Exploring his past with humor and astounding insight, Connor reminded his fans of why they first fell in love with him on YouTube—and revealed to newcomers how he relates to his millions of dedicated followers.Now, two years later, Connor is ready to bring to light a side of himself he’s rarely shown on or off camera. In this diary-like look at his life since A Work In Progress, Connor talks about his battles with clinical depression, social anxiety, self-love, and acceptance; his desire to maintain an authentic self in a world that values shares and likes over true connections; his struggles with love and loss; and his renewed efforts to be in the moment—with others and himself.Told through short essays, letters to his past and future selves, poetry, and original photography, Note to Self is a raw, in-the-moment look at the fascinating interior life of a young creator turning inward in order to move forward.

    Valente's first full-length poetry collection, where freaks, emperors, bodhisattvas, beasts, witches, wicked stepmothers, Greek heroes, told seductively and wickedly in poem and prose, jostle and vie for supremacy . .

    She will break any rule to get what she wants . . . and she is determined to stop her younger sister from marrying Alex, Lord Wolverton, a handsome and arrogant earl who has vowed never to fall in love. A man who will do anything to possess her. To Alex's fury, the headstrong hellion presents a temptation he can't resist. He vows to make her pay dearly for her interference—with her body, her soul, and her stubborn, well-guarded heart. As Alex and Lily challenge each other at every turn, they are caught up in a white-hot desire that burns through every defence and exposes the mystery of Lily's past . . . and together they discover that love is the most dangerous game of all.

    After a period when it seemed certain he would never write poetry again, he speaks with bracing clarity about the twilit world that lies between madness and sanity, addiction and recovery. Wright negotiates the precarious transition from illness to health in a state of skeptical rapture, discovering along the way the exhilaration of love--both divine and human--and finding that even the most battered consciousness can be good company. Whether he is writing about his regret for the abortion of a child, describing the mechanics of slander ("I can just hear them on the telephone and keening all their kissy little knives"), or composing an ironic ode to himself ("To a Blossoming Nut Case"), Wright's poems are exquisitely precise. Charles Simic has characterized him as a poetic miniaturist, whose "secret ambition is to write an epic on the inside of a matchbook cover." Time and again, Wright turns on a dime in a few brief lines, exposing the dark comedy and poignancy of his heightened perception. Here is one of the poems from the collection:Description of Her EyesTwo teaspoonfuls,and my mind goeseveryone can kiss my ass now--then it's changed,I change my mind.Eyes so sad, and infinitely kind.From the Hardcover edition.

    And it's getting harder. Nightmares of a desperate desert journey have Helen waking parched, only to find her sheets damaged by dirt and dust. At school she's haunted by hallucinations of three women weeping tears of blood... and when Helen first crosses paths with Lucas Delos, she has no way of knowing they're destined to play the leading roles in a tragedy the Fates insist on repeating throughout history.As Helen unlocks the secrets of her ancestry, she realizes that some myths are more than just legend. But even demigod powers might not be enough to defy the forces that are both drawing her and Lucas together - and trying to tear them apart.

    

    The contents of Happily Ever After are as follows:-The Prince (with the two bonus chapters), Maxon’s novella-The Guard, Aspen’s novella-The Queen, Amberly’s novella-The Favorite, Marlee’s novella-Three scenes from Celeste’s POV-Lucy’s scene (bonus scene from The One)-The bonus epilogue-Where are they now?-A map-Various illustrations

    From the dust of the arena... A legend will riseThe action-packed tale of a 17-year-old warrior princess and a handsome gladiator who dared take on the Roman Republic—and gave rise to the legend of Spartacus...Roma Victrix. The Republic of Rome is on a relentless march to create an empire―an empire built on the backs of the conquered, brought back to Rome as slaves.Attia was once destined to rule as the queen and swordmaiden of Thrace, the greatest warrior kingdom the world had seen since Sparta. Now she is a slave, given to Xanthus, the Champion of Rome, as a sign of his master’s favor. Enslaved as a child, Xanthus is the preeminent gladiator of his generation.Against all odds, Attia and Xanthus form a tentative bond. A bond that will spark a rebellion. A rebellion that threatens to bring the Roman Republic to its end―and gives rise to the legend of Spartacus...

