Discovered by the police, Bincy is taken to an orphanage, where she learns that Mama is not the only person who doesn't want her. In truth, nobody wants her, and Bincy is forced to cling to the orphanage bully Mae for comfort. As the years pass, Mae forces Bincy to do everything she demands, from picking on the younger girls to giving up her meager allotment of food. When Bincy is betrayed by Mae, she's sent to work in a manor house as a scullery maid. That's where Bincy meets two young men: Judd, the street urchin who comes into the cellar to scavenge for food, and Henry, the charismatic young master of the house. Despite Judd's warnings, Bincy finds herself falling for Henry. But when Henry demands more from her than she's willing to give, Bincy has to make a choice: give herself to him or face her greatest fear of being alone and discarded once more.

    Her father has gone to bring home a son missing because of the war. Loyal servants give her support and comfort and are at her side when she learns of her father’s death. She promises to fulfill her father’s dream but someone doesn’t want her to, the one person she should be able to trust. He sets out to defeat her until another man, a Northern stranger, comes to her aid.

    After all, it's 1825 and this is the land of opportunity!

     Geneva Snow commits the unforgivable Southern sin. No longer the apple of her father’s eye, she is a pariah, defying her society's most sacrosanct rule. To protect her—and hoping for a change of heart—her shattered yet steadfast father hides her at Cairnaerie, his mountain estate. But his iron-willed daughter is unrepentant. After years of solitude, an older and wiser Geneva is finally mellowing, and she is desperate to leave a legacy worthy of the father she loved and lost. To that end, she engages an unwitting young history professor for help to escape Cairnaerie long enough to attend the wedding of her granddaughter—a girl dangerously unaware of her lineage. But when a postman’s malevolence and a colleague’s revenge converge, Geneva's long-kept secret is exposed. For a second time, she faces a calamity of her own making. Only this time, there is no place to hide.

    

    The British government called the famine an act of God. The Irish called it genocide. By any name the famine caused the death of over one million men, women, and children by starvation and disease. Another two million were forced to flee the country. With the famine as a backdrop, this is a story about two families as different as coarse wool and fine silk. Michael Ranahan, the son of a tenant farmer, dreams of breaking his bondage to the land and going to America. The passage money has been saved. He’s made up his mind to go. And then—the blight strikes and Michael must put his dream on hold. The landlord, Lord Somerville, is a compassionate man who struggles to preserve a way of life without compromising his ideals. To add to his troubles, he has to deal with a recalcitrant daughter who chafes at being forced to live in a country of “bog runners.”In The Time Of Famine is a story of survival. It’s a story of duplicity. But most of all, it’s a story of love and sacrifice.

     A new Tudor monarch has just been crowned: a handsome, energetic king. His court, so different from his father’s, is a glamorous, seductive magnet to ambitious young noblemen from across the country. One such man is Julian Allard who has fled a monastic life in Northumberland to seek love, fame and fortune at the court of Henry VIII. But when his beloved marries another and the King proves to be a temperamental master, Julian’s idyllic life at court begins to fall apart. Dismissing the advice of friends and the wise heads around him, he finds himself on a path to self-destruction, believing only in the dark prophesy of a fortune teller. Cloisterman is powerful Tudor chronicle from a master storyteller. Juliet Dymoke’s portrayal of life at the court of Henry VIII at an exciting time of intellectual and artistic promise, is compelling, moving and utterly convincing.

    Extensively researched and compellingly told, it introduces us to the passionate drama and violent upheaval of eleventh-century Europe. The world as we know it, and the English language, would have been vastly different were it not for the driving ambition of one man: William the Conqueror. But conquerors are made, not born, and William was made in fire and blood. How does a boy become a man, surviving a tumultuous and terrifying childhood? And how does that man become a legend? William Rising plunges us into this world of danger and betrayal, of choosing sides and dying for absolutes. It follows the creation of a conqueror, as he grows up abandoned, learns to fight at an early age for anything he hopes to keep, and is sculpted into a remorseless, far-sighted, ruthlessly efficient soldier and statesman. From his origins as an orphaned, penniless bastard boy, to his personal and political trials by fire, to the climactic battle with his rebellious barons where he finally comes of age, the young duke increasingly establishes himself as a force to be reckoned with. But as the shadowy intrigues of English politics, and the all-consuming question of an heir for a childless king, begin to draw him into their web, it may just be that William of Normandy has a destiny far greater than even he has ever dreamed.

