But in June 1940, Mussolini finally declared war on Britain and France. The awful inevitability with which Italy stumbled its way into a war for which they were ill prepared and largely unenthusiastic is documented here with grace and clarity by one of the twentieth century's great diarists.This diary, which had never been published and was recently found in Origo's archives, is the sad and gripping account of the grim absurdities that Italy and the world underwent as war became more and more unavoidable. Iris Origo, British-born and living in Italy, was ideally placed to record the events: extremely engaged with the world around her, connected to people from all areas of society (from the peasants on her estate to the US ambassador to Italy), she writes of the turmoil, the danger, and the dreadful bleakness of Italy in the years 1939-1940, as war went from a possibility to a dreadful reality.A Chill in the Air covers the beginning of a war whose catastrophic effects are documented in the bestselling War in Val D'Orcia.

    He spent many years there as director of the Italian Cultural Institute in Lisbon. He even wrote Requiem in Portuguese; it had to be translated into Italian for publication in his native Italy.Requiem's narrator has an appointment to meet someone on a quay by the Tagus at twelve. But, it turns out, not twelve noon, twelve midnight, so he has a long time to while away. As the day unfolds, he has many encounters—a young junky, a taxi driver who is not familiar with the streets, several waiters, a gypsy, a cemetery keeper, the mysterious Isabel, an accordionist, in all almost two dozen people both real and illusionary. Finally he meets The Guest, the ghost of the long dead great poet Fernando Pessoa. Part travelog, part autobiography, part fiction, and even a bit of a cookbook, Requiem becomes an homage to a country and its people, and a farewell to the past as the narrator lays claim to a literary forebear who, like himself, is an evasive and many-sided personality.

    Its success had gone far beyond Italy, as the book has been translated into Spanish, French, Japanese and three other languages. This epic historical novel about World War II and after, written from the author's own personal experiences as an Italian Freedom Fighter, is a profoundly moving account of the war, those who fought in it on both sides, and the effects the war had on families in the author's hometown in Italy. On a wider scale, it is a faithful witness to the actual events of the war - including the role of historical personages who appear, the Russian campaign, the Nazi barbarism, the Communist gulag, the North Italian resistance, and political life in the two decades following the war. This world, filled with powerful personalities, drama and clashing armies, bathes in the light of the truth. What makes this truly historical novel, with its epic scope, a masterpiece is the underlying spiritual dimensions of the protagonist, his family and friends, which illuminates the ongoing tragedy of the war and its aftermath. In the end, it is a story of faith and hope in a world reduced to barbarism and cruelty. Born in 1921 in Lombardy, Eugenio Corti joined the Italian Freedom Fighters. From his experiences of the tragic retreat from Russia, Corti wrote a fascinating chronicle, Most Did Not Return, and a book about the Italian Freedom Fighters, The Last Soldiers of the King.

    Now, as I write this, you know nothing about anything, about what awaits you, the kind of world you will be born into. And I know nothing about you...I want to show you our world as it is now: the door, the floor, the water tap and the sink, the garden chair close to the wall beneath the kitchen window, the sun, the water, the trees. You will come to see it in your own way, you will experience things for yourself and live a life of your own, so of course it is primarily for my own sake that I am doing this: showing you the world, little one, makes my life worth living.Autumn begins with a letter Karl Ove Knausgaard writes to his unborn daughter, showing her what to expect of the world. He writes one short piece per day, describing the material and natural world with the precision and mesmerising intensity that have become his trademark. He describes with acute sensitivity daily life with his wife and children in rural Sweden, drawing upon memories of his own childhood to give an inimitably tender perspective on the precious and unique bond between parent and child. The sun, wasps, jellyfish, eyes, lice—the stuff of everyday life is the fodder for his art. Nothing is too small or too vast to escape his attention.This beautifully illustrated book is a personal encyclopaedia on everything from chewing gum to the stars. Through close observation of the objects and phenomena around him, Knausgaard shows us how vast, unknowable and wondrous the world is.

    Shalamov himself spent seventeen years there, and in these stories he vividly captures the lives of ordinary people caught up in terrible circumstances, whose hopes and plans extended to further than a few hours. This new enlarged edition combines two collections previously published in the United States as Kolyma Tales and Graphite.

    Soon Siggi is stealing the paintings to keep them safe from his father. Against the great brooding northern landscape. Siggi recounts the clash of father and son, of duty and personal loyalty, in wartime Germany. “I was trying to find out,” Lenz says, "where the joys of duty could lead a people"

    In God We Trust: All Others Pay Cash represents one of the peaks of his achievement, a compound of irony, affection, and perfect detail that speaks across generations.In God We Trust, Shepherd's wildly witty reunion with his Indiana hometown, disproves the adage "You can never go back." Bending the ear of Flick, his childhood-buddy-turned-bartender, Shepherd recalls passionately his genuine Red Ryder BB gun, confesses adolescent failure in the arms of Junie Jo Prewitt, and relives a story of man against fish that not even Hemingway could rival. From pop art to the World's Fair, Shepherd's subjects speak with a universal irony and are deeply and unabashedly grounded in American Midwestern life, together rendering a wonderfully nostalgic impression of a more innocent era when life was good, fun was clean, and station wagons roamed the earth.A comic genius who bridged the gap between James Thurber and David Sedaris, Shepherd may have accomplished for Holden, Indiana, what Mark Twain did for Hannibal, Missouri.

