Grace in Mombasa is an intriguing historical saga of betrayal and loss, romance and heartbreak, and one woman’s journey in faith. From the day she was born, Grace Clifton has navigated a life of loss and heartbreak, without a mother to guide her and through the ravages of two World Wars. With England in the midst of a Second World War, Grace experiences the excitement of love and romance, but all too soon, it turns to heartbreak. Through it all, Grace is sustained by her unwavering faith in God, but when all she holds dear is ripped away from her, Grace is left devastated and doubting everything she’s ever believed in. As the world slowly recovers from war, Grace too begins the process of healing from bitterness and the deep wounds inflicted by life. However, her steadfastness to God is lost and she determines never to pray again. When an unexpected opportunity comes up in Kenya, Grace seizes the chance to escape the memories, hoping to find a purpose and build a new life for herself. In the city of Mombasa, Grace soon begins to realise she can’t ever distance herself from life’s complications, but if she’s prepared to open her heart, maybe her shattered faith will once more bring her hope, love and the healing that she desperately needs. Grace in Mombasa is a story about a woman with amazing faith that is shattered when her life falls apart, but will God simply let her go? If you like heartfelt dialogue, stories seeped in fact and history, and memorable characters, then you’ll love Tracy Traynor’s moving and inspirational novel. Read Grace in Mombasa to escape into a story of yesteryear and the evocative dream that is Kenya!

    I hated working for him and I hated being around him. I hated it when he walked through the front door at home. And we feared him from the moment he pulled up in front of the house in his car.” So writes conservative firebrand and popular radio host Larry Elder. For ten years Elder and his father did not talk to each other. When they finally did, the conversation went on for eight hours—eight hours that took Elder on his father’s journey from the Jim Crow South, to service in the Marine Corps, to starting a business in Southern California. Elder emerged not just reconciled with his dad, but admiring him, and realizing that he had never fully known him or understood him.  Heartfelt, beautifully written, compulsively readable, A Lot Like Me—originally published as Dear Father, Dear Son—is both a powerfully affecting memoir and a personal, provocative slice of American history.

    You are wasting your time.In a world of fake news, deep-fakes, manipulated feeds of information and divisive social-media agendas, it's easy to believe that our time is the most challenging in human history. It's just not true.It is a time of extraordinary opportunity. But only if you have the right mindset. Fear of the future breeds inaction and leads to strategic paralysis. We put off decisions until we can have certainty. We look for signals. We wait. And while we do that, the world moves on around us.Problem-solvers thrive in chaotic and uncertain times because they act to change their future. Winners recognise that in a world of growing uncertainty, you need to resort to actions on things you can control.And the only things over which you have absolute control are your attitude and your mindset. These, in turn, determine the actions you will take and that will define your future.A robust mindset is the one common characteristic Bruce Whitfield has identified in two decades of interrogating how South Africa's billionaires and start-up mavericks think differently. They are not naive Pollyannas. They don't ignore risk or hope that problems will go away. They constantly measure, manage, consider and weigh up opportunities in a tumultuous sea of uncertainty and find ways around obstacles.If, as Nobel Prize-winning economist Robert Shiller suggests, the stories we tell affect economic outcomes, then we need to tell different stories amidst the noise and haste of a rapidly evolving world.

    Anna is at a stage of her life when she's beginning to wonder who she really is. She has separated from her husband, her daughter is all grown up, and her mother—the only parent who raised her—is dead.Searching through her mother's belongings one day, Anna finds clues about the African father she never knew. His student diaries chronicle his involvement in radical politics in 1970s London. Anna discovers that he eventually became the president—some would say dictator—of a small nation in West Africa. And he is still alive...When Anna decides to track her father down, a journey begins that is disarmingly moving, funny, and fascinating. Like the metaphorical bird that gives the novel its name, Sankofa expresses the importance of reaching back to knowledge gained in the past and bringing it into the present to address universal questions of race and belonging, the overseas experience for the African diaspora, and the search for a family's hidden roots.

    These stories are told with the freshness and directness one has come to expect of Michael Anthony.

