The Hospital cares for abandoned children - but Hetty must first live with a foster family until she is big enough to go to school.Life in the countryside is hard but with her 'brothers' Jem and Gideon, she helps in the fields and plays imaginary games. Together they sneak off to visit the travelling circus and Hetty is mesmerised by the show, especially Madame Adeline and her performing horses.But Hetty's happiness is threatened once more when she is returned to the Foundling Hospital. The new life of awful uniforms and terrible food is a struggle for her. But now she has the chance to find her real mother. Could she really be the wonderful Madame Adeline? Or will Hetty find the truth is even more surprising?Jacqueline Wilson will surprise and delight old fans and new with this utterly original take on a historical novel. Set in Victorian times and featuring a brand new feisty heroine, Hetty Feather, this is a Tracy Beaker-esque tale that will thrill young readers. Warm, moving, funny and totally fascinating, it's the perfect gift for girls of eight and older.

    Born in an Australian permanent detention center after his mother and sister fled the violence of a distant homeland, Subhi has only ever known life behind the fences. But his world is far bigger than that—every night, the magical Night Sea from his mother's stories brings him gifts, the faraway whales sing to him, and the birds tell their stories. And as he grows, his imagination threatens to burst beyond the limits of his containment.The most vivid story of all, however, is the one that arrives one night in the form of Jimmie—a scruffy, impatient girl who appears on the other side of the wire fence and brings with her a notebook written by the mother she lost. Unable to read it herself, she relies on Subhi to unravel her family's love songs and tragedies.Subhi and Jimmie might both find comfort—and maybe even freedom—as their tales unfold. But not until each has been braver than ever before.

    She believes she is in for brightly colored macaws, enormous butterflies, and "curtains of sweetly scented orchids trailing from the trees." Her British classmates warn her of man-eating alligators and wild, murderous Indians. Unfortunately, no one cautions Maia about her nasty, xenophobic cousins, who douse the house in bug spray and forbid her from venturing beyond their coiffed compound. Maia, however, is resourceful enough to find herself smack in the middle of more excitement than she ever imagined, from a mysterious "Indian" with an inheritance, to an itinerant actor dreading his impending adolescence, to a remarkable journey down the Amazon in search of the legendary giant sloth.

    Her parents are determined that Lydia will fulfill the dreams they were unable to pursue - in Marilyn's case that her daughter become a doctor rather than a homemaker, in James's case that Lydia be popular at school, a girl with a busy social life and the centre of every party. Little Fires Everywhere: Everyone in Shaker Heights was talking about it that summer: how Isabelle, the last of the Richardson children, had finally gone around the bend and burned the house down.In Shaker Heights, a placid, progressive suburb of Cleveland, everything is meticulously planned - from the layout of the winding roads, to the colours of the houses, to the successful lives its residents will go on to lead. And no one embodies this spirit more than Elena Richardson, whose guiding principle is playing by the rules.

    Pearl deals with death, life, and family in this haunting, humorous, and poignant debut.The world can tip at any moment… a fact that fifteen-year-old Pearl is all too aware of when her mum dies after giving birth to her baby sister, Rose.Rose, who looks exactly like a baby rat, all pink, wrinkled, and writhing. This little Rat has destroyed everything, even ruined the wonderful relationship that Pearl had with her stepfather, the Rat’s biological father.Mum, though… Mum’s dead but she can’t seem to leave. She keeps visiting Pearl. Smoking, cursing, guiding.Told across the year following her mother’s death, Pearl’s story is full of bittersweet humour and heartbreaking honesty about how you deal with grief that cuts you to the bone, as she tries not only to come to terms with losing her mother, but also the fact that her sister — The Rat — is a constant reminder of why her mum is no longer around.

    (Though this isn't a book for nine-year-olds.) And sooner or later you will arrive with Bruno at a fence.Fences like this exist all over the world. We hope you never have to encounter one.

    But things do not turn out as they had expected. The sole survivors of a terrible shipwreck, they wash ashore to learn that the danger has only begun. Their new world will test their courage, cleverness, endurance, and faith as they struggle to survive and create a civilization of their own in the wilderness. Note: This Townsend Library classic has been carefully edited to be more accessible to today's students. It includes a brief author's biography and an afterword that provides important context about the work.

