Jessie is just nineteen when her father passes away and her mother decides to return to her native Ireland. But Jessie, headstrong and independent, prefers to take charge of her own destiny and finds employment at a workman’s cafe, becoming the darling of the dockworkers who are fiercely protective of her.When one of her customers charms his way into her heart, Jessie becomes Mrs Conor McGonigall and soon assumes ownership of the cafe. All the pieces of her life are coming together. But when a pushy local businessman and a former employee with a grudge have other ideas, everything she has worked for is slowly chipped away. Can she find the strength to rebuild the life she wants in the face of immeasurable personal loss?‘Her debut book caused a stir among Cookson and Cox devotees, and they’ll love this. Compulsive reading’ Woman’s Weekly‘A heart-rending tale’ Gilda O’Neill‘A page-turner for all saga lovers’ Katie Fforde‘A heart-warming tale with a vividly drawn central character’ Peterborough Evening Telegraph‘Excellent and gripping . . . compelling. I am eagerly awaiting June Tate’s next offering’ Sussex Life

    She has lived with partner Ed for fifteen years and is proud of all they’ve achieved. They go out into the world separately: Ed with one eye on the future in the world of finance; Anita with one foot the past, a curator at Hampton Court Palace. This is the life she has chosen - choices that weren’t open to her mother’s generation - her dream job, equal partnership, freedom from the monotony of parenthood, living mortgage-free in a quirky old house she adores. The future seems knowable and secure.But then Anita finds herself standing in the middle of the road watching her home and everything inside it burn to the ground. Before she can come to terms with the magnitude of her loss, hairline cracks begin to appear in her perfect relationship. And returning to her childhood home in search of comfort, she stumbles upon the secret that her mother has kept hidden, a taboo so unspeakable it can only be written about.The reflection in the mirror may look the same. But everything has changed.Authentic and heartbreaking, Davis’s intoxicating new novel is an exploration of identity, not as a fixed point, but as something fragile, shape-shifting and transient

    . . Evie spent her early years left outside on the step. With a drunk for a father and a neglectful mother, all little Evie has ever craved is a safe home and a normal existence. Her young eyes had seen so much but this never tainted her spirit. If it wasn't for her best friend Gary, and friendly dog called Whisky - Evie might never have made it to the sixteenth birthday.At sixteen she meets Ken, a sweet brown-eyed boy, not much older than she is. Perhaps her fortunes have changed? But no sooner does she give over her heart, she is betrayed, not for the first time in her young life... Will Evie ever find the love and warmth she's always craved?

    Is love preordained? An old diary from when Jessie and Clare Coleman settled on the land in the 1840's provides a history of their life. But tucked between the pages is an unrequited love between Clare Coleman and a tall Native American. Does love and land come full circle? In this season of giving, will fate reach through time to give a gift of love? Andy Coyote settled into the job as foreman on the Coleman ranch. He's got custody of his thirteen month old daughter and the situation is perfect for both of them until Caroline Coleman returns home for Christmas and one of the worst blizzards in years hits the area. He's forced to accept Caroline's help to move a herd of cattle and mixed in it are several head from another ranch in the community. Cattle rustling still happens. Caroline Coleman has her dream job as a Washington, D.C., news anchor for a national broadcast, but home is in Wyoming on her family's ranch. She has everything that money can buy, but the things that she really wants can't be purchased. Raised with solid, hard working, family values, she knows her life in the spotlight isn't real. She wants a man who appreciates the ranch, loves her for who she is and not what she is, and she wants a family of her own. And she doesn't like the idea of Andy Coyote taking advantage of her grandmother.

    It can be found only in the final book of the series that made her a famous writer. But does that book exist?This absorbing novel spans the entire twentieth century, telling the moving story of a mother, her daughter, and two granddaughters, one of whom is the only person alive who knows the whereabouts of Harriet's final book. When a hospitalization brings the family back together, the mystery not only of Harriet's last book, but also of her life, hangs in the balance. Will the truth ever be known, or is Harriet's story gone forever?A multi-generational tale of long-lost love, motherhood, and family secrets, this is Baggott's most sweeping and mesmerizing novel yet.

