Who like to read. Who take satisfaction in their work. Who are resolutely kind. Leonard and Hungry Paul is the story of two friends trying to find their place in the world. It is about the uncelebrated people of this world. And it asks a surprisingly enthralling question: Can kind people change the world?

    It is October 23, 2018, and they are expecting Maurice’s estranged daughter (or is she?), Dilly, to either arrive on a boat coming from Tangier or depart on one heading there. This nocturnal vigil will initiate an extraordinary journey back in time to excavate their shared history of violence, romance, mutual betrayals and serial exiles, rendered with the dark humor and the hardboiled Hibernian lyricism that have made Kevin Barry one of the most striking and admired fiction writers at work today.

    When he arrives at Clonliffe Seminary in the 1970s, it is a time in Ireland when priests are highly respected, and Odran believes that he is pledging his life to "the good."Forty years later, Odran's devotion is caught in revelations that shatter the Irish people's faith in the Catholic Church. He sees his friends stand trial, colleagues jailed, the lives of young parishioners destroyed, and grows nervous of venturing out in public for fear of disapproving stares and insults. At one point, he is even arrested when he takes the hand of a young boy and leads him out of a department store looking for the boy's mother.But when a family event opens wounds from his past, he is forced to confront the demons that have raged within the church, and to recognize his own complicity in their propagation, within both the institution and his own family.A novel as intimate as it is universal, A History of Loneliness is about the stories we tell ourselves to make peace with our lives. It confirms Boyne as one of the most searching storytellers of his generation.

    ?Shortlisted for the 2021 An Post Irish Book Awards Eason Novel of the Year...A darkly funny, gripping and profoundly moving novel about a life spinning out of control, a life live without the bedrock of familial love, and the corruption of material wealth that tears at the soul. ‘It was my father’s arrest that brought me here, although you could certainly say that I took the scenic route.’Here is rehab, where Ben – the only son of a rich South Dublin banker – is piecing together the shattered remains of his life. Abruptly cut off, at the age of 27, from a life of heedless privilege, Ben flounders through a world of drugs and dead-end jobs, his self-esteem at rock bottom. Even his once-adoring girlfriend, Clio, is at the end of her tether.  Then Ben runs into an old school friend who wants to cut him in on a scam: a shady property deal in the Balkans. The deal will make Ben rich and, at one fell swoop, will deliver him from all his troubles: his addictions, his father’s very public disgrace, and his own self-loathing and regret. Problems solved. But something is amiss. For one thing, the Serbian partners don’t exactly look like fools. (In fact they look like gangsters.) And, for another, Ben is being followed everywhere he goes. Someone is being taken for a ride. But who?

    She crafts beautiful, handmade wooden dolls in her workshop in a sleepy seaside town. Every doll is special. Every doll has a name. And every doll has a hidden meaning, from a past Mona has never accepted.Each new doll takes Mona back to a different time entirely - back to Birmingham, in 1972. Back to the thrill of being a young Irish girl in a big city, with a new job and a room of her own in a busy boarding house. Back to her first night out in town, where she meets William, a gentle Irish boy with an easy smile and an open face. Back to their whirlwind marriage, and unexpected pregnancy. And finally, to the tragedy that tore them apart.

    Brothers Hart and Cormac Black are waking up to a very different Ireland – one that widens the chasm between them and brings their beloved father to his knees. Facing a devastating choice that risks their livelihood, if not their lives, their biggest danger comes when there is nothing to lose. A sharp snapshot of a family and a nation suddenly unmoored, this epic-in-miniature explores cowardice and sacrifice, faith rewarded and abandoned, the stories we tell ourselves and the ones we resist. Hilarious, poignant and utterly fresh, The Wild Laughter cements Caoilinn Hughes' position as one of Ireland's most audacious, nuanced and insightful young writers.

