Now she must try to piece together her memories in order to determine her innocence. With deft psychological explorations and shocking twists, Walters brings the story to an awe-inspiring conclusion.

    They know when.No one can say why.For three women the lack of answers is unbearable: DI Helen Birch, the detective charged with solving the case. Ishbel, the mother of the first victim, struggling to cope with her grief. And Moira, mother of the killer, who needs to understand what happened to her son.But as people search for someone to blame, the truth seems to vanish...

    So the murderer has killed himself; that just saves the time and cost of a trial. But a second murder days later bears haunting similarities to the first, even though once more the murderer swiftly confesses and kills himself.Detective Inspector Anthony McLean is investigating the discovery of a dead girl, walled up in the basement of an old Edinburgh mansion. She has been brutally murdered, her internal organs removed and placed around her in six preserving jars. The evidence suggests this all happened over sixty years ago, an attempt to re-enact an ancient ceremony that by trapping a demon in the dead girl’s body would supposedly confer immortality on the six men who took one of her organs each.McLean’s grandmother – the woman who raised him after his parents were killed when he was a young boy – dies after months in a coma following a stroke. On top of this he has to investigate a series of unusual, violent suicides and a cat-burglar who targets the homes of the recently dead. But as another prominent Edinburgh businessman is killed, he begins to suspect that there may be a connection between the murders, the suicides and the ritual killing of the girl found in the basement. The same names keep cropping up. He just can’t find a rational explanation as to how that connection works.As he digs deeper, and as the coincidences stack up, McLean is forced to consider an irrational explanation. Could there really be something evil stalking the city he has sworn to protect? And if so, how on earth can he hope to stop it?

    . . and his eleven-year-old neighbor is accused of the crime. Leading the defense is London solicitor Daniel Hunter, a champion of lost causes.A damaged boy from a troubled home, Daniel's young client, Sebastian, reminds Daniel of his own turbulent childhood--and of Minnie, the devoted woman whose love saved him. But one terrible act of betrayal irrevocably shattered their bond.As past and present collide, Daniel is faced with disturbing questions. Will his sympathy for Sebastian and his own memories blind him to the truth? What happened in the park--and who, ultimately, is to blame for a little boy's death? Rethinking everything he's ever believed, Daniel begins to understand what it means to be wrong . . . and to be the guilty one.

    The slaying carries all the hallmarks of a gangland hit -- a message from the underworld to snitches, cops and rival gangs. One mile away, a Liverpool-Somali girl, Misha, staggers into a run-down bar, dazed and confused. The bar's owner, a career criminal called Shakespeare who dresses like an Edwardian dandy, cannot get a word out of her. Shakespeare, a chivalrous old Trinidadian who has called Liverpool his home since the 70s, is smitten. DCI McCartney is all too well aware that the clock is ticking. The butchered body was one Kalan Rozaki, youngest brother of a notorious Liverpool-Kurdish crime family -- except Kalan is no criminal. For almost a year his brothers have been under full-time Drug Squad surveillance as McCartney slowly closed the net on the Rozakis' intercontinental heroin trafficking organisation. McCartney's key witness and chief informant on the case is someone with intimate insider knowledge of the Rozaki clan's operation... their newly deceased baby brother, Kalan. McCartney's investigation into Kalan's murder peels back layer after layer of a decades-long dynasty of drug smuggling. Each revelation plunges Mac further back into the dark heart of an unsolved drug crime that weighs heavy on his soul. He wants to catch the Rozakis -- badly -- but he wants the shadowy men behind their drug empire even more. The closer McCartney gets to Kalan's killer, the closer he comes to facing down a lifetime's torment -- and facing up to the possibility, finally, of closure. There is one solid gold witness to the killing, Kalan's girlfriend, Misha -- but Misha has vanished. Meanwhile a shipload of unadulterated heroin is sailing ever closer to the Port of Liverpool and Mac's key informant is dead. As dawn breaks on his day of destiny, Mac's priorities have become fatally intertwined: find Kalan's killer, rescue Misha and swoop on the Rozakis -- hopefully elbows-deep in heroin. Then, and only then, can he unmask the demon who has haunted his adult life.

    She is headed for the Panopticon, a home for chronic young offenders. She can't remember what’s happened, but across town a policewoman lies in a coma and Anais’s school uniform is covered in blood.Raised in foster care from birth and moved through twenty-three placements before she even turned seven, Anais has been let down by just about every adult she has ever met. Now a counter-culture outlaw, she knows that she can only rely on herself. And yet despite the parade of horrors visited upon her early life, she greets the world with the witty, fierce insight of a survivor.Anais finds a sense of belonging among the residents of the Panopticon – they form intense bonds, and she soon becomes part of an ad hoc family. Together, they struggle against the adults that keep them confined. When she looks up at the watchtower that looms over the residents though, Anais knows her fate: she is an anonymous part of an experiment, and she always was. Now it seems that the experiment is closing in.Named one of the best books of the year by the Times Literary Supplement and the Scotsman, The Panopticon is an astonishingly haunting, remarkable debut novel. In language dazzling, energetic and pure, it introduces us to a heartbreaking young heroine and an incredibly assured and outstanding new voice in fiction.