    Liddy Horner discovers her husband, the world-famous artist Sir Edward Horner, burning his best-known painting The Garden of Lost and Found days before his sudden death.Nightingale House was the Horner family's beloved home - a gem of design created to inspire happiness - and it was here Ned painted 'The Garden of Lost and Found', capturing his children on a perfect day, playing in the rambling Eden he and Liddy made for them.One magical moment. Before it all came tumbling down...When Ned and Liddy's great-granddaughter Juliet is sent the key to Nightingale House, she opens the door onto a forgotten world. The house holds its mysteries close but she is in search of answers. For who would choose to destroy what they love most? Whether Ned's masterpiece - or, in Juliet's case, her own children's happiness.Something shattered this corner of paradise. But what?

    Nicknamed the Last Deb, she was also beautiful, spoiled, and out of control. When she agreed to marry the gorgeous young heir Douglas Fairley-Hulme, her parents breathed a sigh of relief. But within two years, rumors had begun to circulate about Athene's affair with a young salesman.Thirty-five years later, Suzanna Peacock is struggling with her notorious mother's legacy. The only place Suzanna finds comfort is in The Peacock Emporium, the beautiful coffee bar and shop she opens that soon enchants her little town. There she makes perhaps the first real friends of her life, including Alejandro, a male midwife, escaping his own ghosts in Argentina.The specter of her mother still haunts Suzanna. But only by confronting both her family and her innermost self will she finally reckon with the past--and discover that the key to her history, and her happiness, may have been in front of her all along.

    Yet through it all he has carried with him the wounds of a difficult and emotionally hollow childhood. Now an eighty-year-old widower living in comfortable seclusion in Dorset, Feathers is finally free from the regimen of work and the sentimental scaffolding that has sustained him throughout his life. He slips back into the past with ever mounting frequency and intensity, and on the tide of these vivid, lyrical musings, Feathers approaches a reckoning with his own history. Not all the old filth, it seems, can be cleaned away.Borrowing from biography and history, Jane Gardam has written a literary masterpiece reminiscent of Rudyard Kipling's Baa Baa, Black Sheep that retraces much of the twentieth century's torrid and momentous history. Feathers' childhood in Malaya during the British Empire's heyday, his schooling in pre-war England, his professional success in Southeast Asia and his return to England toward the end of the millennium, are vantage points from which the reader can observe the march forward of an eventful era and the steady progress of that man, Sir Edward Feathers, Old Filth himself, who embodies the century's fate. Old Filth was nominated for the 2005 Orange Prize.

    . . and so do the women who are drawn there.Yellow Samsonite suitcase with ivory, quilted lining, 1950s...Violet Turner had always dreamed of owning a shop like Hourglass Vintage. Though she knows the personal history behind each precious item she sells, Violet refuses to acknowledge her own past. When she is faced with the possibility of losing the store, she realizes that, as much as she wants to, she cannot save it alone.Taffeta tea length wedding gown with scooped neckline and cap sleeves, 1952...Eighteen-year-old April Morgan is nearly five months along in an unplanned pregnancy when her hasty engagement is broken. When she returns the perfect 1950s wedding dress, she discovers unexpected possibilities and friends who won't let her give up on her dreams.Orange sari made from silk dupioni with gold paisley design, 1968...Betrayed by her husband, Amithi Singh begins selling off her old clothes, remnants of her past life. After decades of housekeeping and parenting a daughter who rejects her traditional ways, she fears she has nothing more ahead for her.An engaging story that beautifully captures the essence of women's friendship and love, Vintage is a charming tale of possibility, of finding renewal and hope when we least expect it.