    This collection introduces a fresh and bold voice into the rich current that is emerging from young African millennial artists.

    Memorial, and later as a tribute to Walter Dean Myers, this stirring and inspirational poem is New York Times bestselling author and National Book Award finalist Jason Reynolds’s rallying cry to the young dreamers of the world.For Every One is just that: for every one. For every one person. For every one dream. But especially for every one kid. The kids who dream of being better than they are. Kids who dream of doing more than they almost dare to dream. Kids who are like Jason Reynolds, a self-professed dreamer. Jason does not claim to know how to make dreams come true; he has, in fact, been fighting on the front line of his own battle to make his own dreams a reality. He expected to make it when he was sixteen. Then eighteen. Then twenty-five. Now, some of those expectations have been realized. But others, the most important ones, lay ahead, and a lot of them involve kids, how to inspire them. All the kids who are scared to dream, or don’t know how to dream, or don’t dare to dream because they’ve NEVER seen a dream come true. Jason wants kids to know that dreams take time. They involve countless struggles. But no matter how many times a dreamer gets beat down, the drive and the passion and the hope never fully extinguish—because just having the dream is the start you need, or you won’t get anywhere anyway, and that is when you have to take a leap of faith. A pitch-perfect graduation, baby, or inspirational gift for anyone who needs to me reminded of their own abilities—to dream.

    I touch them with my quivering tongue. They are clear and salty, not dark and bloody. Another sign that I am human. What Alisa has desired for five thousand years has finally come true: She is once again human. But now she is defenseless, vulnerable, and, for the first time in centuries, emotional. As she attempts to reconcile her actions as a vampire with her new connection to humanity, she begins to understand the weight of life-and-death decisions. Can Alisa resolve her past and build a new identity, or is she doomed to repeat her fatal mistakes?

    By turns moving and witty, sharp-eyed and impressionistic, Gabbert writes with technical sophistication and keen intelligence. This is a terrific book"--Kevin Prufer.

    Includes DVD. What happens when a person loses hope and yet still has the urge to make a photograph or draw with a stick in the dirt? Kate Greenstreet would like you to read this book as if you had found it left behind on the empty bus seat next to you--a document not directly addressing the question Why do we make art, but one that notices that one does make art, despite conditions, and that one would regardless. THE LAST 4 THINGS comes with a DVD of two movies created by the author. A poem is made by composition, by putting things together, and when you read this book your hands tingle. THE LAST 4 THINGS brings craftsmanship to reverie; it turns dreaming into meaningful work. It is a serious approach to the grammar of our emotions and you do well to read it with your hands--Thomas Basboll.

    Or a prediction comes true and I couldn't do anything to stop it, so it seems like a kind of useless magic."

    It can be, as it is here, apparently as light as a feather: The Lumberjack’s Dove is, in its manner, a folktale; it is also a meditation on attachment, on loss, on transformation. Like its less humble relatives, myth and parable, it is pithy, magical, its many insights, its cautions and clarifications, unfolding in a chain of brief scenes and koan-like revelations. This is a book of unexpected lightness and buoyancy, as necessary in our tense period as the more urgent confrontations.” --Louise Gluck A boldly original and visceral debut collection from the winner of the 2017 National Poetry Series Competition, selected by Louise GluckIn the ingenious and vividly imagined narrative poem The Lumberjack’s Dove, GennaRose Nethercott describes a lumberjack who cuts his hand off with an axe—however, instead of merely being severed, the hand shapeshifts into a dove. Far from representing just an event of pain and loss in the body, this incident spirals outward to explore countless facets of being human, prompting profound reflections on sacrifice and longing, time and memory, and—finally—considering the act of storytelling itself. The lumberjack, his hand, and the axe that separated the two all become participants in the story, with unique perspectives to share and lessons to impart. “I taught your fathers how to love,” Axe says to the acorns and leaves around her. “I mean to be felled, sliced to lumber, & reassembled into a new body.”Inflected with the uncanny enchantment of modern folklore and animated by the sly shifting of points-of-view, The Lumberjack’s Dove is wise, richly textured poetry from a boundlessly creative new voice.