Fearful of prison time—or lynching—for violating Indiana’s antimiscegenation laws in the 1940s, E. Dolores Johnson’s black father and white mother fled Indianapolis to secretly marry in Buffalo, New York.  When Johnson was born, social norms and her government-issued birth certificate said she was Negro, nullifying her mother’s white blood in her identity. Later, as a Harvard-educated business executive feeling too far from her black roots, she searched her father’s black genealogy. But in the process, Johnson suddenly realized that her mother’s whole white family was—and always had been—missing. When she began to pry, her mother’s 36-year-old secret spilled out. Her mother had simply vanished from Indiana, evading an FBI and police search that had ended with the conclusion that she had been the victim of foul play.

    By the time the interrogators left, three men had been shot to death and the others, including the women, beaten.

    Journalists and protestors flooded the town, and hate groups rallied to the establishment's defense, dredging up the long history of racial violence in this formerly prosperous mill town. What came next is the subject of an upcoming major motion picture starring Forest Whitaker, Garrett Hedlund, Tom Wilkinson, Andrea Riseborough, and Usher Raymond. Shortly after his museum opened, Michael Burden abruptly left the Klan at the urging of a woman he fell in love with. Broke and homeless, he was taken in by Reverend David Kennedy, an African American preacher and leader in the Laurens community, who plunged his church headlong in a quest to save their former enemy. In this spellbinding Southern epic, journalist Courtney Hargrave further uncovers the complex events behind the story told in Andrew Heckler's upcoming film, Burden, which won the 2018 Sundance Audience Award. Hargrave explores the choices that led to Kennedy and Burden's friendship, the social factors that drive young men to join hate groups, the intersection of poverty and racism in the divided South, and the difference one person can make in confronting America's oldest sin.

    It features a stunning array of personalities, from the women peering worriedly over the side of the Mayflower to feminists having a grand old time protesting beauty pageants and bridal fairs. Courageous, silly, funny, and heartbreaking, these women shaped the nation and our vision of what it means to be female in America. By culling the most fascinating characters — the average as well as the celebrated — Gail Collins, the editorial page editor at the New York Times, charts a journey that shows how women lived, what they cared about, and how they felt about marriage, sex, and work. She begins with the lost colony of Roanoke and the early southern "tobacco brides" who came looking for a husband and sometimes — thanks to the stupendously high mortality rate — wound up marrying their way through three or four. Spanning wars, the pioneering days, the fight for suffrage, the Depression, the era of Rosie the Riveter, the civil rights movement, and the feminist rebellion of the 1970s, America's Women describes the way women's lives were altered by dress fashions, medical advances, rules of hygiene, social theories about sex and courtship, and the ever-changing attitudes toward education, work, and politics. While keeping her eye on the big picture, Collins still notes that corsets and uncomfortable shoes mattered a lot, too. "The history of American women is about the fight for freedom," Collins writes in her introduction, "but it's less a war against oppressive men than a struggle to straighten out the perpetually mixed message about women's roles that was accepted by almost everybody of both genders." Told chronologically through the compelling stories of individual lives that, linked together, provide a complete picture of the American woman's experience, America's Women is both a great read and a landmark work of history.

    And meet Eric Motley, a native son who came of age in this remarkable place where constant lessons in self-determination, hope, and unceasing belief in the American dream taught him everything he needed for his journey to the Oval Office as a Special Assistant to President George W. Bush.Eric grew up among people whose belief was to “give” and never turn away from your neighbor’s need. There was Aunt Shine, the goodly matriarch who cared so much about young Motley’s schooling that she would stand up in a crowded church and announce Eric’s progress or his shortcomings. There was Old Man Salery, who secretly siphoned gasoline from his beat-up car into the Motley’s tank at night. There were Motley’s grandparents, who bought books for Eric they couldn’t afford, spending the last of their seed money. And there was Reverend Brinkley, a man of enormous faith and simple living. It was said that whenever the Reverend came your way, light abounded. Life in Madison Park wasn’t always easy or fair, and Motley reveals personal and heartbreaking stories of racial injustice and segregation. But Eric shows how the community taught him everything he needed to know about love and faith.This charming, engaging, and deeply inspiring memoir will help you remember that we can create a world of shared values based on love and hope. It is a story that reveals the amazing power of faith in God and each other. If you’re in search of hope during troubled times, look no further than Madison Park.

    Set in a mythical backwater Southern town, A Different Drummer is the extraordinary story of Tucker Caliban, a quiet, determined descendant of an African chief who for no apparent reason destroys his farm and heads for parts unknown--setting off a mass exodus of the state's entire Black population.Nearly three decades offer its first publication, A Different Drummer remains one of the most trenchant, imaginative, and hard-hitting works of fiction to come out of the bitter struggle for African-American civil rights.

