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    This new edition specifically features three new care plans, two expanded care plans, updated content and language reflecting the most current clinical practice and professional standards, enhanced QSEN integration, a new emphasis on interprofessional collaborative practice, an improved page design, and more. It's everything you need to create and customize effective nursing care plans!

    Ladd surveys the urban landscape, excavating its ruins, contemplating its buildings and memorials, and carefully deconstructing the public debates and political controversies emerging from its past."Written in a clear and elegant style, The Ghosts of Berlin is not just another colorless architectural history of the German capital. . . . Mr. Ladd's book is a superb guide to this process of urban self-definition, both past and present."—Katharina Thote, Wall Street Journal"If a book can have the power to change a public debate, then The Ghosts of Berlin is such a book. Among the many new books about Berlin that I have read, Brian Ladd's is certainly the most impressive. . . . Ladd's approach also owes its success to the fact that he is a good storyteller. His history of Berlin's architectural successes and failures reads entertainingly like a detective novel."—Peter Schneider, New Republic"[Ladd's] well-written and well-illustrated book amounts to a brief history of the city as well as a guide to its landscape."—Anthony Grafton, New York Review of Books

    Writing as events transpired, he recorded the mystery and tension as the Germans deployed on the Soviet frontier in June 1941. Then a firestorm broke loose as the Wehrmacht tore across the front, forging into the primitive vastness of the East. During the Kiev encirclement, Roth's unit was under constant attack as the Soviets desperately tried to break through the German ring. At one point, after the enemy had finally been beaten, a friend serving with the SS led him to a site where he witnessed civilians being massacred en masse (which may well have been Babi Yar). After suffering through a horrible winter against apparently endless Russian reserves, his division went on the offensive again, this time on the northern wing of "Case Gelb," the German drive toward Stalingrad.In these journals, attacks and counterattacks are described in "you are there" detail, as Roth wrote privately, as if to keep himself sane, knowing that his honest accounts of the horrors in the East could never pass through Wehrmacht censors. When the Soviet counteroffensive of winter 1942 begins, his unit is stationed alongside the Italian 8th Army, and his observations of its collapse, as opposed to the reaction of the German troops sent to stiffen its front, are of special fascination.Roth’s three journals were discovered many years after his disappearance, tucked away in the home of his brother, with whom he was known to have had a deep bond. After his brother’s death, his family discovered them and quickly sent them to Rosel, Roth’s wife. In time, Rosel handed down the journals to Erika, Roth’s only daughter, who had meantime immigrated to America.Hans Roth was doubtlessly working on a fourth journal before he was reported missing in action in July 1944 during the battle known as the Destruction of Army Group Center. Although Roth’s ultimate fate remains unknown, what he did leave behind, now finally revealed, is an incredible firsthand account of the horrific war the Germans waged in Russia.

    . .A classic and influential story, Emil and the Detectives remains an enthralling read.

    There he sought anonymity, taking an apartment in a run-down district with his sometime collaborator Iggy Pop, another refugee from drugs and debauchery, while they explored the city and its notorious nightlife. In this intensely creative period, Bowie put together three classic albums -- Low, "Heroes", and Lodger -- with collaborators who included Brian Eno, Robert Fripp, and Tony Visconti. He also found time to produce two albums for Iggy Pop--The Idiot and Lust For Life--and to take a leading role in a movie, the ill-starred Just A Gigolo. Bowie In Berlin examines that period and those records, exploring Bowie's fascination with the city, unearthing his sources of inspiration, detailing his working methods, and teasing out the elusive meanings of the songs. Painstakingly researched and vividly written, the book casts new light on the most creative and influential era in David Bowie's career.

    The ideas contained in these Ninety-five Theses, which boldly challenged the Catholic Church, spread like wildfire. Within two months, they were known all over Germany. So powerful were Martin Luther’s broadsides against papal authority that they polarized a continent and tore apart the very foundation of Western Christendom. Luther’s ideas inspired upheavals whose consequences we live with today.But who was the man behind the Ninety-five Theses? Lyndal Roper’s magisterial new biography goes beyond Luther’s theology to investigate the inner life of the religious reformer who has been called “the last medieval man and the first modern one.” Here is a full-blooded portrait of a revolutionary thinker who was, at his core, deeply flawed and full of contradictions. Luther was a brilliant writer whose biblical translations had a lasting impact on the German language. Yet he was also a strident fundamentalist whose scathing rhetorical attacks threatened to alienate those he might persuade. He had a colorful, even impish personality, and when he left the monastery to get married (“to spite the Devil,” he explained), he wooed and wed an ex-nun. But he had an ugly side too. When German peasants rose up against the nobility, Luther urged the aristocracy to slaughter them. He was a ferocious anti-Semite and a virulent misogynist, even as he argued for liberated human sexuality within marriage.A distinguished historian of early modern Europe, Lyndal Roper looks deep inside the heart of this singularly complex figure. The force of Luther’s personality, she argues, had enormous historical effects—both good and ill. By bringing us closer than ever to the man himself, she opens up a new vision of the Reformation and the world it created and draws a fully three-dimensional portrait of its founder.

    In six chapters -- The Brucke Group of Artists, Northern German Expressionism, The Blaue Reiter, Rhenish Expressionism, The City and Expressionism in Vienna -- this publication deals with a specifically German artistic revolution, a phenomenon that has quite accurately been described as "the most significant German contribution to 20th century European art." Beside a number of famous names, including Beckmann, Heckel, Kandinsky, Kirchner, Kokoschka, Macke, Marc, Mueller, Nolde, Schiele, and Schmidt-Rottluff, the author also introduces several lesser-known artists, such as Campendonk, FelixMuller, Meidner, Morgner, Munter, and von Werefkin.

