Asked to write a memoir, she turned in this paranoid fantasia of rising floodwaters, walking corpses, eerie depictions of her very own parents, and the incessant reappearance of women in green. Just who are these green women? They are powerful (one was NDiaye’s disciplinarian grade-school teacher). They are mysterious (one haunts a house like a ghost and may be visible only to the author). They are seductive (one stole a friend’s husband). And they are unbearably personal (one is NDiaye’s own mother). They are all, in their way, aspects of their creator, at once frightening, menacing, and revealing of everything submerged within the consciousness of this singular literary talent. A courageous, strikingly honest, and unabashedly innovative self-portrait, NDiaye’s kaleidoscopic look at the women in green is a revelation to us all — about how we form our identities, how we discover those things we repress, and how our obsessions become us.

    --from Coma The novelist and playwright Pierre Guyotat has been called the last great avant-garde visionary of the twentieth century, and the near-cult status of his work--because of its extreme linguistic innovation and its provocative violence--has made him one of the most influential of French writers today. He has been hailed as the true literary heir to Lautr?amont and Arthur Rimbaud, and his "inhuman" works have been mentioned in the same breath as those by Georges Bataille and Antonin Artaud.Winner of the 2006 prix D?cembre, Coma is the deeply moving, vivid portrayal of the artistic and spiritual crisis that wracked Guyotat in the 1980s when he reached the physical limits of his search for a new language, entered a mental clinic, and fell into a coma brought on by self-imposed starvation. A poetic, cruelly lucid account, Coma links Guyotat's illness and loss of subjectivity to a broader concern for the slow, progressive regeneration of humanity. Written in what the author himself has called a "normalized writing," this book visits a lifetime of moments that have in common the force of amazement, brilliance, and a flash of life. Grounded in experiences from the author's childhood and his family's role in the French Resistance, Coma is a tale of initiation that provides an invaluable key to interpreting Guyotat's work, past and future.

    Le Clézio, revelation of the literary year" ran the headline of the Paris Express after last year's prizes had been awarded. The Goncourt jury was locked five to five until its president used his double vote to give the prize to the older candidate. Ten minutes later the Renaudot jury elected the candidate they thought they might lose to the other prize. Most of the literary sections ran their prize news putting the Renaudot first, in order to feature the twenty-three-year-old discovery that was rocking Paris literary circles. What is The Interrogation? Most likely a myth without distinct delineations. A very solitary young man, Adam Pollo, perhaps the first man, perhaps the last, has a very remarkable interior adventure. He concentrates and he discovers ways of being, ways of seeing. He enters into animals, into a tree.... He has no business, no distractions; he is at the complete disposal of life. All of life, that is, except the society of his own species -- and so the story ends. "This is the next phase after the 'the new novel,'" wrote the critics. Kafka they said; a direct descendant of Joyce, they said. Beckett they said. Like nothing else, they said. One hundred thousand Frenchmen bought it. They said it was strange and beautiful. Finally the real voice of the young, said the critics. "I like J. D. Salinger," said Mr. Le Clézio, and that was all he said. His remarkable first book will soon be published all over the world and much more will be said.

    Taking notes on index cards as was his habit, he reflected on a new solitude, on the ebb and flow of sadness, and on modern society's dismissal of grief. These 330 cards, published here for the first time, prove a skeleton key to the themes he tackled throughout his work. Behind the unflagging mind, "the most consistently intelligent, important, and useful literary critic to have emerged anywhere" (Susan Sontag), lay a deeply sensitive man who cherished his mother with a devotion unknown even to his closest friends.

    The unnamed narrator, a teenage boy, is hit by a car whose driver he vaguely recalls having met before. The mysterious ensuing events, involving a police van, a dose of ether, awakening in a strange hospital, and the disappearance of the woman driver, culminate in a packet being pressed into the boy’s hand. It is an envelope stuffed full of bank notes. The confusion only deepens as the characters grow increasingly apprehensive; meanwhile, readers are held spellbound. Modiano’s low-key writing style, his preoccupation with memory and its untrustworthiness, and his deep concern with timeless moral questions have earned him an international audience of devoted readers. This beautifully rendered translation brings another of his finest works to an eagerly waiting English-language audience. Paris Nocturne has been named “a perfect book” by Libération, while L’Express observes, “Paris Nocturne is cloaked in darkness, but it is a novel that is turned toward the light.”