    This extraordinary trove, undiscovered until the 1940s and here translated for the first time into English, is the work of the mysterious Félix Fénéon. Dandy, anarchist, and critic of genius, the discoverer of Georges Seurat and the first French publisher of James Joyce, Fénéon carefully maintained his own anonymity, toiling for years as an obscure clerk in the French War Department. Novels in Three Lines is his secret chef-d’oeuvre, a work of strange and singular art that brings back the long-ago year of 1906 with the haunting immediacy of a photograph while looking forward to such disparate works as Walter Benjamin’s Arcades Project and the Death and Disaster series of Andy Warhol.

    To be published on the first anniversary of Kurt Vonnegut's death, Armageddon in Retrospect is a collection of twelve new and unpublished writings on war and peace, imbued with Vonnegut's trademark rueful humor.

    The woman at the center wavers between stasis and movement, between the need to belong and the refusal to form lasting ties. The city she calls home, an engaging backdrop to her days, acts as a confidant: the sidewalks around her house, parks, bridges, piazzas, streets, stores, coffee bars. We follow her to the pool she frequents and to the train station that sometimes leads her to her mother, mired in a desperate solitude after her father's untimely death. In addition to colleagues at work, where she never quite feels at ease, she has girl friends, guy friends, and "him," a shadow who both consoles and unsettles her. But in the arc of a year, as one season gives way to the next, transformation awaits. One day at the sea, both overwhelmed and replenished by the sun's vital heat, her perspective will change. This is the first novel she has written in Italian and translated into English. It brims with the impulse to cross barriers. By grafting herself onto a new literary language, Lahiri has pushed herself to a new level of artistic achievement.

    A man who does not struggle does not live, he survives." (quote from the book)The book is a pseudo-biography about Alexandros Panagoulis written in the form of a novel. Fallaci had an intense romantic relationship with Panagoulis. She uses the novel to put forth her view that Panagoulis was assassinated by a vast conspiracy, a view widely shared by many Greeks.

    Maximilien Aue has reinvented himself, many years after the war, as a middle-class family man and factory owner in France. An intellectual steeped in philosophy, literature, and classical music, he is also a cold-blooded assassin and the consummate bureaucrat. Through the eyes of this cultivated yet monstrous man we experience in disturbingly precise detail the horrors of the Second World War and the Nazi genocide of the Jews. Eichmann, Himmler, Göring, Speer, Heydrich, Höss—even Hitler himself—play a role in Max's story. An intense and hallucinatory historical epic, The Kindly Ones is also a morally challenging read. It holds a mirror up to humanity—and the reader cannot look away.

    Soon they meet another vacationing German couple, Charly and Hanna, who introduce them to a band of locals—the Wolf, the Lamb, and El Quemado—and to the darker side of life in a resort town. Late one night, Charly disappears without a trace, and Udo’s well-ordered life is thrown into upheaval; while Ingeborg and Hanna return to their lives in Germany, he refuses to leave the hotel. Soon he and El Quemado are enmeshed in a round of Third Reich, Udo’s favorite World War II strategy game, and Udo discovers that the game’s consequences may be all too real. Written in 1989 and found among Roberto Bolaño’s papers after his death, The Third Reich is a stunning exploration of memory and violence. Reading this quick, visceral novel, we see a world-class writer coming into his own—and exploring for the first time the themes that would define his masterpieces The Savage Detectives and 2666.

    Imprisoned in the Buchenwald concentration camp, they miraculously survive the Nazis’ murderous brutality.Then Gustav learns he is being sent to Auschwitz—and certain death.For Fritz, letting his father go is unthinkable. Desperate to remain together, Fritz makes an incredible choice: he insists he must go too. To the Nazis, one death camp is the same as another, and so the boy is allowed to follow. Throughout the six years of horror they witness and immeasurable suffering they endure as victims of the camps, one constant keeps them alive: their love and hope for the future. Based on the secret diary that Gustav kept as well as meticulous archival research and interviews with members of the Kleinmann family, including Fritz’s younger brother Kurt, sent to the United States at age eleven to escape the war, The Boy Who Followed His Father into Auschwitz is Gustav and Fritz’s story—an extraordinary account of courage, loyalty, survival, and love that is unforgettable.

    Dr Iannis practices medicine on the island of Cephalonia, accompanied by his daughter, Pelagia, to whom he imparts much of his healing art. Even when the Italians do invade, life isn’t so bad—at first anyway. The officer in command of the Italian garrison is the cultured Captain Antonio Corelli, who responds to a Nazi greeting of “Heil Hitler” with his own “Heil Puccini”, and whose most precious possession is his mandolin. It isn't long before Corelli and Pelagia are involved in a heated affair--despite her engagement to a young fisherman, Mandras, who has gone off to join Greek partisans. Love is complicated enough in wartime, even when the lovers are on the same side. And for Corelli and Pelagia, it becomes increasingly difficult to negotiate the minefield of allegiances, both personal and political, as all around them atrocities mount, former friends become enemies and the ugliness of war infects everyone it touches. British author Louis de Bernières is well known for his forays into magical realism in such novels as The War of Don Emmanuel's Nether Parts, Señor Vivo and the Coca Lord and The Troublesome Offspring of Cardinal Guzman. Here he keeps it to a minimum, though certainly the secondary characters with whom he populates his island—the drunken priest, the strongman, the fisherman who swims with dolphins—would be at home in any of his wildly imaginative Latin American fictions. Instead, de Bernières seems interested in dissecting the nature of history as he tells his ever-darkening tale from many different perspectives. Captain Corelli’s Mandolin works on many levels, as a love story, a war story and a deconstruction of just what determines the facts that make it into the history books.