Included are "The Dark Chateau," "The Witch," "The Ghost," and more.

    When the original version of this book was published in 1985, Publishers Weekly called it "a treasure for all ages," and The New York Times declared, "Fairy-tale aficionados will be mesmerized." For this hardcover reissue, Susan Jeffers retouched her pen-and- ink and dye illustrations, making them even richer. Her brilliant artwork is showcased in a new interior design featuring a fifth-color gold border. Embossed gold foil type on the jacket of this large-format picture book trumpets the arrival of the girl who went from rags to riches.

    The Goon Squad 2014 Summer Special contains an introduction to the Squad, and four short stories: "Red Wolf, Red Wolf, Does Whatever a Red Wolf Can," "Changes," "No-No Dojo," and "Tale of Terror." Join Puppet Girl, the Revenant, Red Wolf, and Talos as they protect the fairly innocent, are sharply critical about modern newspapers, talk to a door in Salford, and recount the day the city nearly blew up.

    Other great kings and paladins are lost in the dim shadows oflong-past centuries, but Arthur still reigns in Camelot and his knightsstill ride forth to seek the Grail. "No little thing shall be The gentle music of the bygone years, Long past to us with all their hopes and fears."So wrote the poet William Morris in _The Earthly Paradise_. And surelyit is no small debt of gratitude we owe the troubadours and chroniclersand poets who through many centuries have sung of Arthur and hischampions, each adding to the song the gifts of his own imagination, sobuilding from simple folk-tales one of the most magnificent and movingstories in all literature.This debt perhaps we owe in greatest measure to three men; to Chrétiende Troies, a Frenchman, who in the twelfth century put many of the oldArthurian legends into verse; to Sir Thomas Malory, who first wrote outmost of the stories in English prose, and whose book, the _MorteDarthur_, was printed by William Caxton, the first English printer, in1485; and to Alfred, Lord Tennyson, who in his series of poems entitledthe _Idylls of the King_ retold the legends in new and beautiful guisein the nineteenth century.The history of Arthur is so shrouded in the mists of early England thatit is difficult to tell exactly who and what he was. There probably wasan actual Arthur, who lived in the island of Britain in the sixthcentury, but probably he was not a king nor even a prince. It seems mostlikely that he was a chieftain who led his countrymen to victory againstthe invading English about the year 500. So proud were his countrymen ofhis victories that they began to invent imaginary stories of his prowessto add to the fame of their hero, just as among all peoples legends soonspring up about the name of a great leader. As each man told the featsof Arthur he contributed those details that appealed most to his ownfancy and each was apt to think of the hero as a man of his own time,dressing and speaking and living as his own kings and princes did, withthe result that when we come to the twelfth century we find Geoffrey ofMonmouth, in his _History of the Kings of Britain_, describing Arthurno longer as a half-barbarous Briton, wearing rude armor, his arms andlegs bare, but instead as a most Christian king, the flower of mediævalchivalry, decked out in all the gorgeous trappings of a knight of theCrusades.As the story of Arthur grew it attracted to itself popular legends ofall kinds. Its roots were in Britain and the chief threads in its fabricremained British-Celtic. The next most important threads were those thatwere added by the Celtic chroniclers of Ireland. Then stories that werenot Celtic at all were woven into the legend, some from Germanicsources, which the Saxons or the descendants of the Franks may havecontributed, and others that came from the Orient, which may have beenbrought back from the East by men returning from the Crusades. And if itwas the Celts who gave us the most of the material for the stories ofArthur it was the French poets who first wrote out the stories and gavethem enduring form.It was the Frenchman, Chrétien de Troies, who lived at the courts ofChampagne and of Flanders, who put the old legends into verse for thepleasure of the noble lords and ladies that were his patrons. Hecomposed six Arthurian poems. The first, which was written about 1160 orearlier, related the story of Tristram. The next was called _Érec etÉnide_, and told some of the adventures that were later used by Tennysonin his _Geraint and Enid_. The third was _Cligès_, a poem that haslittle to do with the stories of Arthur and his knights as we havethem. Next came the _Conte de la Charrette_, or _Le Chevalier de laCharrette_, which set forth the love of Lancelot and Guinevere. Thenfollowed _Yvain_, or _Le Chevalier au Lion_, and finally came_Perceval_, or _Le Conte du Graal_, which gives the first account of theHoly Grail.

    Drawn from The History Press’ popular Folk Tales series, herein lies a treasure trove of tales from a wealth of talented storytellers. From the Spaeman’s peculiar advice and a laird who is transformed into a frog, to a fugitive hiding in a dark cave and the stoor worm battling with Assipattle, this book celebrates the distinct character of Scotland's different customs, beliefs, and dialects, and is a treat for all who enjoy a well-told story.

