the early 1930s remains the only significant treatment, in fiction or nonfiction, of the first genocide in the twentieth century's long series of inhumanities. It also continues to be today what the New York Times deemed it in 1933—"a true and thrilling novel ... a story which must rouse the emotions of all human beings." "Musa Dagh gives us a lasting sense of participation in a stirring episode of history.... Magnificent."—The New York Times Book Review "A novel full of the breath, the flesh and blood and bone and spirit of life."—Saturday Review

    Her idea blossomed into this striking and highly original work of narrative nonfiction, an account of her search for meaning within the stories of her ancestors.In a series of short meditations, Petrowskaja delves into family legends, introducing a remarkable cast of characters: Judas Stern, her great-uncle, who shot a German diplomatic attaché in 1932 and was sentenced to death; her grandfather Semyon, who went underground with a new name during the Bolshevik Revolution in Russia, forever splitting their branch of the family from the rest; her grandmother Rosa, who ran an orphanage in the Urals for deaf-mute Jewish children; her Ukrainian grandfather Vasily, who disappeared during World War II and reappeared without explanation forty-one years later—and settled back into the family as if he’d never been gone; and her great-grandmother, whose name may have been Esther, who alone remained in Kiev and was killed by the Nazis.How do you talk about what you can’t know, how do you bring the past to life? To answer this complex question, Petrowskaja visits the scenes of these events, reflecting on a fragmented and traumatized century and bringing to light family figures who threaten to drift into obscurity. A true search for the past reminiscent of Jonathan Safran Foer’s Everything Is Illuminated, Daniel Mendelsohn’s The Lost, and Michael Chabon’s Moonglow, Maybe Esther is a poignant, haunting investigation of the effects of history on one family.

    Not all of them return – and those who do will never be the same. Among them is the daredevil Laurids Madsen, who promptly escapes again into the anonymity of the high seas.As soon as he is old enough, his son Albert sets off in search of his missing father on a voyage that will take him to the furthest reaches of the globe and into the clutches of the most nefarious company. Bearing a mysterious shrunken head, and plagued by premonitions of bloodshed, he returns to a town increasingly run by women – among them a widow intent on liberating all men from the tyranny of the sea.From the barren rocks of Newfoundland to the lush plantations of Samoa, from the roughest bars in Tasmania, to the frozen coasts of northern Russia, We, The Drowned spans four generations, two world wars and a hundred years. Carsten Jensen conjures a wise, humorous, thrilling story of fathers and sons, of the women they love and leave behind, and of the sea’s murderous promise. This is a novel destined to take its place among the greatest seafaring literature.

    Out of the last hours of Virgil's life and the final stirrings of his consciousness, the Austrian writer Hermann Broch fashioned one of the great works of twentieth-century modernism, a book that embraces an entire world and renders it with an immediacy that is at once sensual and profound.Begun while Broch was imprisoned in a German concentration camp, The Death of Virgil is part historical novel and part prose poem - and always an intensely musical and immensely evocative meditation on the relation between life and death, the ancient and the modern.

    The setting is a small village in southwestern Anatolia in the waning years of the Ottoman Empire. Everyone there speaks Turkish, though they write it in Greek letters. It’s a place that has room for a professional blasphemer; where a brokenhearted aga finds solace in the arms of a Circassian courtesan who isn’t Circassian at all; where a beautiful Christian girl named Philothei is engaged to a Muslim boy named Ibrahim. But all of this will change when Turkey enters the modern world. Epic in sweep, intoxicating in its sensual detail, Birds Without Wings is an enchantment.

    Josef Mengele gathers a group of former colleagues for a horrifying project—the creation of the Fourth Reich. Barry Kohler, a young investigative journalist, gets wind of the project and informs famed Nazi hunter Ezra Lieberman, but before he can relay the evidence, Kohler is killed. Thus Ira Levin opens one of the strangest and most masterful novels of his career. Why has Mengele marked a number of harmless aging men for murder? What is the hidden link that binds them? What interest can they possibly hold for their killers: six former SS men dispatched from South America by the most wanted Nazi still alive, the notorious "Angel of Death"? One man alone must answer these questions and stop the killings—Lieberman, himself aging and thought by some to be losing his grip on reality. At the heart of The Boys from Brazil lies a frightening contemporary nightmare, chilling and all too possible.