    The entire South—its people, culture, history, customs, both past and present—has been and continues to be lied about and demonized by the unholy trinity of the American establishment: Academia, Hollywood, and the Media. In the midst of the anti-South hysteria currently infecting the American psyche—the banning of flags, charges of hate and “racism,” the removal and attempted removal of Confederate monuments, the renaming of schools, vandalism of monuments and property displaying the Confederate Battle Flag, and even physical assaults, albeit rarely at present, on people who display the symbols of the South — Shotwell Publishing offers this unapologetic, unreconstructed, pro-South book with the hope that it will reach those who are left that are not afraid to question the sanity of this cultural purge and the veracity of its narrative concerning the South.

    The material presented is ground-breaking and revolutionary, leaving viewers amazed and inspired.

    For John Graves, this project meant that if the stream’s regimen was thus changed, the beautiful and sometimes brutal surrounding countryside would also change, as would the lives of the people whose rugged ancestors had eked out an existence there. Graves therefore decided to visit that stretch of the river, which he had known intimately as a youth.Goodbye to a River is his account of that farewell canoe voyage. As he braves rapids and fatigue and the fickle autumn weather, he muses upon old blood feuds of the region and violent skirmishes with native tribes, and retells wild stories of courage and cowardice and deceit that shaped both the river’s people and the land during frontier times and later. Nearly half a century after its initial publication, Goodbye to a River is a true American classic, a vivid narrative about an exciting journey and a powerful tribute to a vanishing way of life and its ever-changing natural environment.

    Her vision holds out the difficult promise of a truly democratic American identity whose possibilities are no longer limited and disfigured by race.

    Vann Woodward, who died in 1999 at the age of 91, was America's most eminent Southern historian, the winner of a Pulitzer Prize for Mary Chestnut's Civil War and a Bancroft Prize for The Origins of the New South. Now, to honor his long and truly distinguished career, Oxford is pleased to publish this special commemorative edition of Woodward's most influential work, The Strange Career of Jim Crow.The Strange Career of Jim Crow is one of the great works of Southern history. Indeed, the book actually helped shape that history. Published in 1955, a year after the Supreme Court in Brown v. Board of Education ordered schools desegregated, Strange Career was cited so often to counter arguments for segregation that Martin Luther King, Jr. called it "the historical Bible of the civil rights movement." The book offers a clear and illuminating analysis of the history of Jim Crow laws, presenting evidence that segregation in the South dated only to the 1890s. Woodward convincingly shows that, even under slavery, the two races had not been divided as they were under the Jim Crow laws of the 1890s. In fact, during Reconstruction, there was considerable economic and political mixing of the races. The segregating of the races was a relative newcomer to the region.Hailed as one of the top 100 nonfiction works of the twentieth century, The Strange Career of Jim Crow has sold almost a million copies and remains, in the words of David Herbert Donald, "a landmark in the history of American race relations."

    Two rival football teams. Two legendary coaches. Two talented quarterbacks. Together they broke the color line, revolutionized college sports, and transformed the NFL.1967. TWO RIVAL FOOTBALL TEAMS. TWO LEGENDARY COACHES. TWO STAR QUARTERBACKS. TOGETHER THEY BROKE THE COLOR L INE, REVOLUTIONIZED COLLEGE SPORTS, AND TRANSFORMED THE NFL. In September 1967, after three years of landmark civil rights laws and three months of devastating urban riots, the football season began at Louisiana’s Grambling College and Florida A&M. The teams were led by two extraordinary coaches, Eddie Robinson and Jake Gaither, and they featured the best quarterbacks ever at each school, James Harris and Ken Riley. Breaking the Line brings to life the historic saga of the battle for the 1967 black college championship, culminating in a riveting, excruciatingly close contest. Samuel G. Freedman traces the rise of these four leaders and their teammates as they storm through the season. Together they helped compel the segre­gated colleges of the South to integrate their teams and redefined who could play quarterback in the NFL, who could be a head coach, and who could run a franchise as general manager. In Breaking the Line, Freedman brilliantly tells this suspenseful story of character and talent as he takes us from locker room to state capitol, from embattled campus to packed stadium. He captures a pivotal time in American sport and society, filling a missing and crucial chapter in the movement for civil rights.

    Sandy’s mother, Annjee, works as a housekeeper for a rich white family, while his father traverses the country in search of work. Not Without Laughter is a moving examination of growing up in a racially divided society. A rich and important work, Hughes deftly echoes the Black American experience with this novel.

    The ensuing scandal caused Houston to resign his office in disgrace, leave Tennessee to live with the Cherokees in Arkansas, and eventually to go to Texas and mold its history.

    At first, the South and most of the North responded with outrage—southerners promised to execute any black soldiers captured in battle, while many northerners claimed that blacks lacked the necessary courage. Meanwhile, Massachusetts, long the center of abolitionist fervor, launched one of the greatest experiments in American history.In Thunder at the Gates, Douglas Egerton chronicles the formation and battlefield triumphs of the 54th and 55th Massachusetts Infantry and the 5th Massachusetts Cavalry—regiments led by whites but composed of black men born free or into slavery. He argues that the most important battles of all were won on the field of public opinion, for in fighting with distinction the regiments realized the long-derided idea of full and equal citizenship for blacks.A stirring evocation of this transformative episode, Thunder at the Gates offers a riveting new perspective on the Civil War and its legacy.