    Its author, Hans Christian Andersen, made the literary fairy tale so much his own that even today no writer has surpassed him.This collection, with an introduction and fresh new renderings of the tales by Neil Philip, includes not just "The Little Mermaid" but also such favorites as "The Tinderbox," "The Emperor's New Clothes," "The Steadfast Tin Soldier," and "The Little Match Girl."Philip also includes some lesser known tales that reflect different facets of Andersen's genius, such as the tall tale "The Flying Trunk," with its witty story-within-a-story, the charming fantasy of "Little Ida's Flowers," the comic fable "The Collar," and a story about the magic of everyday reality, "The Gardener and His Master."A special feature of the book is the inclusion of several fairy tales of spiritual search and redemption, including "The Bell," "The Toad," and, of course, "The Little Mermaid."The book is illustrated throughout by Isabelle Brent's magical watercolors, lavishly embellished with gold leaf, making this handsome volume a book the whole family will treasure.

    Each of the seven chapters in Part 1 focuses on one aspect of Russian folk belief, such as the pagan background, Christian personages, devils and various other logical categories of the topic. The author's thesis - that Russian folk belief represents a "double faith" whereby Slavic pagan beliefs are overlaid with popular Christianity - is persuasive and has analogies in other cultures. The folk narratives constituting Part 2 are translated and include a wide range of tales, from the briefly anecdotal to the more fully developed narrative, covering the various folk personages and motifs explored in Part 1.

    Her eagerness to help a mysterious bunny gets her transported to a strange world full of goblin inventors, dog armies, cosmic giants, and even stranger things! Armed with the ancestral weapon of rabbitkind (an old shovel) she must help her animal friends, and get home in time for supper. Along the way she will experience the bravery of folk heroes, the power of ancient gods and the danger of lurking monsters; all while making sure her animal friends are safe. A word book for young readers, The Tale of Tallest Rabbit is a family friendly collection of stories tied together by an overarching narrative of bravery and friendship.

    

    In a glass-enclosed city of absolute straight lines, ruled over by the all-powerful 'Benefactor', the citizens of the totalitarian society of OneState live out lives devoid of passion and creativity - until D-503, a mathematician who dreams in numbers, makes a discovery: he has an individual soul. Set in the twenty-sixth century AD, We is the classic dystopian novel and was the forerunner of works such as George Orwell's 1984 and Aldous Huxley's Brave New World. It was suppressed for many years in Russia and remains a resounding cry for individual freedom, yet is also a powerful, exciting and vivid work of science fiction. Clarence Brown's brilliant translation is based on the corrected text of the novel, first published in Russia in 1988 after more than sixty years' suppression.

    In this riveting collection of fables and folktales from cultures across the globe, characters from beloved fairytales, cultural fables, ancient mythologies, and inspirational deities are brought to life, including Sleeping Beauty (Italy), Rapunzel (Germany), Jack and the Beanstalk (England), Our Lady of Guadalupe (Mexico), Sun God Ra (Egypt), the Crane Wife (Japan), and dozens more.Lesser-known stories introduce characters such as the volcano goddess Pele from Hawaii; Mwindo, the wise and powerful king of the Nyanga people; and the strong and resilient Yennenga, mother of the Mossi people in Burkina Faso. The recurring themes of conquering evil, overcoming adversity, and finding love and companionship are woven throughout this collection.Yoshi Yoshitani's art style is fresh and unique, featuring diverse and multicultural characters. Each story will be featured opposite a correlating illustration, both lush and vibrant.

    Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th-century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions.

    With consummate literary skill Pelevin creates a satirical bestiary which is as realistic as it is delirious - a bitter parable of contemporary Russia, full of the probing, disenchanted comedy that makes Pelevin a vital and altogether surprising writer.

    His highly-acclaimed work includes One Hundred Years of Solitude, The Autumn of the Patriarch and Love in the Time of Cholera. He won the Nobel Prize for Literature in 1982 for his literary production prior to Chronicle of a Death Foretold. A principal exponent of 'magical realism', his work forms a significant part of the debate about postmodernist writing, and the study of fantasy as a genre. Dr. Fiddian's detailed and accessible Introduction places Marquez's work in the contexts of national, regional (Caribbean) and continental (Latin American) writing and develops a coherent overview of the author's literary output. The essays selected for inclusion in this collection bring together some of the most up-to-date and authoritative assessments of Marquez's writing, from early stories and novellas, through the major novels, up to Love in the Time of Cholera. Featuring a variety of critical approaches, this fascinating study provides the first annotated anthology of criticism in English.

    Complete with the screenplay and photos from the new film starring Peter O'Toole and Sam Neill.