    "Each family," writes the author, "stood confident of being able to go on with what was theirs, while in fact they were playthings, often victims, of the now united Germany and what was brewing therein." Did the monstrous thing that followed have its foundation in families such as these? "Writing about them made me think so. Hence the title."

    After deciding the wrong man has been arrested for the crime, the detective lays a trap for the real killer—with all the patience of a master fisherman. But cruel turns of plot conspire to make him pay dearly for his pledge. Here Friedrich Dürrenmatt conveys his brilliant ear for dialogue and a devastating sense of timing and suspense. Joel Agee’s skilled translation effectively captures the various voices in the original, as well as its chilling conclusion.One of Dürrenmatt’s most diabolically imagined and constructed novels, The Pledge was adapted for the screen in 2000 in a film directed by Sean Penn and starring Jack Nicholson.

    Her hero is an ungainly young earl with a lowering brow and a taste for intrigue. He calls himself Thorfinn but his Christian name is Macbeth.Dunnett depicts Macbeth's transformation from an angry boy who refuses to accept his meager share of the Orkney Islands to a suavely accomplished warrior who seizes an empire with the help of a wife as shrewd and valiant as himself.

    Many of the residents in their small Dutch town have some connection to the Koopman lightbulb factory, and the locals hold the family in high esteem. On days when they aren’t playing with friends, Jacob and Edwin help their Uncle Martin on his fishing boat in the North Sea, where German ships have become a common sight. But conflict still seems unthinkable, even as the boys’ father naively sends his sons to a Hitler Youth Camp in an effort to secure German business for the factory.When war breaks out, Jacob’s world is thrown into chaos. The Boat Runner follows Jacob over the course of four years, through the forests of France, the stormy beaches of England, and deep within the secret missions of the German Navy, where he is confronted with the moral dilemma that will change his life—and his life’s mission—forever. Epic in scope and featuring a thrilling narrative with precise, elegant language, The Boat Runner tells the little-known story of the young Dutch boys who were thrown into the Nazi campaign, as well as the brave boatmen who risked everything to give Jewish refugees safe passage to land abroad. Through one boy’s harrowing tale of personal redemption, here is a novel about the power of people’s stories and voices to shine light through our darkest days, until only love prevails.

    They are greeted with a pamphlet instructing immigrants how to act like "the English." Jack acquires Saville Row suits and a Jaguar. He buys his marmalade from Fortnum & Mason and learns to list the entire British monarchy back to 913 A.D. He never speaks German, apart from the occasional curse. But the one key item that would make him feel fully British -membership in a golf club-remains elusive. In post-war England, no golf club will admit a Rosenblum. Jack hatches a wild idea: he'll build his own. It's an obsession Sadie does not share, particularly when Jack relocates them to a thatched roof cottage in Dorset to embark on his project. She doesn't want to forget who they are or where they come from. She wants to bake the cakes she used to serve to friends in the old country and reminisce. Now she's stuck in an inhospitable landscape filled with unwelcoming people, watching their bank account shrink as Jack pursues his quixotic dream. In her tender, sweetly comic debut, Natasha Solomons tells the captivating love story of a couple making a new life-and their wildest dreams-come true.

    London is in shock. The very look of daily life is a walking nightmare of German uniforms, artifacts, regulations. There are collaborators. There are profiteers. But there are others working in hope, in secret, and desperate danger, against the invader. And still others are living strangely ambiguous lives – none more so than Detective Superintendent Douglas Archer ("Archer of the yard" as the press like to call him), trying to maintain a peculiarly, almost sacredly, British institution under a Nazi chief. Archer has started work on what seems, at first, a routine murder case. But suddenly an SS Standartenführer from Himmler's personal staff flies in from Berlin to supervise the investigation, and Archer is plunged deep into an espionage battle for which he is completely unprepared, and where the stakes are incredibly high. "We’re dealing with something that could prove so deadly that not even the Black Death would compare with the consequences", the SS man tells him.Setting forth on a tight rope trail of violence, betrayal and danger, Archer moves into worlds within worlds of intrigue. The British resistance, wealthy collaborators, high-level scientists, German army and SS factions and vicious rivalry, a beautiful American reporter on assignment for the still-neutral papers back home – these are the players that Deighton's treacherously shifting drama, as it races toward its chattering climax that involves the fate of the King, and of England itself.SS–GB is fascinating in its premise, utterly authentic and convincing in its detail. It is the most gripping novel we have had from the author of The Ipcress File, Funeral in Berlin, and Bomber. Already, in England, it has become Len Deighton's greatest best seller.