Along the way he's followed by Manitous, spirits of the forest who comment on his plight, cajoling, taunting, and ultimately offering him a type of comfort on his difficult journey back to the place he was so brutally removed from.Written by Scotiabank Giller Prize-winning author Joseph Boyden and beautifully illustrated by acclaimed artist Kent Monkman, Wenjack is a powerful and poignant look into the world of a residential school runaway trying to find his way home.

    It includes an author's note and acknowledgments from Arn Chorn-Pond himself.When soldiers arrive in his hometown, Arn is just a normal little boy. But after the soldiers march the entire population into the countryside, his life is changed forever.Arn is separated from his family and assigned to a labor camp: working in the rice paddies under a blazing sun, he sees the other children dying before his eyes. One day, the soldiers ask if any of the kids can play an instrument. Arn's never played a note in his life, but he volunteers.This decision will save his life, but it will pull him into the very center of what we know today as the Killing Fields. And just as the country is about to be liberated, Arn is handed a gun and forced to become a soldier.

    . . Sixteen-year-old Thomas has always been an outsider. The first child born without the power of an Element—earth, water, wind or fire—he has little to offer his tiny, remote Outer Banks colony. Or so the Guardians would have him believe. In the wake of an unforeseen storm, desperate pirates kidnap the Guardians, intent on claiming the island as their own. Caught between the plague-ridden mainland and the advancing pirates, Thomas and his friends fight for survival in the battered remains of a mysterious abandoned settlement. But the secrets they unearth will turn Thomas’ world upside-down, and bring to light not only a treacherous past but also a future more dangerous than he can possibly imagine.

    The last person he wants to run into is drugged-up Colleen Minou, resplendent in ripped tights, neon miniskirt, and an impressive array of tattoos. But when Colleen climbs into the seat beside him and rests a woozy head on his shoulder, Ben has that unmistakable feeling that his life is about to change. With unsparing humor and a keen flair for dialogue, Ron Koertge captures the rare repartee between two lonely teenagers on opposite sides of the social divide. His smart, self-deprecating protagonist learns that kindred spirits may be found for the looking — and that the resolve to follow your passion can be strengthened by something as simple as a human touch.

    In stories like "Stranger Danger", we watch how shy Julie, though supported by her roomies, is filled with apprehension as she goes on her first white-guy date, while years later in "Two Years Less A Day" we witness her change as her worries and vulnerability are put to the real test when she is unjustly convicted in a violent melee and must serve some jail time. "The House and Things That Can Be Taken" establishes how the move from the city both excites and intimidate reserve youth respectively, how a young man finds a job or a young woman becomes vulnerable in the bar scene. As well as developing her characters experientially, Dumont carefully contrasts them, as we see in the fragile and uncertain Everett and the culturally strong and independent but reckless Taz.As the four friends experience family catastrophes, broken friendships, travel to Mexico, and the aftermath of the great tragedy of 9/11, readers are intimately connected with each struggle, whether it is with racism, isolation, finding their cultural identity, or repairing the wounds of their upbringing.

    Powerless to change their fortunes, they are separated, and each put into different foster homes. Yet over the years, the bond between them grows. As they each make their way in a society that is, at times, indifferent, hostile, and violent, one embraces her Métis identity, while the other tries to leave it behind. In the end, out of tragedy, comes an unexpected legacy of triumph and reclamation.In this Critical Edition, editor Cheryl Suzack has chosen ten critical essays to accompany one of the best-known texts by Canadian Aboriginal author Beatrice Culloden/Mosionier.

    One morning before school, some girl tells Piddy Sanchez that Yaqui Delgado hates her and wants to kick her ass. Piddy doesn't even know who Yaqui is, never mind what she's done to piss her off. Word is that Yaqui thinks Piddy is stuck-up, shakes her stuff when she walks, and isn't Latin enough with her white skin, good grades, and no accent. And Yaqui isn't kidding around, so Piddy better watch her back. At first Piddy is more concerned with trying to find out more about the father she's never met and how to balance honors courses with her weekend job at the neighborhood hair salon. But as the harassment escalates, avoiding Yaqui and her gang starts to take over Piddy's life. Is there any way for Piddy to survive without closing herself off or running away? In an all-too-realistic novel, Meg Medina portrays a sympathetic heroine who is forced to decide who she really is.

    And despite leaving his rough neighborhood behind, he can't escape the scorn of his former peers or the ridicule of his new classmates. Justyce looks to the teachings of Dr. Martin Luther King Jr. for answers. But do they hold up anymore? He starts a journal to Dr. King to find out.Then comes the day Justyce goes driving with his best friend, Manny, windows rolled down, music turned up—way up, sparking the fury of a white off-duty cop beside them. Words fly. Shots are fired. Justyce and Manny are caught in the crosshairs. In the media fallout, it's Justyce who is under attack.