    Emotionally charged, sparsely written, and vicariously compelling, Marguerite Duras's novel centers on the desire of a young man for another man he has only glimpsed once, but with whom he falls desperately in love.

    Witch Grass (previously titled The Bark Tree) is a philosophical farce, an epic comedy, a mesmerizing novel about the daily grind that is an enchantment itself.

    

    Out of this skirmish arose a stirring tale of war, which was recorded in the oldest extant epic poem in French. The Song of Roland, written by an unknown poet, tells of Charlemagne’s warrior nephew, Lord of the Breton Marches, who valiantly leads his men into battle against the Saracens, but dies in the massacre, defiant to the end. In majestic verses, the battle becomes a symbolic struggle between Christianity and Islam, while Roland’s last stand is the ultimate expression of honour and feudal values of twelfth-century France.

    At age twelve Mellie goes to the dying town of Oât, where she enters premature adulthood and assembles a photographic and written record of her life. Enchanting, realistic, comic, tragic—all these words describe this spellbinding novel that, like all genuine fables, takes us to a world that is utterly strange and very much our own. Rose Mellie Rose is one of three novels that are the first works to appear in English by Marie Redonnet, one of France's most original new authors (the other novels are Hôtel Splendid and Forever Valley, both also available from the University of Nebraska Press). Translator Jordan Stump notes that these books "unmistakably fit together, although they have neither characters nor setting in common." In all three novels, Redonnet has said, "it is the women who fight, who seek, who create."

    It was a relationship which Gide exalted-- he termed it the central drama of his existance-- yet deliberately shrouded in mystery. This was no ordinary marriage. Madeleine Rondeaux, two years older than her cousin Andre Gide, became his wife after Gide's first visit to Algeria. In his "Journal", Gide refers to her as Emmanuele or as Em. Only in this book, written after her death and published a few months after his own death, does Gide call her by her real name and painfully reveal hte nature of their life together. In French, the book was published as "Et Nunc Manet in Te"-- from the line attributed to Virgil concerning the lost Eurydice, "and now she remains in you".All of Gide's vast work may be viewed as a confession, impelled by his need to write what he believed to be true about himself. In "Madeleine" this act of confession reaches a crowning point. It isa complex tale by a complex man about a complex relationship.

    Martin's Press, 1994). Encyclopedic in scope, with more than 800 poems, 100 photographs, a historical chronology, index of first lines, and a bibliography. The Complete Poems will be the definitive English language collection of Akhmatova for many years to come.

    Set in Louis XIII's reign, it is the moving and exciting drama of one of the finest swordsmen in France, gallant soldier, brilliant wit, tragic poet-lover with the face of a clown. Rostand's extraordinary lyric powers gave birth to a universal hero--Cyrano De Bergerac--and ensured his own reputation as author of one of the best-loved plays in the literature of the stage.This translation, by the American poet Brian Hooker, is nearly as famous as the original play itself, and is generally considered to be one of the finest English verse translations ever written.

    In the lush and vivid prose for which she has become famous, Condé has constructed a Guadeloupean wake for Francis Sancher.

    He wants work experience; he wants to see the world. But in the oppressive heat and glare of the equator, Timar doesn't know what to do with himself, and no one seems inclined to help except Adèle, the hotel owner's wife, who takes him to bed one day and rebuffs him the next, leaving him sick with desire. But then, in the course of a single night, Adèle's husband dies and a black servant is shot, and Timar is sure that Adèle is involved. He'll cover for the crime if she'll do what he wants. The fix is in. But Timar can't even begin to imagine how deep.In Tropic Moon, Simenon, the master of the psychological novel, offers an incomparable picture of degeneracy and corruption in a colonial outpost.