    But the next morning the body of a murdered teenage girl is discovered nearby, and suspicion falls on Magnus. Inspector Jimmy Perez enters an investigative maze that leads deeper into the past of the Shetland Islands than anyone wants to go.

    The trees are coarse and tall in the winter light, standing like men. Lauren and her father Niall live alone in the Highlands, in a small village surrounded by pine forest. When a woman stumbles out onto the road one Halloween night, Niall drives her back to their house in his pickup. In the morning, she's gone. In a community where daughters rebel, men quietly rage, and drinking is a means of forgetting, mysteries like these are not out of the ordinary. The trapper found hanging with the dead animals for two weeks. Locked doors and stone circles. The disappearance of Lauren's mother a decade ago. Lauren looks for answers in her tarot cards, hoping she might one day be able to read her father's turbulent mind. Neighbours know more than they let on, but when local teenager Ann-Marie goes missing it's no longer clear who she can trust. In spare, haunting prose, Francine Toon creates an unshakeable atmosphere of desolation and dread. In a place that feels like the end of the world, she unites the gloom of the modern gothic with the pulse of a thriller. It is the perfect novel for our haunted times.

    They are in there...Black smoke stains a summer blue sky. A school is on fire. And one mother, Grace, sees the smoke and rush. She knows her teenage daughter Jenny is inside. She runs into the burning building to rescue her.Afterwards Grace must find the identity of the arsonist and protect her children from the person who's still intent on destroying them. Afterwards, she must fight the limits of her physical strength and discover the limitlessness of love.

    Calm at first, Mark collects Nathan and takes him home but as the hours slowly crawl by he increasingly starts to worry. With brilliantly controlled reveals, we learn some of the painful secrets of the couple's shared past, not least that it isn't the first time Lauren has disappeared. And as Mark struggles to care for his son and shield him from the truth of what's going on, the police seem dangerously short of leads. That is, until a shocking discovery...

    Her captor is insane, his intentions unclear.Now, facing the demons from her past could be the only way to ensure a future…The Girl in the Basement is a fast-paced thriller from the bestselling author of Flu and Plastic Jesus.'Jaw-clenchingly brutal and bitterly unrelenting from start to finish.' —DLS Reviews'...shocking and brilliant...' —Bookbloke‘A stunning read, but not for the faint hearted.' —The Guardian on Plastic Jesus‘With The Girl in the Basement, Simmons gives classic pulp writers a taste of their own plaid.’ —Sion Smith, Skin Deep Tattoo Magazine‘Breathless and unrelenting, you cannot fail to turn the page and see what happens next.’ —JD Gillam, Starburst Magazine‘A short, sharp shock to the system. Simmons grabs you from the first line of the first page and doesn’t let go. You’ll be as trapped as the Girl in the Basement herself: unable to escape or even to stop reading. Highly recommended.’ —David Moody, author of Autumn, Hater and The Cost of Living

    He leaves no clues and the police are helpless.When his name is found carved into the charred remains of the third victim, disgraced detective Washington Poe is brought back from suspension and into an investigation he wants no part of.Reluctantly partnered with the brilliant but socially awkward civilian analyst, Tilly Bradshaw, the mismatched pair uncover a trail that only he is meant to see. The elusive killer has a plan and for some reason Poe is part of it.As the body count rises, Poe discovers he has far more invested in the case than he could have possibly imagined. And in a shocking finale that will shatter everything he's ever believed about himself, Poe will learn that there are things far worse than being burned alive...

    Revenge, justice, loyalty, lies, love, anger and an identity crisis. Turns out, the new chauffeur is not her only driver...so buckle up and enjoy the ride.

    Her aunt Vera Hillyard, a rigidly respectable woman, was convicted and hanged for the crime, but the reason for her desperate deed died with her. Thirty years later, a probing journalist pushes Faith to look back to the day when her aunt took knife in hand and walked into a child's nursery. Through the eyes of a woman trying to understand an unspeakable, inexplicable family tragedy, Barbara Vine leads us through a shadow land of illicit lust, intimate sins, and unspoken passions—to a shattering and illuminating climax, as inevitable as it is unexpected. In this enthralling masterpiece, a great crime writer has achieved both a flawlessly crafted novel of psychological suspense and a deeply probing work of literary art.

    I sat in the crematorium, listening to my Uncle Hamish quietly snoring in harmont to bach's Mass in B Minor, and I reflected that it always seemed to be death that drew me back to Gallanach." Prentice McHoan has returned to the bosom of his complex but enduring Scottish family. Full of questions about the McHoan past, present and future, he is also deeply preoccupied: mainly with death, sex, drink, God and illegal substances...