    But the majority of Natives in North America live off the rez. How do they stay rooted to their culture? How do they connect with their community?Urban Tribes offers unique insight into this growing and often misperceived group. Emotionally potent and visually arresting, the anthology profiles young urban Natives from across North America, exploring how they connect with Native culture and values in their contemporary lives. Their stories are as diverse as they are. From a young Dene woman pursuing a MBA at Stanford to a Pima photographer in Phoenix to a Mohawk actress in New York, these urban Natives share their unique perspectives to bridge the divide between their past and their future, their cultural home, and their adopted cities.Unflinchingly honest and deeply moving, contributors explore a wide-range of topics. From the trials and tribulations of dating in the city to the alienating experience of leaving a remote reserve to attend high school in the city, from the mainstream success of Electric Pow wow music to the humiliation of dealing with racist school mascots, personal perspectives illuminate larger political issues. An innovative and highly visual design offers a dynamic, reading experience.

    The Reason You Walk spans that 2012 year, chronicling painful moments in the past and celebrating renewed hopes and dreams for the future. As Kinew revisits his own childhood in Winnipeg and on a reserve in Northern Ontario, he learns more about his father's traumatic childhood at residential school. An intriguing doubleness marks The Reason You Walk, itself a reference to an Anishinaabe ceremonial song. Born to an Anishinaabe father and a non-native mother, he has a foot in both cultures. He is a Sundancer, an academic, a former rapper, a hereditary chief and an urban activist. His father, Tobasonakwut, was both a beloved traditional chief and a respected elected leader who engaged directly with Ottawa. Internally divided, his father embraced both traditional native religion and Catholicism, the religion that was inculcated into him at the residential school where he was physically and sexually abused. In a grand gesture of reconciliation, Kinew's father invited the Roman Catholic bishop of Winnipeg to a Sundance ceremony in which he adopted him as his brother. Kinew writes affectingly of his own struggles in his twenties to find the right path, eventually giving up a self-destructive lifestyle to passionately pursue music and martial arts. From his unique vantage point, he offers an inside view of what it means to be an educated Aboriginal living in a country that is just beginning to wake up to its aboriginal history and living presence. Invoking hope, healing and forgiveness, The Reason You Walk is a poignant story of a towering but damaged father and his son as they embark on a journey to repair their family bond. By turns lighthearted and solemn, Kinew gives us an inspiring vision for family and cross-cultural reconciliation, and for a wider conversation about the future of aboriginal peoples.

    Seriously. The upper classmen used to call me Squirrel Nut, because I was little and jumpy. Then, during sophomore year, I got tall and huge and so fast the gym teachers in their tight shorts fell all over themselves. During summer, three things happened all at once. First, the pee-smelling jocks in my grade got me to work out for football, even though I had no intention of playing. Second, on my paper route the most beautiful girl I have ever seen moved in and played piano at 6 a.m. Third, my mom, who never drinks, had some wine, slept in her car, stopped weeding the garden, then took my TV and put it in her room and decided she wouldn’t get out of bed. Listen, I have not had much success in my life. But suddenly I’m riding around in a jock’s pick-up truck? Suddenly I’m invited to go on walks with beautiful girls? So, it’s understandable that when my little brother stopped playing piano and began to dress like a pirate I didn’t pay much attention. That I didn’t want to deal with my mom coming apart.

    Get a perfect score on the SATs.2. Get into HarvardYalePrinceton.3. Don't talk to boys.*Patti's parents expect nothing less than the best from their Korean-American daughter. Everything she does affects her chances of getting into an Ivy League school. So winning assistant concertmaster in her All-State violin competition and earning less than 2300 on her SATs is simply not good enough.But Patti's discovering that there's more to life than the Ivy League. To start with, there's Cute Trumpet Guy. He's funny, he's talented, and he looks exactly like the lead singer of Patti's favorite band. Then, of course, there's her love of the violin. Not to mention cool rock concerts. And anyway, what if Patti doesn't want to go to HarvardYalePrinceton after all?Paula Yoo scores big in her hilarious debut novel about an overachiever who longs to fit in and strives to stand out. The pressure is on!*Boys will distract you from your studies.

    Her best friend is ashamed to hang out with her, and she's become the focus of a schoolmate's cruelty. Determined not to be that pathetic fat girl at school, Eve struggles with a diet and forces herself to join a mentoring program. The diet only makes her food obsessed, and she feels she is failing as a mentor. How can a lonely fat girl gain the confidence she needs to succeed?

    I managed not to crash into him. I tried to look calm, cool, unperturbed. I told myself not to laugh, especially not a snorting kind of laugh. "Wha . . . what did . . ."And then he kissed me.Charlotte (Charlie to her friends) finds herself falling for a boy who is off-limits. Her best friend is in love with him, and her mother and his father are dating. Still, Charlie can't help but wonder, what would happen if we kiss?

    She is not so happy when the rumors start flying at school. Pretty soon her name is showing up on bathroom walls and everyone is snickering and sniping. When her mother gets involved, Jujube's reputation takes another hit. Deciding that someone has to take a stand, Jujube gathers all the other girls who are labelled sluts--and worse--and tries to impress on her fellow students the damage that can be done by assigning a label that reduces a person to an object.Also available in Spanish.