    Neva Bradley, a third-generation midwife, is determined to keep the details surrounding her own pregnancy—including the identity of the baby’s father— hidden from her family and co-workers for as long as possible. Her mother, Grace, finds it impossible to let this secret rest. For Floss, Neva’s grandmother and a retired midwife, Neva’s situation thrusts her back 60 years in time to a secret that eerily mirrors her granddaughter’s—a secret which, if revealed, will have life-changing consequences for them all. Will these women reveal their secrets and deal with the inevitable consequences? Or are some secrets best kept hidden?

    The third bestseller from Nihal de Silva the author of the Gratiaen prize winning 'The Road from elephant Pass'. A story involving a subversive plot to topple the Government by University students led by a messianic leader who promises to sweep away the corrupt establishment and a female journalist who joins the University.

    The story of three young women as they enter the WRNS during World War 2 and of the men,British and American with whom they find love

    She has a love life only ever centred around a bad decision and a family too complicated to explain. The one area of life that Jax has down are her friends – Clara, Omni and Alice are the loves of her life. So, when Clara announces her engagement to Ed, Jax hides all of her feelings of insecurity, and commits to becoming the perfect maid-of-honour. That is until she discovers something about Ed that will destroy everything. Panicked and irrational, Jax makes a snap decision to go on a wild mission to save her best friend from heartache. But the truth is far more complicated than Jax had imagined and that decision soon comes back to bite her . . . Perfect for fans of Emma Jane Unsworth, Caroline O’Donoghue and shows like Girls, this is a novel about the strength of female friendship and learning to accept yourself.

    One follows Joanna Aronson as she cares for her father, Clyde, during his latest struggle with cancer while butting heads with her stepmother, Brenda, a cold woman whom Joanna suspects of neglecting him and even trying to kill him. Interspersed are Joanna’s memories of growing up in suburban Baltimore with her sister and parents in the ’60s, a life that seems idyllic yet seethes with subterranean discontents. Clyde, an English teacher, dominates the family with his charisma but undermines it with his affairs, including a liaison with one of Joanna’s teenage acquaintances. Joanna’s mother, Evie, feels trapped in housewifery and longs for the fulfillment she felt as a Communist Party activist. Joanna, though drawn like Clyde to the life of the mind, feels slighted because of his wish that she had been a boy. A colleague of her father’s seduces her at age 14. Threading through the story is Clyde’s memoir of growing up with his brother, Harry, in New York’s National Hebrew Orphan Home after his father abandoned the family and his mother placed the two boys there in 1924. It’s a Dickensian story of cold, hunger, loneliness, frequent beatings, and sexual abuse, but it’s lit with friendships and intellectual ambitions. Cherubin’s bittersweet tale is an epic and indelible character study of Clyde from frightened cub to kvetching lion in winter, with overtones of King Lear and an occasional queasily incestuous vibe. She writes in evocative prose that mixes astringent reality with glowing reverie. (“I sized up the three agents,” recalls Evie of a visit from the FBI during the Joseph McCarthy era. “Cold, smug, and bored. They could not begin to understand how alive I was during the war, how urgent and meaningful my life was thanks to the CP. How engaged I was with the world… I still miss those days.”) As Joanna grapples with her clan’s vexed legacy, the author shows how both betrayal and forgiveness can propagate across generations.An alternately dark and luminous, wounded and affectionate portrait of a family in crisis.

    When they do talk: Muriel Kemp eyes my pregnant belly and tells me if I really want to succeed, I'd get rid of the baby.Driven to find out more about her curmudgeonly neighbour, Jane Cooper begins to investigate the life of Muriel, who claims to be a famous artist from Sydney's bohemian 1920s. Contemporary critics argue that legend, rather than ability, has secured her position in history. They also claim that the real Muriel Kemp died in 1936.Murderer, narcissist, sexual deviant or artistic genius and a woman before her time: Who really is Muriel Kemp?