    But once there, he gradually immersed himself in a study of the repressive political culture of East Germany. As if to return the favor, that culture--in the form of the dreaded East German secret police, the "Stasi"--secretly began studying him. As was Stasi's practice, over the years its study produced a considerable paper trail. After the fall of the East German communist regime, a government apparatus was established to allow those targeted to see their Stasi files, and Garton Ash discovered and pored over his. He then set about to interview the people who made this gross intrusion possible, the several case officers, and the numerous regular-citizen informers. The result is nothing short of a journey into the darkest recesses of the totalitarian mind, taking its place honorably alongside 1984 and Darkness at Noon.

    So he accepts a commission to write an article about potatoes. He has some interest in the subject because of an uncle who could, remarkably, from taste alone, differentiate one species of potato from another. Since one of the authorities on the subject worked in East Berlin, our hero takes off to do some research. Rushing around the newly united city, he becomes involved in a series of madcap adventures, strange entanglements, and odd, sometimes threatening encounters. Uwe Timm spins a fascinating tale here, one filled with surprise, magic, comedy, and hope.

    Death stalks the streets of Los Angeles, targeting the most innocent of victims – and for LAPD Detective Robert Card, the next outrage may strike terrifyingly close to home.

    Brimming with simple-to-follow techniques, rituals, and exercises for accomplishing day-to-day tasks and making progress on bigger goals, Big Dreams, Daily Joys offers tips on how-to organize a productive day, overcome the urge to procrastinate, make space for creativity, and achieve a healthy work-life balance. For anyone who is tackling a creative project, running their own business, or simply trying to manage time more efficiently, this is the ultimate handbook to getting things done with clarity, joy, and positivity.

    Growing up after World War I and the collapse of the empire, Rezzori lived in a twilit world suspended between the formalities of the old nineteenth-century order which had shaped his aristocratic parents, and the innovations, uncertainties, and raw terror of the new century. The haunted atmosphere of this dying world is beautifully rendered in the pages of The Snows of Yesteryear. The book is a series of portraits—amused, fond, sometimes appalling—of Rezzori’s family: his hysterical and histrionic mother, disappointed by marriage, destructively obsessed with her children’s health and breeding; his father, a flinty reactionary, whose only real love was hunting; his haughty older sister, fated to die before thirty; his earthy nursemaid, who introduced Rezzori to the power of storytelling and the inevitability of death; and a beloved governess, Bunchy. Telling their stories, Rezzori tells his own, holding his early life to the light like a crystal until it shines for us with a prismatic brilliance

    Chancre Scolex should find reason to rejoice in Everything Can Be Beaten which, according to the author, is "based on a completely fabricated true story." Mr. Scolex devoted his time and talent to writing Everything Can Be Beaten's compelling story, as well as to designing the book's unique layout and the appearance of its complex, multi-faceted characters. Matching Mr. Scolex's devotion to quality and artistry, Mr. Scrambly supplied colorful painted illustrations. These paintings vividly depict the story of IT, a hapless creature who breaks out of his monotonous existence to explore the realms that lie outside of the only room he has ever known. Bored of a life spent beating an endless supply of kittens, IT ventures outside and discovers a world entirely new to him. Though he is at first elated to find a place full of wonder and happiness, IT soon realizes that he can never belong in this welcoming, joyful land. "Alone in paradise," he is despondent and depressed until he realizes that, indeed, everything can be beaten, even in this strange new world. Writing and layouts by Chancre Scolex (sometimes known as Jhonen Vasquez), paintings by Crab Scrambly.

    Einstein in BerlinIn the spring of 1913 two of the giants of modern science traveled to Zurich. Their mission: to offer the most prestigious position in the very center of European scientific life to a man who had just six years before been a mere patent clerk. Albert Einstein accepted, arriving in Berlin in March 1914 to take up his new post. In December 1932 he left Berlin forever. “Take a good look,” he said to his wife as they walked away from their house. “You will never see it again.”In between, Einstein’s Berlin years capture in microcosm the odyssey of the twentieth century. It is a century that opens with extravagant hopes--and climaxes in unparalleled calamity. These are tumultuous times, seen through the life of one man who is at once witness to and architect of his day--and ours. He is present at the events that will shape the journey from the commencement of the Great War to the rumblings of the next one. We begin with the eminent scientist, already widely recognized for his special theory of relativity. His personal life is in turmoil, with his marriage collapsing, an affair under way. Within two years of his arrival in Berlin he makes one of the landmark discoveries of all time: a new theory of gravity--and before long is transformed into the first international pop star of science. He flourishes during a war he hates, and serves as an instrument of reconciliation in the early months of the peace; he becomes first a symbol of the hope of reason, then a focus for the rage and madness of the right. And throughout these years Berlin is an equal character, with its astonishing eruption of revolutionary pathways in art and architecture, in music, theater, and literature. Its wild street life and sexual excesses are notorious. But with the debacle of the depression and Hitler’s growing power, Berlin will be transformed, until by the end of 1932 it is no longer a safe home for Einstein. Once a hero, now vilified not only as the perpetrator of “Jewish physics” but as the preeminent symbol of all that the Nazis loathe, he knows it is time to leave.From the Hardcover edition.