Founded by the charismatic Christian Perfectioniost John Humphrey Noyes, this remarkable society flourished for more than thirty years as a unique world where property was shared, men and women were equals, sex was free and open, work was to be joyous, and pleasure was felt to be "the very business that God set Adam and Eve about."

    We care about how things are made. We want to invest in our neighbor, not a distant executive. We choose to spend more for responsibly produced, locally sold, higher quality chocolate than for the Hershey bar we enjoyed a few years ago. The popularity of farmers markets, bakery bread, house concerts, craft-brewed beer, and boutique coffee shops reflects this renewed interest in important premodern ethics, but is there a deeper truth here to be discovered by people of faith? Might these distinctly earthy things possess a uniquely biblical flavor amidst a culture of automation and excess?

    When the apprentices of a Paris printing shop in the 1730's held a series of mock trials and then hanged all the cats they could lay their hands on, why did they find it so hilariously funny that they choked with laughter when they reenacted it in pantomime some twenty times? Why in the 18th century version of "Little Red Riding Hood" did the wolf eat the child at the end? What did the anonymous townsman of Montpelier have in mind when he kept an exhaustive dossier on all the activities of his native city? These are some of the provocative questions Robert Darnton attempts to answer in this dazzling series of essays that probe the ways of thought in what we like to call "The Age of Enlightenment."

    For many listeners, when this non-traditional, surprisingly feminine album was released, it was like hearing an entirely new form of music.In this book, Shawn Taylor explores the creation of the album as well as the impact it had on him at the time - a 17-year-old high-school geek who was equally into hip-hop, punk, new wave, skateboarding, and Dungeons & Dragons: all of a sudden, with this one album, the world made more sense. He has spent many years investigating this album, from the packaging to the song placement to each and every sample - Shawn Taylor knows this record like he knows his tattoos, and he's finally been able to write a fascinating and highly entertaining book about it.

    This prodigious narrative, composed by the poet Ferdowsi between the years 980 and 1010, tells the story of pre- Islamic Iran, beginning in the mythic time of Creation and continuing forward to the Arab invasion in the seventh century. As a window on the world, "Shahnameh" belongs in the company of such literary masterpieces as Dante's "Divine Comedy," the plays of Shakespeare, the epics of Homer- classics whose reach and range bring whole cultures into view. In its pages are unforgettable moments of national triumph and failure, human courage and cruelty, blissful love and bitter grief.In tracing the roots of Iran, "Shahnameh" initially draws on the depths of legend and then carries its story into historical times, when ancient Persia was swept into an expanding Islamic empire. Now Dick Davis, the greatest modern translator of Persian poetry, has revisited that poem, turning the finest stories of Ferdowsi's original into an elegant combination of prose and verse. For the first time in English, in the most complete form possible, readers can experience "Shahnameh" in the same way that Iranian storytellers have lovingly conveyed it in Persian for the past thousand years.

    Nature was the fountainhead of his inspiration and his refuge from what he considered the follies of society. Heedless of his friends’ advice to live in a more orthodox manner, he determinedly pursued his own inner bent, which was that of a poet-philosopher, in prose and verse. Carl Bode brings together the best of Thoreau’s works in The Portable Thoreau, a comprehensive collection of the writings of a unique and profoundly influential American thinker.

    But the imminent collapse of twenty years of Republican conservativism means the country is already conducting an intense self-examination about the trajectory of its history; how it came to find itself in multiple crises and how an America that began as 'the last, best hope of earth' came to be so suspected and vilified around much of the world.The American Future: A History, written by an author who has spent half his life there, takes the long view of how the United States has come to this anguished moment of truth about its own identity as a nation and its place in the world.In each of the chapters devoted to the most compelling issues facing Americans now - the projection of power ("American war") ; race, immigration and the problematic promise of e pluribus unum ("American skin"); the intensity of religious conviction in public life ("American fervour") ; the mystique of American land and its battles with the imperatives of profit ('American Plenty'- Schama traces the deep history of the present crisis.Cumulatively the chapters build into a history of American exceptionalism - the 'American difference' that means so much to its people but which has led it into calamities as well as triumphs.The American Future: A History argues that if you want to know what is truly at stake, you need to absorb these stories and understand this history - for understanding is the condition of hope.