    From the courageous struggle of the Hungarian revolution, to the dramatic strife of the civil rights movement in Mississippi…from Israel’s heroic fight for freedom, to the eve of the Six-Day War…Leah’s children confronted their own convictions and desires in an ever-changing world fraught with danger, idealism, and betrayal. Their uncompromising search for love and fulfillment carried them into dangerous emotional territory—where only the strength, courage, and imagination inherited from their mother could lead them to their own triumphant destinies.

    Olivia, Nick, their two little girls, and Charlie still live in the old boarding house. It has been nine years since Mourning left Olivia. Nine years since the last time she saw him – though he has always arranged to have Charlie with him for a few weeks each year.But today Olivia is anxiously awaiting Mourning’s arrival. Yesterday he sent a message with Michelle – he needs to talk with Olivia. Why now? What will he say? Does he intend to take Charlie for good?On this already emotionally-charged day, a cryptic telegram from Missouri arrives. It will take Olivia, Mourning, and Nick on a different kind of journey together.Historical Fiction, Women's Fiction, Literary Fiction

    It is a dark and cruel place for the workers on this farm. The master, Archie McLachlan, causes fear to run through the hearts of the slaves, except for one woman who speaks up deliberately and without fear whenever she wishes. Her name is Soola, and she fast becomes leader of the slaves and friend to the master's wife Gertrude. The friendship forms a triangle of competition, love, and hatred as "Massa Archie" becomes more and more dangerous, even towards his own son Robert and Soola's son John, even to a point where Soola begins to understand the meaning of fear. But, together, the leaders of the second generation can look for a future where hope might overcome fear.Thus, this story, Part One of a four-part series, not only recounts the family's beginnings at the Inveraray/Dogwood Plantation, but also introduces the second generation, who will appear again in the ensuing volumes. Slavery, the corruption caused by slavery, its close companions, race bigotry and injustice, and the laws and bitter politics that result from them, are featured and discussed throughout. While, in the foreground, the unique relationship between mistress and slave and their respective descendants triggers a wide-sweeping story of love, conflict, heartbreak, and forgiveness.

    The war ends, and Lexie awaits his return. Other soldiers are making it home, but Reese is missing. She leaves New Orleans and travels back to Azalea Plantation in Vicksburg, Mississippi, to await his return, busying herself with restoring the plantation after the war. Lexie clings to faith and hope and refuses to give up on Reese even though she's heard the stories about prisoners-of-war and the explosion of the Sultana. The family decides to visit Azalea Plantation. Will it be for a funeral or a wedding? Reese has still not shown when they are all gathered together. Is it possible for a country to be restored like a plantation home?

     1098. The crusader army still stands outside Antioch. Starving. Deserting. An enemy force, led by Kerbogha of Mosul, is days away from relieving the walled city. Bohemond of Taranto calls upon the English knight, Edward Kemp, to meet with an agent, who is willing to provide the Norman prince with access to Antioch. But Bohemond is not alone in wishing to capture and lay claim to the prize. Edward must contend with enemies in his own camp. Should the knight's mission fail, then so may the entire campaign. Antioch must fall. Recommended for fans of Bernard Cornwell, Michael Jecks and Conn Iggulden. Siege is the first book in a new series, set during the First Crusade, by bestselling historical novelist Richard Foreman. Author Bio: Richard Foreman is the bestselling author of numerous historical series set during the Roman Republic and Roman Empire, including the Augustus Caesar books, Sword of Empire and Sword of Rome. He is also the author Warsaw, Raffles: The Complete Innings and Band of Brothers, a series charting the story of Henry V and the Agincourt campaign. Richard writes modern thrillers too, under the pseudonym of Thomas Waugh. He is a judge for the HWA Crowns and the founder of the London History Festival. He lives in London. Praise for Richard Foreman's Books. Spies of Rome. "A masterful and evocative depiction of a fledgling imperial Rome fraught with intrigue and at war with itself. The story and characters are as striking as the graffiti that adorns the violent city’s walls during Augustus' rise." Steven Veerapen, author of The Abbey Close. "An arresting opening that leads into a thoroughly gripping story. Impressive research and understanding of the period allows Richard Foreman to move so seamlessly and effectively from historical epic to historical detective thriller. A must read for fans of Steven Saylor." Peter Tonkin, author of The Ides. Augustus: Son of Rome ‘Augustus: Son of Rome forges action and adventure with politics and philosophy. This superb story is drenched in both blood and wisdom - and puts Foreman on the map as the coming man of historical fiction’. Saul David, Author of the Zulu Hart series. Raffles: The Complete Innings. ‘Classy, humorous and surprisingly touching tales of cricket, friendship and crime.’ David Blackburn, The Spectator. Band of Brothers: The Complete Campaigns. 'Escapism at its best... A great read that tells much about the style of war and how the individuals fought.' Michael Jecks 'A rattling good yarn, requiring only the minimum of suspension of belief, and leaves one eagerly anticipating the next instalment of the adventures of the team as they accompany the King to Harfleur.' Major Gordon Corrigan, author of A Great and Glorious Adventure: A Military History of the Hundred Years War. Warsaw.