    As her daughter Norah retraces her mother’s celebrated career and bohemian life, she delves into long-kept secrets, both her mother’s and her own.Katherine began her career on Ireland’s bus-and-truck circuit before making it to London’s West End, Broadway, and finally Hollywood. Every moment of her life is a star turn, with young Norah standing in the wings. But the mother-daughter romance cannot survive Katherine’s past or the world’s damage. With age, alcohol, and dimming stardom, her grip on reality grows fitful and, fueled by a proud and long-simmering rage, she commits a bizarre crime.Her mother’s protector, Norah understands the destructive love that binds an actress to her audience, but also the strength that an actress takes from her art. Once the victim of a haunting crime herself, Norah eventually becomes a writer, wife, and mother, finding her way to her own hard-won joy. Actress is a book about the freedom we find in our work and in the love we make and keep.

    They both still live in the family's crumbling Irish mansion, communicating only through the terse and bitter notes they leave for each other in the hallway. But when their way of life is suddenly threatened by bankruptcy, Ella tries to save their home by opening a café in the ballroom – much to Roberta's disgust.As the café begin to thrive, the sisters are drawn into a new battle when Debbie, an American woman searching for her birth mother, starts working at the Ballroom Café. Debbie has little time left but as she sets out to discover who she really is and what happened to her mother, she is met by silence and lies at the local convent. Determined to discover the truth, she begins to uncover an adoption scandal that will rock both the community and the warring sisters.Powerful and poignant, The Secrets of Roscarbury Hall is a moving story of love lost and found.

    In the title story, a teenage girl must choose between allegiance to her Catholic father and gratitude to the British soldiers who have saved the family's horse. The young hero of Hunger Strike, a novella, tries to replicate the experience of his uncle, an IRA prisoner on hunger strike. And in Wood, a small boy does his part for the Protestant marches, concealing his involvement from his blind father.

    Though skilled at bookkeeping, she cannot find a job in the miserable Irish economy. When an Irish priest from Brooklyn offers to sponsor Eilis in America--to live and work in a Brooklyn neighborhood "just like Ireland"--she decides she must go, leaving her fragile mother and her charismatic sister behind.Eilis finds work in a department store on Fulton Street, and when she least expects it, finds love. Tony, a blond Italian from a big family, slowly wins her over with patient charm. He takes Eilis to Coney Island and Ebbets Field, and home to dinner in the two-room apartment he shares with his brothers and parents. He talks of having children who are Dodgers fans. But just as Eilis begins to fall in love with Tony, devastating news from Ireland threatens the promise of her future.

    Together they set out to conquer Dublin and the world. Under the big city’s bright lights, they spin their lives into a whirl of comic and touching misadventures, wild flirtations, and reckless passions. But love changes everything. And as their lives take unexpected and separate turns, Baba and Kate must ultimately learn to go it alone.A beautiful portrait of the pain and joy of youth, the ruin of marriage gone wrong, and the ache of lost friendship and love, this trilogy of Edna O’Brien’s remarkable early novels is more than just a harbinger of the stunning and masterly writer she has become.

    Annie Proulx) whose “melancholy beauty resonates with the deepest truths” (Boston Globe).

    Now they are on the brink of the inevitable.Sally Rooney is one of the most acclaimed young talents of recent years. With her minute attention to the power dynamics in everyday speech, she builds up sexual tension and throws a deceptively low-key glance at love and death.

    Travelling with him is a secret passenger - his daughter. Twenty-something, unkempt, off the rails.With a week on the road together, father and daughter must restore themselves and each other, and repair a relationship that is at once fiercely loving and deeply scarred.As they journey south, down the motorways, through the service stations, a devastating picture reveals itself: a story of grief, of shame, and of love in all its complex, dark and glorious manifestations.______________PRAISE FOR WE ARE NOT IN THE WORLD:'Wonderful, wrenching . . . full of enormous feelings very precisely rendered' Sara Baume'A whirlpool of memories, regrets and hopes' Tim Pears'An uncanny ability to turn the seemingly insignificant into something monumental' Jan Carson'Unusual, utterly original and mysterious . . . definitely a 2020 must read' Elaine Feeney

    Walter Macken paints a memorable portrait of the hard life of subsistence farming, of loveless arranged marriages, and of rebellion against suffocating social mores.