    . .In the autumn issue of "Granta," acclaimed nature writer Barry Lopez meditates on language and seeing; poet Kathleen Jamie travels to the Alaskan wilderness; science writer Fred Pearce describes the effort to keep Sellafield safe; Adam Nicolson investigates murder in rural Romania; Robert MacFarlane introduces unpublished extracts from the notebooks of Roger Deakin; and new Australian writer Rebecca Giggs witnesses the monumental death of a stranded whale.Fiction by Ben Marcus, Ann Beattie, Deb Olin Unferth and David Szalay. Poetry by Noelle Kocot, Maureen McLane, Ange Mlinko and Andrew Motion. Photography by Helge Skodvin introduced by Audrey Niffenegger."Every way one turned the tundra was laid out like a green sea, sedgy and subtle and glinting with secret melt pools and waterways." - Kathleen Jamie

    Included are works by many famous authors, such as H.P. Lovecraft, Robert E. Howard, Clark Ashton Smith, Manly Wade Wellman, E. Hoffmann Price, Tennessee Williams, and many more—with an emphasis on great but less-well-known stories that readers may not have encountered before. "To Become a Sorcerer," by Darrell Schweitzer (included here) was a finalist for the World Fantasy Award.Included are:BOY BLUE, by Steve Rasnic TemTAP DANCING, by John Gregory BetancourtTO BECOME A SORCERER, by Darrell SchweitzerTHE GOLGOTHA DANCERS, by Manly Wade WellmanTHE DEATH OF ILALOTHA, by Clark Ashton SmithTHE SALEM HORROR, by Henry KuttnerTHE DISINTERMENT, by H.P. Lovecraft and D.W. RimelTHE SEA-WITCH, by Nictzin DyalhisVINE TERROR, by Howard WandreiTHE PALE MAN, by Julius LongWEREWOLF OF THE SAHARA, by G.G. PendarvesTRAIN FOR FLUSHING, by Malcolm JamesonTHE DIARY OF PHILIP WESTERLY, by Paul ComptonMASK OF DEATH, by Paul ErnstTHE GIRL FROM SAMARCAND, by E. Hoffmann PriceTHE MONKEY SPOONS, by Mary Elizabeth CounselmanTHE VENGEANCE OF NITOCRIS, by Tennessee WilliamsTHE NINTH SKELETON, by Clark Ashton SmithBIMINI, by Bassett MorganTHE CURSE OF YIG, by H.P. Lovecraft and Zealia BishopTHE HAUNTER OF THE RING, by Robert E. HowardTHE MEDICI BOOTS, by Pearl Norton SwetTHE LOST DOOR, by Dorothy QuickDOOM OF THE HOUSE OF DURYEA, by Earl Peirce, Jr.IN THE DARK, by Ronal KayserAnd don't forget to check out the other volumes in this series, covering science fiction, fantasy, horror, mystery, westerns, single author collections -- and much, much more! Search this ebookstore for "Wildside Megapack" to see the complete list.

    Nietzsche outlined a distinction between its two central forces: the Apolline, representing beauty and order, and the Dionysiac, a primal or ecstatic reaction to the sublime. He believed the combination of these states produced the highest forms of music and tragic drama, which not only reveal the truth about suffering in life, but also provide a consolation for it. Impassioned and exhilarating in its conviction, The Birth of Tragedy has become a key text in European culture and in literary criticism.

    Portable and reader-friendly, it makes an ideal companion for both lovers of Old Norse mythology and those new to the wisdom of this central Eddic poem wherever they may find themselves.

    Only now are we coming to a fuller appreciation of the nature and role of myth in human history. In these five lectures originally prepared for Canadian radio, Claude Lévi-Strauss offers, in brief summations, the insights of a lifetime spent interpreting myths and trying to discover their significance for human understanding. The lectures begin with a discussion of the historical split between mythology and science and the evidence that mythic levels of understanding are being reintegrated in our approach to knowledge. In an extension of this theme, Professor Lévi-Strauss analyzes what we have called “primitive thinking” and discusses some universal features of human mythology. The final two lectures outline the functional relationship between mythology and history and the structural relationship between mythology and music.

    With this book, Franken demonstrates that he owns. The frankly Democratic author's shtick reminds us how much of a free ride conservatives have gotten in the mainstream media. For instance, he really drives home the weirdness of the conservatives' preachiness about "family values" in light of Newt Gingrich's and Bob Dole's first marriages, and Rush Limbaugh's first, second and third marriages. And he has great fun with Rush's and Newt's miraculous draft deferments in a chapter where he imagines all of the great conservative "chicken-hawks" out on a Vietnam war patrol under the leadership of Ollie North.

