They are constantly in pursuit of adventure that takes them far away from their homeland of Victorian America. Intelligent, intrepid, and inquisitive, they long for discovery of that which is greater than their own world while still maintaining some sense of gentlewoman decorum. But all good trips start with a purpose and end in a final destination.

    "Don't do a headstand on a chair. Or ride on the back of a grizzly bear."

    Unable to fit in at school, she forges alliances where she can: with her housekeeper, with a pimply fellow misfit named Cynthia, and with the gorgeous Taylor, who gets her kicks out of shoplifting. Most frustrating of all is Katie's imperfect friendship with the proprietor of a local gas station, a handsome 23-year-old who shares her love of checkers but doesn't return her crush. With humour and an eye for telling detail, Berg conveys the way each uncompromising element of Katie's life ultimately offers her more than she had anticipated.Until The Real Thing Comes AlongPatty Murphy is facing that pivotal point in a woman's life when her biological clock ticks as insistently as a beating heart. Will she find Mr Right and start a family? But Patty is in love - with a man who is not only attractive and financially sound, but sensitive and warmhearted. There's just one small problem: He is also gay. Against her better judgment, and pleas from family and friends, Patty refuses to give up on Ethan. Every man she dates ultimately leaves her aching for the gentle comfort and intimacy she shares with him. But even as she throws eligible bachelors to the wayside to spend yet another platonic night with Ethan, Patty longs more and more for the consolation of loving and being loved. In the meantime she must content herself with waiting - until the real thing comes along . . .

    Will Kalia manage to save the day with his new partner? Find out in Kalia the Crow.Read how a clever headmaster forces the mighty wrestler, Malludada to bend the knee in The Man Who Sold His Moustache.Tantri’s new plan is turning the peasants against Hooja. Looks like Tantri’s dream of becoming king might finally come true in Tantri the Mantri. Shamu is a simpleton and people never stop laughing at him. Will the king be able to find him a solution? Find out in Shamu Saves His Head .

    In The Happy Journey to Trenton and Camden, four kitchen chairs represent an automobile and a family travels seventy miles in twenty minutes. And in Pullman Car Hiawatha, we board an imaginary railroad car and hear the thoughts of passengers, the populace speeding by -- even the planets above.Here are five one-act plays encompassing the full range of Thornton Wilder's theatrical vision: from the experimental to the humorous to the fantastic. As The New York Times has written, "Wilder's plays are now more than ever in rhythm with our changing habit of theatergoing....He relates the moment to eternity, seeks the infinite in the immediate, finds the universal in each grain of wheat."

    After growing up in an Irish Catholic household, he was sent to a grammar school run by priests, from which he eventually emerged unscathed. A combination of O Levels and rock ’n’ roll led him into the bowels of Manchester’s club land, where he worked alongside strippers and Chinese strongman acts while revising the War of Jenkin’s Ear.Testosterone and guilt struggled for mastery in his lapsing Catholic chest and trousers until testosterone won and, with guilt still on his back like Quasimodo’s hump, he toured the dancehalls of Northern England in a VW panel van, taking rock ’n’ roll to one-horse towns where the horse had bolted.Warm, nostalgic and very funny, Mike Harding’s memoir of his early life in post-war Manchester is as idiosyncratic and engaging as the man himself.

    He has two manuscripts but lacks the funds to publish both. His difficult decision--whether to publish his lover's memoir or the novel written by his best friend--is further complicated by the arrival of a mysterious machine that produces pages predicting the future of the play's protagonists, affecting their lives and relationships in haunting and unexpected ways. "The Violet Hour" opened on Broadway on November 6, 2003, starring Robert Sean Leonard.

    What's hiding behind those curtains on the stage? How does a huge set appear so quickly between scenes? Just two of the many questions answered in this visual compendium.

    One of his best-loved and most famous plays, it exposes the lies plaguing the family of a wealthy Southern planter of humble origins.

    I referred them to Doctor Who's Tardis.'Frank Skinner wants you to read more poetry. Wait, wait - don't stop reading. Whether you're a frequent poetry reader or haven't read any since sixth form, Frank's infectious passion for language, rhythm and metre will win you over and provide you with the basic tools you need to tackle any poem.In this short, easy-to-digest and delightful book, Frank guides us through the twists and turns of 'Pad, pad' by Stevie Smith, a short, seemingly simple poem that contains multitudes of meaning and a deceptive depth of emotion. Revel in the mastery of Stevie Smith's choice of words, consider the eternal mystery of the speaker of the poem and be moved by rhyming couplets like you never have before.Give it a go. You never know, you might even enjoy it.

    This play, first staged at the Leicester Haymarket Theatre, is based on a tenth-century Jain myth about a king who finds his queen involved with an elephant-keeper.

    No idea they’ll encounter an undiscovered tribe, rescue a drowning actress, learn jungle survival from a commando, and attend cultural ceremonies few Westerners have seen. As they find out who hooks up, who breaks up, who cracks up, and who throws up, will they fulfil Simon’s ambition to see the queen, or will they be distracted by insomniac chickens, grunting wild piglets, and the easy-going Tongan lifestyle?

    Yes, she’s thirty-three, single, and has had to work as a waitress and children’s party entertainer since her social worker salary suffered from budget cuts, but she stays positive and manages to pay the mortgage on her flat. Her home is her sanctuary – until Tom moves in downstairs. Lucy and Tom quickly fall in love and into a serious relationship, which is complicated by Tom’s recent separation from his wife, who he has two young sons with. Lucy is heartbroken when Tom breaks up with her, saying that something has to give in his busy life. Encouraged/coerced/badgered by her friends into getting ‘back on that horse’, Lucy finds herself at a tacky Singles Night; dating Danny, a Justin Timberlake impersonator; and attempting a rendezvous with her ‘special friend’. Lucy’s quest to move on from Tom would be a whole lot easier if she didn’t have to hear everything he does. After all, how on earth do you get over someone when you can hear them peeing? Him Downstairs is relatable Chick Lit for readers 18+ who have dipped their toe into the world of modern dating and relationships. It contains adult language and humour, and is written in ‘British English’.

    This edition contains substantial excerpts from the original four-act version which was never produed, as well as the full test of the final three-act version, selections from Wilde's correspondence, and commentary by George Bernard Shaw, Max Beerbohm, St. John Hankin, and James Agate.

    She rejects the outside world and embarks on a contented existence of isolated self-indulgence. But when her nice neighbours Fred and Geraldine introduce her to the roguishly desirable actor Finbar Flynn the walls of the citadel begin to crack . . .