     It is the day before Empire Day – 4th July - the day each year when the British Empire marks the brutal crushing of the rebellion dignified by the treachery of the fifty-six delegates to the Continental Congress who were so foolhardy as to sign the infamous Declaration of Independence in Philadelphia on that day of infamy in 1776. It is nearly two hundred years since George Washington was killed and his Continental Army was destroyed in the Battle of Long Island and now New England, that most quintessentially loyal and ‘English’ imperial fiefdom – at least in the original, or ‘First Thirteen’ colonies - is about to celebrate its devotion to the Crown and the Old Country, of which it still views, in the main, as the ‘mother country’. Yet all is not roses. Since 1776 in a world of empires the British Empire has grown and prospered until now, it stands alone as the ultimate arbiter of global war and peace. The Royal Navy has enforced the global Pax Britannia for over a century since the World War of the 1860s established a lasting but increasingly tenuous ‘peace’ between the great powers. Nonetheless, while elsewhere the Empire may be creaking at the seams, struggling to come to terms with a growing desire for self-determination; thus far the Pax Britannica has survived – buttressed by the commercial and industrial powerhouse of New England stretching from the Atlantic to the Pacific North West - intact for all that barely a year goes by without the outbreak of another small, colonial war somewhere... This said, the British ‘Imperial System’ remains the envy of its friends and enemies alike and nowhere has it been so successful as in North America, where peace and prosperity has ruled in the vast Canadian dominions and the twenty-nine old and recent colonies of the Commonwealth of New England for the best part of two centuries. In Whitehall every British government in living memory has complacently based its ‘American Policy’ on the one immutable, unchanging fact of New England politics; that the First Thirteen colonies will never agree with each other about anything, let alone that the sixteen ‘Johnny-come-lately’ new (that is, post-1776) colonies, protectorates, territories and possessions which comprise half the population and eight-tenths of the land area of New England, should ever have any say in their affairs! New England is a part of England and always will be because, axiomatically, it will never unite in a continental union. Notwithstanding, in the British body politic the myths and legends of that first late eighteenth-century rebellion in the New World still touches a raw nerve in the old country, much as in former epochs memories of Jacobin revolts, Oliver Cromwell and the Civil War still harry old deep-seated scars in the national psyche. Empire Day might not have originally been conceived as a celebration of the saving of the first British Empire and but as time has gone by it has come to symbolise the one, ineluctable truth about the Empire: that New England is the rock upon which all else stands, an empire within an empire that is greater than the sum of all the other parts of the great imperium ruled from London. In past times a troubling question has been whispered in the corridors of power in London: what would happen to the Empire – and the Pax Britannica – if the British hold on New England was ever to be loosened? Generations of British politicians have always known that if the question was ever to be asked again in earnest it has but one answer.

    The two sisters have their own secrets, hiding difficult childhoods yet still maintaining an air of superiority and righteousness with those around them. Living with them is their brother, Saville, an adult but with the mind of a seven year old. The little girl’s arrival soon turns their world upside down. Great plans are laid for their good-looking, headstrong niece. Harris is going to marry well. Everything changes when World War Two breaks out. Harris falls in love with a man who only has his own interests at heart. She scandalises and disgraces her family with her obsessive behaviour, making herself a laughing stock in the close-knit town. But Harris is not to be put down. She begins to build a successful business with the support of her aunts and her close friend, Bonny. She eventually meets and agrees to marry the respectable local solicitor to the happiness of her aunts, but at the altar, she hears her lost love enter the church…. And once again, she shows her true colours. When tragedy strikes, Harris fights to regain respectability in the eyes of those who care for her but has Harris learned any lessons from her obsessive past…?