    It’s a counterculture fusion of politics and pop, and it’s taking over a high school near you. Like the waves that came before it, it’s got passion, music, and anti-authority posturing, but more than anything else, this one has God. So what does it mean when today’s youth counterculture has a mindset more akin to Jerry Falwell’s than Abbie Hoffman’s? In RIGHTEOUS: Dispatches from the Evangelical Youth Movement, Lauren Sandler, a dynamic young journalist, reports from this junction of Evangelicalism and youth culture, traveling across the country to investigate the alternative Christian explosion. Using the grassroots modus operandi of the 1960s, these religious kids – part of the “Disciple Generation” as Sandler calls it – turn an antiauthoritarian sneer toward liberalism, feminism, pacifism, and every other hallmark of that era’s counterculture. And they’re engaging their peers with startling success, fusing pop culture, politics, and religion as they preach from the pulpit of the skate park, bar, and rock concert. Secular, liberal, and practically the embodiment of everything Evangelicalism deems unholy, Sandler travels with skateboard missionaries, hangs out with the tattooed members of a postpunk Seattle megachurch that has evolved into a self-sufficient community, camps out with a rock’n’roll antiabortion group, and gets to know the rap preachers who are merging hip-hop’s love of money with old-fashioned bible-beating fundamentalism. Much more than a mere observer, she connects with these young people on an intimate level, and the candor with which they reveal themselves to her is truly astonishing. Illuminating, often troubling, and unapologetically frank, RIGHTEOUS introduces a bold new voice into the ongoing debate over religion in American life. And it is the first in-depth front-line exploration of the country’s new moral majority – dressed up in punk-rock garb – and what its influence could mean for the future of America. BACKCOVER: Advanced Praise: “Lauren Sandler obliterates the naïve and complacent hope that keeps most secularists and religious moderates sleeping peacefully each night-the hope that, in 21st century America, the young know better than to adopt the lunatic religious certainties of a prior age. The young do not know better. In their schools, skate-parks, rock concerts, and in the ranks of our nation’s military, our children are gleefully preparing a bright future of ignorance and religious fascism for us all. If you have any doubt that there is a culture war that must be waged and won by secularists in America, read this book.” —Sam Harris, author of The End of Faith and Letter to a Christian Nation “It is no easy thing to enter into the world of the young evangelicals, to feel deeply their alienation, to breathe their air and share their electric conviction that they are the rising counterculture against an empty world. Lauren Sandler has done it, and done it with an effervescence and honesty that make her travels in Disciple America jump off the page.” —Todd Gitlin, Professor of Journalism and Sociology, Columbia University, and author of The Intellectuals and the Flag "At once controversial, critical, blasphemous and compassionate, Righteous offers a compelling journey into a growing youth subculture typically dismissed by urban intellectuals. Sandler has written a provocative and illuminating portrait of young people desperately seeking meaning, community and love in an empty, often terrifying social landscape. Evangelical youth---the Disciple Generation--- are a generation rising, and we do need to pay attention.” —Dr. Donna Gaines, sociologist and author of Teenage Wasteland: Suburbia's Dead End Kids and A Misfit's Manifesto: The Spiritual Journey of a Rock & Roll Heart “Lauren Sandler has traveled among the believers and returned with a story that alarms, informs, and enlightens. She reveals the rise of a fundamentalist-style youth movement that has replaced faith with closed-minded certainty and is frighteningly cult-like. Read this book and you will understand this Disciple Generation and the challenge it poses to a civil society.” —Michael D'Antonio, former Newsday religion writer and author of Fall From Grace and Heaven on Earth “Righteous is a lively, probing account of today's fresh, sometimes bizarre sub- cultures of American evangelism. Both the term ‘alternative’ and ‘evangelical’ will mean something new to you after this book. Sandler's conclusions are important: These kids have been forgotten by their original social worlds, by secular organizations and even by Left-Liberal causes. In a cold new world, getting saved can now seem like a young American's only source of community and warmth.” —Alissa Quart, author of Hothouse Kids: The Dilemma of the Gifted Child “Righteous is the most adroit and fascinating examination of a great national ill, the muddling of faith and politics, the secular and the divine.” —Brad Land, author of Goat

    Carlo Ginzburg uses the trial records of Domenico Scandella, a miller also known as Menocchio, to show how one person responded to the confusing political and religious conditions of his time.For a common miller, Menocchio was surprisingly literate. In his trial testimony he made references to more than a dozen books, including the Bible, Boccaccio's Decameron, Mandeville's Travels, and a "mysterious" book that may have been the Koran. And what he read he recast in terms familiar to him, as in his own version of the creation: "All was chaos, that is earth, air, water, and fire were mixed together; and of that bulk a mass formed—just as cheese is made out of milk—and worms appeared in it, and these were the angels."