    Africa's legendary City of Gold, not visited by Europeans since the Middle Ages, held the promise of wealth and fame for the first explorer to make it there. In 1824, the French Geographical Society offered a cash prize to the first expedition from any nation to visit Timbuktu and return to tell the tale.One of the contenders was Major Alexander Gordon Laing, a thirty–year–old army officer. Handsome and confident, Laing was convinced that Timbuktu was his destiny, and his ticket to glory. In July 1825, after a whirlwind romance with Emma Warrington, daughter of the British consul at Tripoli, Laing left the Mediterranean coast to cross the Sahara. His 2,000–mile journey took on an added urgency when Hugh Clapperton, a more experienced explorer, set out to beat him. Apprised of each other's mission by overseers in London who hoped the two would cooperate, Clapperton instead became Laing's rival, spurring him on across a hostile wilderness.An emotionally charged, action–packed, utterly gripping read, The Race for Timbuktu offers a close, personal look at the extraordinary people and pivotal events of nineteenth–century African exploration that changed the course of history and the shape of the modern world.

    Cela sera pour nous une attitude intérieure, mieux : une vigilance, ou mieux encore, une sorte d'enveloppe mentale au mitan de laquelle se bâtira notre monde en pleine conscience du monde.» Publié en 1989, cet éloge de l'identité créole, cette quête lyrique «d'une pensée plus fertile, d'une expression plus juste, d'une esthétique plus vraie», fonde un art poétique qui devait très vite, dans une illustration magnifique, donner des œuvres importantes : Raphaël Confiant a reçu le prix Novembre pour Eau de Café (1991), Patrick Chamoiseau le prix Goncourt pour Texaco (1992). "Neither Europeans, nor Africans, nor Asians, we proclaim ourselves to be Creoles. For us this will be a state of mind, or, rather, a state of vigilance, or, better still, a sort of mental envelope within which we will build our world, in full awareness of the world." Published in 1989, this hymn to the Creole identity, this lyrical quest "for a more fertile way of thinking, for a more accurate means of expression, and for a more genuine aesthetics", laid the foundations of a poetic art that was very quickly, and brilliantly, to produce major works : Raphaël Confiant was awarded the prix Novembre for Eau de Café (1991), and Patrick Chamoiseau received the prix Goncourt for Tewaco (1992).

    She had little conception of Africa or Africans, and yet the continent and its people would become the guiding force of her life.Galvanised by the suffering she witnessed in Ethiopia, on her return to Australia she became a human rights and aid activist for the people of the Horn of Africa. Valerie's work led her back to Africa again and again, involving her – at considerable risk to herself – in the armed liberation conflicts of the region. Even as she discovered brutality and corruption at the heart of these political movements, she also found love, marrying Ismael Ali Gardo, whose people, the Afar, roamed Ethiopia, Eritrea and the Sudan as nomadic herdsmen. Ismael's life mission was to help the Afar – desperately poor, uneducated, landless, and the victims of oppression in every country they once roved freely. Soon it became Valerie's too, as she embraced their culture and threw herself into their cause. In one of the most inhospitable landscapes on earth, Valerie and Ismael have waged an incredible struggle, bringing health and education to a people who would otherwise have nothing. Valerie's story is both an astonishing adventure and a testament to how determination and passion can achieve extraordinary things.

    His novels have been twice shortlisted for the Man Booker International Prize and have been described as “beautiful” (Salman Rushdie), “brutally satiric” (Uzodinma Iweala), containing “fireworks on every page” (Los Angeles Review of Books), and “vividly colloquial, mischievous and outrageous” (Marina Warner).Mabanckou’s riotous new novel, The Death of Comrade President, returns to the 1970s milieu of his awarding-winning novel Black Moses, telling the story of Michel, a daydreamer whose life is completely overthrown when, in March 1977, just before the arrival of the rainy season, Congo’s Comrade President Marien Ngouabi is brutally murdered. Thanks to his mother’s kinship with the president, not even naive Michel can remain untouched. And if he is to protect his family, Michel must learn to lie.Moving seamlessly between the small-scale worries of everyday life and the grand tragedy of postcolonial politics, Mabanckou explores the nuances of the human soul through the naive perspective of a boy who learns the realities of life—and how much must change for everything to stay the same.