    Their family's cramped quarters are awful, but when even those dire circumstances become too dangerous, their parents decide to make for the nearby Lagiewniki Forest, where partisan fighters are trying to shepherd Jews to freedom in Russia. The partisans take Chaim and Gittel, with promises that their parents will catch up -- but soon, everything goes wrong. Their small band of fighters is caught and killed. Chaim, Gittel, and their two friends are left alive, only to be sent off to Sobanek concentration camp.Chaim is quiet, a poet, and the twins often communicate through wordless exchanges of shared looks and their own invented sign language. But when they reach Sobanek, with its squalid conditions, rampant disease, and a building with a belching chimney that everyone is scared to so much as look at, the bond between Chaim and Gittel, once a source of strength, becomes a burden. For there is a doctor there looking to experiment on twins, and what he has in store for them is a horror they dare not imagine.

    Letting go is hard - until Granny's long-dead mammy appears at Mary's door, returning to help her dying daughter say goodbye. But first she needs someone to drive them all on a visit to the past.

    Yet this year, it's different -- Hattie's uncle Adam is coming home. Returning from a Chicago school that's just closed and whose existence is kept quiet by adult family members, Adam is a 21-year-old man with a child's mind, having a knack for talking quickly, a savant-like ability for remembering weekdays, and a passion for I Love Lucy. Hattie and Adam wind up spending precious time together -- including a visit to the recently arrived carnival with Hattie's new friend, Leila -- which makes her feel soulfully connected to her uncle, especially when he declares that she's one of the people who can lift the corners of our universe. But when Hattie takes Adam on the Ferris wheel one night, it sets off dramatic events that lead Hattie's family to strengthen its bonds and changes her life's outlook forever.

    Watching over his sleeping son, the father reflects on the dangerous sea-crossing that lies before them. It is also a vivid portrait of their life in Homs, Syria, before the war, and of that city's swift transformation from a home into a deadly war zone. Impelled to write this story by the haunting image of young Alan Kurdi, the three-year-old Syrian boy whose body washed upon the beach in Turkey in September 2015, Hosseini hopes to pay tribute to the millions of families, like Kurdi's, who have been splintered and forced from home by war and persecution, and he will donate author proceeds from this book to the UNHCR (the UN Refugee Agency) and The Khaled Hosseini Foundation to help fund lifesaving relief efforts to help refugees around the globe. Hosseini is also a Goodwill Envoy to the UNHCR, and the founder of The Khaled Hosseini Foundation, a nonprofit that provides humanitarian assistance to the people of Afghanistan.

    One day he tumbles over, lands in a sort of cave, and meets' somebody with shaggy hair wearing a rabbit-skin and speaking in grunts. He names him Stig. They together raid the rubbish dump at the bottom of the pit, improve Stig's cave dwelling, and enjoy a series of adventures.

    With the family's fortunes considerably reduced in his absence, the children and their mother are forced to live in a simple country cottage near a railway station. There the young trio—Roberta, Peter, and young Phyllis—befriend the porter and station master.The youngsters' days are filled with adventure and excitement, including their successful attempt to avert a horrible train disaster; but the mysterious disappearance of their father continues to haunt them.The solution to that painful puzzle and many other details and events of the children's lives come to vivid life in this perennial favorite, a story that has captivated generations of readers and, more recently, delighted television and movie audiences. In this inexpensive, unabridged edition, it will charm a whole new audience of young readers with its warmth and appeal.

    When Katy meets her Cousin Helen, an invalid, Katy is awed by her kindness, prettiness, and generosity. Katy is determined to become more like Helen, a resolution that lasts only a few hours. Soon, however, Katy gets a chance to become more like cousin Helen than she ever wished as she finds herself confined to her bedroom for four years as a result of an accident. Much of the story is focused on the change Katy undergoes during her illness. Helen visits again to advise Katy to learn from her experience and to try to become the center of the house by making her room and herself more attractive to others. One way Katy decides to take Helen's advice is through assuming the responsibility of running the house, a job that consists of giving the servants instructions and ringing her bell to summon her sisters when she has a task for them. As soon as Katy has learned the lesson about how to care for others, she recovers and regains the ability to walk. Grade 5-8

    'Why aren't you doing something? Do you know what the British are calling us? Hitler's canary! I've heard it on the radio, on the BBC. They say he has us in a cage and we just sit and sing any tune he wants.'"Bamse's family are theater people. They don't get involved in politics. "it had nothing to do with us," Bamse tells us. Yet now he must decide: should he take his father's advice and not stir up trouble? Or should he follow his brother into the Resistance and take part in the most demanding role of his life?