    His skin seared from years in the African desert, he claimed to have been a guest of the King of Timbuctoo.Thought of an American claiming anything let alone the greatest prize in exploration was abhorrent in the extreme. Closing ranks against their unwelcome American guest, the British Establishment lampooned his tale, and began a campaign of discrediting him, one that continues even today.An astonishing tale based on true-life endurance, Tahir Shah s epic novel Timbuctoo brilliantly recreates the obsessions of the time, as a backdrop for one of the greatest love stories ever told.Timbuctoo will be released on July 5, 2012. This is a limited edition hardback, very very high spec, and designed along the lines of the travel books of two centuries ago. It weighs 2 kilos (almost 4.5 lbs), has fabulous marbled endpapers, a silk bookmark, a pouch at the rear with inserts, and six huge fold-out maps. The paper is wood-free, and the cover embossed with raised gold type.In addition, each copy contains the clues needed to begin a treasure hunt that could result in locating one of four golden treasures of Timbuctoo. The book is a thing of extraordinary beauty, and the kind of book that will last two hundred years or more.

    If you ever wanted to know what words like alienation and commodity fetishism and surplus value mean, this is the commodity for you.

    The narrative begins in Addis Ababa, Ethiopia, when twin boys, Shiva and Marion, are born to a nun (who dies) and a surgeon (who runs away). The babies, conjoined at the head, are successfully separated immediately after birth. The original conjoinment and separation of the boys becomes the operating theme of the novel and we are given situation after situation in which to consider the concepts of fusion and partition. Bookclub-in-a-Box looks at all that Verghese provides: history (Ethiopia and Eritrea), medicine (blood and liver disease), psychology (the search for identity), sociology (human relationships) and philosophy (of both science and religion). The narrative's real facts and descriptions are especially interesting for their thematic implications. Every Bookclub-in-a-Box printed discussion guide includes complete coverage of the themes and symbols, writing style, and interesting background information on the novel and the author.

    It was shortly before 19h00 when Don Steenkamp jumped out of the vehicle and ran into the station’s charge office, covered in blood, to announce that his parents and sister had been brutally shot and killed on the family farm, Naauwhoek. Although the killings were initially thought to be just another farm attack, months later a sixteen-year-old youth was arrested for the murders, setting in motion a chain of events that would grip South Africa, and divide the people of Griekwastad.Based on interviews with all the role-players, including the investigating officers on the case, the forensic and ballistic experts, and family and friends of the deceased, this is the riveting account of what really happened on Naauwhoek farm on that fateful day, as told by the reporter who followed the case from day one…

    In prose that is, at once, both clear-eyed and full of acerbic wit, Sanghera shows how our past is everywhere: from how we live to how we think, from the foundation of the NHS to the nature of our racism, from our distrust of intellectuals in public life to the exceptionalism that imbued the campaign for Brexit and the government's early response to the Covid crisis. And yet empire is a subject, weirdly hidden from view.The British Empire ran for centuries and covered vast swathes of the world. It is, as Sanghera reveals, fundamental to understanding Britain. However, even among those who celebrate the empire there seems to be a desire not to look at it too closely - not to include the subject in our school history books, not to emphasize it too much in our favourite museums.At a time of great division, when we are arguing about what it means to be British, Sanghera's book urges us to address this bewildering contradiction. For, it is only by stepping back and seeing where we really come from, that we can begin to understand who we are, and what unites us.

    A young writer uncertain of what he wants to say, the man moves through tableaus of life in one of the most dynamic cities in the world: he hears the muezzin's call to prayer in the early morning light, and listens to John Coltrane during the late afternoon heat. He witnesses teenagers diligently perpetrating e-mail frauds from internet cafes, longs after a woman reading Michael Ondaatje on a public bus, and visits the impoverished National Museum. Along the way, he reconnects with old school friends and his family, who force him to ask himself profound questions of personal and national history. Over long, wandering days, the narrator compares present-day Lagos to the Lagos of his memory, and in doing so reveals changes that have taken place in himself.